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Editorial Reviews
Amazon.com
Gaaaaaaaargh! The guy in the rubber suit is back with a vengeance. Godzilla's back in the nurturing hands of Toho Studios, and they've beefed up the big beast with more highly developed spinal fins, resembling large crystals, and more menacing teeth. But he's the same guy in the rubber suit who smashes Tokyo's buildings and cars and dukes it out in larger-than-life smackdowns with the universe's monstrous villains. The plot is familiar to anyone who was a 12-year-old boy: Godzilla erupts from the sea for reasons that are never made clear, proceeds to wreak havoc amongst the buildings of a model city, and meets and beats a monster his own size, thus saving humanity. His nemesis this time around is a 600-foot-long rock that scientists find at the bottom of the ocean and unwisely bring to the surface, where it proves to be an alien spacecraft bent on acquiring Godzilla's regenerative abilities. "A visitor from outer space?" exclaims one of the scientists, "My god, it's just too crazy to believe!" To which the lead scientist responds, "Right, like Godzilla's normal. Anyway, it's my theory that..."
The film is thoroughly entertaining, and not just for the breathtaking sequences of destruction that follow Godzilla's emergence and his battles with the alien space monster. These do have a preternatural beauty. But the human story, if you can call it that, holds your interest due to the shear preponderance of improbabilities it generates. You laugh at the "mistakes"--assuming they weren't planted there as amiable self-deprecation. --Jim Gay
Product Description
The first Japanese Godzilla movie released in the U.S. in 15 years! Only he can save Earth from the aliens who plan to conquer our planet in this exciting sci-fi adventure. 2000/color/99 min/PG/widescreen.
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Most Helpful Customer Reviews
24 of 25 people found the following review helpful
By John Cassidy
Format:DVD
Produced by Toho as a "take that" to the awful American remake from 1998, I thought this Godzilla movie was really great! I also found it much better than the bloated Series 2 (1984-1995) films, and to be as fun as any of the Series 1 (1954-1975) films! The story was intriguing, the characters were likeable (and thankfully fewer characters, unlike the Byzantine Series 2 characters), the special effects are impressive (almost to the level of the new Gamera movies, and it even uses some CGI!), there was actually more hardcore monster action (as opposed to the in-your-face laser light shows of the recent films), Takayuki Hattori's music was well done for a non-Akira Ifukube score, and the movie doesn't take itself too seriously! Godzilla here looks his best yet, and the Millennian/Orga is one of Godzilla's more bizarre adversaries!
Although the public response to this film was surprisingly positive, I was rather discouraged to hear the same words that US critics used to describe Japanese SF films past, such as "cheesy" and "campy." Although I don't mind poking fun at Japanese SPFX, I just wish they weren't so meanspirited. Besides, old fashioned suitamation FX has been improving in Japanese films, especially with the aid of CGI! You have to give them credit.
I was very happy to see this film in the theater (I saw the Japanese version later on), and that Tri-Star brought this film to the US, partially to apologize to the US fans for that American monstrosity! I think it's time for the US to appreciate Japanese SPFX, and maintain its fandom in the US.
In short, I reccommend this movie! Look for it, especially on DVD!
14 of 14 people found the following review helpful
Format:DVD
I am glad to see that despite all the adverse influence (Gamera, American Godzilla), Toho still knows how to make one hell of a big goofy movie. This may be among my favorite of the newer G films, keeping the 'plot' at a steady pace, while featuring many other goodies we've come to know and love: intentionally bad dubbing, likable but two dimenstional characters, and a completely incomprehensible ending w/ moral. Put putting all those aside, G2K actually sets some pretty high standards that actually exceed hollywood. For one, the minature work here utterly amazing. There is nothing from hollywood that really makes such an incredible use of minatures and it far surpasses and former toho efforts. In the end as Godzilla continues to torch Japan, the ruined city looks completely believable. There are of course also some great shots of Godzilla along the skyline that work tremendously well--but as you might also expect, there are some scene you'll need to just pretend :)
The final G test though is the fun meter. Was Godzilla's entrance REALLY cool, did it have you jumping up in down in the theater? Well maybe not, but it was great. For the non godzilla fans (and the people who like the US version) this may be completely lost on you and just another cheesy film, but for the those who 'get it' and have been getting it since they were little kids, G2K is a really great entry in the big guy's 50 year oeuvre.
24 of 27 people found the following review helpful
Format:DVD
I was a big Godzilla fan in the 80s, when the Monster Movie of the Week seemed to play every hour of every day of the week. Although I can't precisely remember every monster and every battle, I fondly remember "Godzy" (as my mom would call him, both of my parents are sci-fi fans) beating the rubbery stuffing out of his opponents. Sometimes he had allies (Rodan), sometimes he had recurring enemies (King Ghidorah, Mechagodzilla) and sometimes he just blew stuff up a lot.
Appreciating a Godzilla movie requires the viewer to adjust his expectations. Godzilla movies aren't about great acting, linear plots, or special effects. The Japanese movie industry understands its audience--if you're going to buy into a gigantic atomic-breathing humanoid lizard, pretty much anything goes. "Anything" includes robots, aliens, robots built by aliens, size-shifting robots (Jet Jaguar ROCKS!) and tiny singing faeries. And don't forget the giant moth.
Trying to make the Godzillaverse make sense is a huge mistake, as evidenced by the failure of the American version of Godzilla in theaters. There's nothing quite like creating a titanic lizard and then not giving him atomic breath because "that just wouldn't make sense."
Godzilla 2000 is the Toho studio's response to the American movie. Which is to say it is both better and worse.
By the time we get to Godzilla 2000, the big lug has been around long enough to create two rival investigating forces. On the good guy side we have the Godzilla Prediction Network (GPN) led by Shinoda (Takehiro Murata) and his daughter Io (Mayu Suzuki). The GPN team (if you can call them that) is accompanied by Yuki (Naomi Nishida), who is trying to get a good picture of Godzilla for the local newspaper. Ironically, nobody can get a good close-up of Godzilla because he emits enough radiation to ruin photography. Which really does make one wonder...shouldn't just being in proximity to Godzilla fry every human being in a hundred mile radius?
The bad guys consist of the Crisis Control Intelligence (CCI) agency, led by Katagiri (Hiroshi Abe). The two groups have a bit of history: Shinoda used to work for the CCI before he left due to their "violent tendencies." Where GPN seeks to examine and understand Godzilla for the good of mankind, the CCI wants to blow him up into big, radioactive chunks.
If you haven't figured it out yet, much of the movie centers on this philosophical argument as to how to treat Godzilla. It's pretty clear that Godzilla doesn't care either way, as he comes rampaging ashore in a quest to find Japan's power sources. Why? Because in a not very subtle way, Godzilla is a parallel for the dangers of atomic weapons. At least he was, when Godzilla first graced the screen. Godzilla is the result of our warmongering and he retaliates with a vengeance by attacking atomic plants.
The CCI takes the direct approach, accepting any human casualties that might be necessary to take Godzilla head on. Tanks, mines, armor-piercing missiles...none of it works, because Godzilla regenerates at incredibly high speed. That little tidbit of information greatly interests the GPN, who names Godzilla's DNA (Regenerator-1) and seeks to use it to save humanity. Well, maybe eventually. In another movie.
The unearthing of a meteorite by the CCI eventually interrupts Godzilla's rampage. Sure enough, the meterorite, which is millions of years old, awakens when touched by light. And that meteor is in reality an alien spacecraft with DNA mimicking capabilities. It immediately makes a beeline for Godzilla.
This alien being/ship is known as Orga, and it goes through several phases. First it starts out as a particularly feminine looking saucer. Then it transforms, for about thirty seconds, into a large jellyfish. This scene is so short and irrelevant to the movie that it seems like something was cut. Finally, Orga turns into a big guy in a rubber suit. And then we're back to the Godzilla movies from the 80s, where guys in suits slap each other silly until one of them falls down.
Godzilla has been redesigned for this film to make him look more feral looking. For the most part, it works. His dorsal spikes are particularly vicious, his fangs jut out over his lips, and his eyes are perpetually fixed in a cruel glare. Orga, on the other hand, looks ridiculous. He's a big, floppy-fisted monster with barely enough motion to move his gigantic oversized claws.
I never appreciated the physical acting required for Godzilla. When it's a rubber suit, the emotion that can be conveyed must be over-the-top pantomiming. This actor doesn't have it.
Godzilla has arms. Past Godzilla movies have made sure Godzilla ripped things apart with his claws, mauled his opponents, or twitched in agitation. This version of Godzilla doesn't have much to do but sort of wave his arms around slightly. It makes him look pretty foolish when he's trying to be scary or in pain or.
The other problem, and this is a big one, is how Godzilla uses his breath weapon. In other Godzilla movies, he reared backwards and you got the sense that breathing atomic fire took a lot of effort. When the flames blew out of his mouth, it seemed like a true exhalation of atomic destruction. In this movie, Godzilla looks vaguely constipated, waves his head about, and then the flames sort of fall out of his mouth.
Throughout the first half of the movie there is some amusing dialogue (or at least, amusing translations), some real moments of tension, and a lot of human stupidity. During the second half, the humans pretty much stand around and watch the city get blown up real good.
Of all the characters, Katagiri steals the show. When staring down Godzilla eye-to-eye, Katagiri simply lights a cigarette and says "I've never been this close to Godzilla before." But as well all know, nobody stares Godzilla in the eye and walks away without glowing.
The movie spirals into bizarre territory at the end, with Orga trying to absorb Godzilla, who strangely complies (there's a whole Orga/female Godzilla/male thing going on too, ICK). Scientists spout about Regenerator-1 genes, military generals philosophize about aliens from outer space, and Shinoda tells his daughter in a voice over about how Godzilla keeps protecting humanity because there's a little bit of him in all of us...
Meanwhile, in the background, Godzilla sets the entire city ablaze with his radioactive breath.
This movie is more like two movies, bridging the original Godzilla film with the later Monsterama battles that Godzilla has become known for. In fact, it's more a homage to all the Godzilla films that went before. All in all, a worthy successor to the Godzilla series and certainly more respectful of its origins than the American version.
Appreciating a Godzilla movie requires the viewer to adjust his expectations. Godzilla movies aren't about great acting, linear plots, or special effects. The Japanese movie industry understands its audience--if you're going to buy into a gigantic atomic-breathing humanoid lizard, pretty much anything goes. "Anything" includes robots, aliens, robots built by aliens, size-shifting robots (Jet Jaguar ROCKS!) and tiny singing faeries. And don't forget the giant moth.
Trying to make the Godzillaverse make sense is a huge mistake, as evidenced by the failure of the American version of Godzilla in theaters. There's nothing quite like creating a titanic lizard and then not giving him atomic breath because "that just wouldn't make sense."
Godzilla 2000 is the Toho studio's response to the American movie. Which is to say it is both better and worse.
By the time we get to Godzilla 2000, the big lug has been around long enough to create two rival investigating forces. On the good guy side we have the Godzilla Prediction Network (GPN) led by Shinoda (Takehiro Murata) and his daughter Io (Mayu Suzuki). The GPN team (if you can call them that) is accompanied by Yuki (Naomi Nishida), who is trying to get a good picture of Godzilla for the local newspaper. Ironically, nobody can get a good close-up of Godzilla because he emits enough radiation to ruin photography. Which really does make one wonder...shouldn't just being in proximity to Godzilla fry every human being in a hundred mile radius?
The bad guys consist of the Crisis Control Intelligence (CCI) agency, led by Katagiri (Hiroshi Abe). The two groups have a bit of history: Shinoda used to work for the CCI before he left due to their "violent tendencies." Where GPN seeks to examine and understand Godzilla for the good of mankind, the CCI wants to blow him up into big, radioactive chunks.
If you haven't figured it out yet, much of the movie centers on this philosophical argument as to how to treat Godzilla. It's pretty clear that Godzilla doesn't care either way, as he comes rampaging ashore in a quest to find Japan's power sources. Why? Because in a not very subtle way, Godzilla is a parallel for the dangers of atomic weapons. At least he was, when Godzilla first graced the screen. Godzilla is the result of our warmongering and he retaliates with a vengeance by attacking atomic plants.
The CCI takes the direct approach, accepting any human casualties that might be necessary to take Godzilla head on. Tanks, mines, armor-piercing missiles...none of it works, because Godzilla regenerates at incredibly high speed. That little tidbit of information greatly interests the GPN, who names Godzilla's DNA (Regenerator-1) and seeks to use it to save humanity. Well, maybe eventually. In another movie.
The unearthing of a meteorite by the CCI eventually interrupts Godzilla's rampage. Sure enough, the meterorite, which is millions of years old, awakens when touched by light. And that meteor is in reality an alien spacecraft with DNA mimicking capabilities. It immediately makes a beeline for Godzilla.
This alien being/ship is known as Orga, and it goes through several phases. First it starts out as a particularly feminine looking saucer. Then it transforms, for about thirty seconds, into a large jellyfish. This scene is so short and irrelevant to the movie that it seems like something was cut. Finally, Orga turns into a big guy in a rubber suit. And then we're back to the Godzilla movies from the 80s, where guys in suits slap each other silly until one of them falls down.
Godzilla has been redesigned for this film to make him look more feral looking. For the most part, it works. His dorsal spikes are particularly vicious, his fangs jut out over his lips, and his eyes are perpetually fixed in a cruel glare. Orga, on the other hand, looks ridiculous. He's a big, floppy-fisted monster with barely enough motion to move his gigantic oversized claws.
I never appreciated the physical acting required for Godzilla. When it's a rubber suit, the emotion that can be conveyed must be over-the-top pantomiming. This actor doesn't have it.
Godzilla has arms. Past Godzilla movies have made sure Godzilla ripped things apart with his claws, mauled his opponents, or twitched in agitation. This version of Godzilla doesn't have much to do but sort of wave his arms around slightly. It makes him look pretty foolish when he's trying to be scary or in pain or.
The other problem, and this is a big one, is how Godzilla uses his breath weapon. In other Godzilla movies, he reared backwards and you got the sense that breathing atomic fire took a lot of effort. When the flames blew out of his mouth, it seemed like a true exhalation of atomic destruction. In this movie, Godzilla looks vaguely constipated, waves his head about, and then the flames sort of fall out of his mouth.
Throughout the first half of the movie there is some amusing dialogue (or at least, amusing translations), some real moments of tension, and a lot of human stupidity. During the second half, the humans pretty much stand around and watch the city get blown up real good.
Of all the characters, Katagiri steals the show. When staring down Godzilla eye-to-eye, Katagiri simply lights a cigarette and says "I've never been this close to Godzilla before." But as well all know, nobody stares Godzilla in the eye and walks away without glowing.
The movie spirals into bizarre territory at the end, with Orga trying to absorb Godzilla, who strangely complies (there's a whole Orga/female Godzilla/male thing going on too, ICK). Scientists spout about Regenerator-1 genes, military generals philosophize about aliens from outer space, and Shinoda tells his daughter in a voice over about how Godzilla keeps protecting humanity because there's a little bit of him in all of us...
Meanwhile, in the background, Godzilla sets the entire city ablaze with his radioactive breath.
This movie is more like two movies, bridging the original Godzilla film with the later Monsterama battles that Godzilla has become known for. In fact, it's more a homage to all the Godzilla films that went before. All in all, a worthy successor to the Godzilla series and certainly more respectful of its origins than the American version.
Most Recent Customer Reviews
1.0 out of 5 stars
No Japanese track.
So I think I might be an odd one for that, but I believe if the amazon page says there is a Japanese dub that means you can listen to the movie in its native Japanese. Read more
Published 4 days ago by Adam R. Houck
5.0 out of 5 stars
happy kids
this movie I put on if I want to do deep cleaning in my house. While Godzilla is destroying cities I get to destroy dustbunnies. Read more
Published 14 days ago by Blisa05
4.0 out of 5 stars
Godzilla 2000
It wasn't to bad,but could of been better, you got one man and his daughter keep A look out at all times for godzilla>Then you got A government agency doing the samething but... Read more
Published 1 month ago by john ward
5.0 out of 5 stars
Dragons
The kids are having lots of fun with it......would like to have the toy a little bigger but they still liked it
Published 1 month ago by Grandma
5.0 out of 5 stars
Godzilla Fan
I'm a fan of old monster/scifi/horror movies, it arrive timely and in great condition, looking forward to buying more movies.
Published 2 months ago by Ronnie
5.0 out of 5 stars
Huge fan
I have every one released in the u.s. I grew up watching it as a kid and my kids enjoy him also.
Published 3 months ago by Torrie Skojec
3.0 out of 5 stars
Godzilla with no subs?
Well its Godzilla 2000. An awesome movie by itself but unfortunately this version doesnt have Japanese dialogue. Read more
Published 3 months ago by W. Lucero
5.0 out of 5 stars
Love it
I love Godzilla movies of any kind so when I can find them at a good price, I buy them. I recommend.
Published 4 months ago by sunny
3.0 out of 5 stars
fun
This movie was not bad. It brought back good memories of my childhood and the fact that I watched it with my son was great.
Published 4 months ago by Conrad Carvajal
5.0 out of 5 stars
Godzilla...Godzilla...and more Godzilla!
This is a fantastic Godzilla movie! I have seen lots of Godzilla films and this one has got to be one of the best. Godzilla is shown throughout the entire movie... Read more
Published 4 months ago by Utah non-Mormon stay-at-home mom
