Previously titled Father of Frankenstein, this acclaimed novel was the basis for the 1998 film starring Sir Ian McKellen, Lynn Redgrave, and Brendan Fraser. It journeys back to 1957 Los Angeles, where James Whale, the once-famous director of such classics as Frankenstein and Bride of Frankenstein, is living in retirement, haunted by his past. Rescuing him from his too-vivid imagination is his gardener, a handsome ex-marine. The friendship between these two very different men is sometimes tentative, sometimes touching, often dangerous—and always captivating.
This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
Gods and Monsters (P.S.)
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Editorial Reviews
Review
“Bram is, quite simply, the best American gay novelist going.” (LA Gay )
“An engaging read…Bram’s prose has an evanescent quality that evokes his protagonist’s fading consciousness.” (Bay Area Reporter )
“A glorious read from an intelligent and talented writer, and worthy of a space in your library.” (Frontiers )
“A touching fictional portrait of old Hollywood and of one of the curious geniuses who made it what it was.” (Alan Cheuse in NPR’s All Things Considered )
“Witty, moving, entertaining, and enlightening… one of the most remarkable and satisfying novels to come along in quite some time.” (Island Lifestyle )
“As compassionate as it is phantasmic… Bram constructs a compelling fictional narrative.” (Independent Weekly )
“A fine novel…pointed, wry, observant, and wise. I virtually inhaled it in a single reading.” (Peter Straub )
“An engaging read…Bram’s prose has an evanescent quality that evokes his protagonist’s fading consciousness.” (Bay Area Reporter )
“A glorious read from an intelligent and talented writer, and worthy of a space in your library.” (Frontiers )
“A touching fictional portrait of old Hollywood and of one of the curious geniuses who made it what it was.” (Alan Cheuse in NPR’s All Things Considered )
“Witty, moving, entertaining, and enlightening… one of the most remarkable and satisfying novels to come along in quite some time.” (Island Lifestyle )
“As compassionate as it is phantasmic… Bram constructs a compelling fictional narrative.” (Independent Weekly )
“A fine novel…pointed, wry, observant, and wise. I virtually inhaled it in a single reading.” (Peter Straub )
About the Author
Christopher Bram is the author of eight other novels, including Gods and Monsters (originally titled Father of Frankenstein), which was made into an Academy Award-winning film. Bram was a 2001 Guggenheim Fellow and received the 2003 Bill Whitehead Award for Lifetime Achievement. He lives in New York City.
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
5.0 out of 5 stars
A Great Book With Extras,
By
This review is from: Gods and Monsters: A Novel (P.S.) (Paperback)
This is a great book, guys. I came from the angle of being a fan of old Hollywood, and if it's black and white, I've heard of it.
"Frankenstein" is by far the best of the Universal monster movies, and it has a lot to do with the subject of this novel: James Whale. The guy took the unwieldy, even boring, Shelley novel and pulled out the story of a sad monster and the redemption of its creator. He's also the reason why we have "Young Frankenstein" - so there's a lot to love about the guy. The most intriguing thing about the novel, is the author creating a fictionalized "untold story" of Whale's final days - an act of literary bravado that could easily go wrong, but didn't, and it didn't in a big way. I'll spare you the plot synopsis because if you're reading this, you've already read that, but I will tell you this is a great book in the sense that college classes will make it required reading and the sense of being accessible to the masses. Don't let anyone fool you: This is not a "movie book" or a "gay book" it's just a book; and a damn good one. I really dig this particular edition for it's "postscript". It's the kind of stuff DVD extras are made of...an interview with the author, an after word and so on. As someone who invested the time to read the 300+ pages, it was great to hear directly from the author of how he came to tell this story, his thoughts on the movie based upon this book among other things. Mark my words, soon you will see "Special Editions" of nearly every book you can think of...not just for the insights of the author or analysis of its historical context...but as a marketing tool by which we will end up buying our favorite books all over again. :)
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Very different twist on a gay theme,
By
This review is from: Gods and Monsters: A Novel (P.S.) (Paperback)
Gods and Monsters (a.k.a. Father of Frankenstein) is a great novel on lots of different levels. It explores the gay world of Hollywood in the 1950s, the impossibility of overcoming stereotyping (can we say Joseph Heller?), and the way that the horrors of the First World War were morphed into a classic horror movie, among other themes.
But most of all, Gods and Monsters is about life and death. What gives meaning to life? Can one grow into life by being part of another man's death? Why is death so feared? These questions are all raised and adressed, although the answers are left for the reader to determine. I have read many gay novels, and this one is a masterpiece. It transcends the genre and approaches the level of the great writers of our time. Well worth reading!
2 of 2 people found the following review helpful:
5.0 out of 5 stars
A minor masterpiece,
By
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This review is from: Gods and Monsters: A Novel (P.S.) (Paperback)
The descriptions on Amazon of Gods and Monsters, first published as Father of Frankenstein, do not do the book justice. This novel, about the last (fictionalized) days of the director of the Frankenstein movies, is simply marvelous. It takes as its premise a simple situation: an ailing, homosexual director, his fame long-gone stale, gets the idea to incite his very masculine, working-class landscaper into murdering him because he doesn't have the courage to commit suicide. A modern, minor masterpiece of psychology and subtext, the sleek, subtle plot creates a page-turner which never loses site of its deeply drawn, sympathetic, flawed and unique characters. Bram is a master of the simile and has a perfect instinct for story arc and form. The novel could hardly lose or gain a single word without suffering. In every way it is a gem.
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