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Goethe and His Publishers
 
 
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Goethe and His Publishers [Abridged] [Hardcover]

Siegfried Unseld (Author), Kenneth J. Northcott (Translator)

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Book Description

0226841901 978-0226841908 November 15, 1996 1
Goethe's ranging literary genius, nimble yet luminous, resists simple classification. Poet and natural philosopher, critic and raconteur, Goethe was the most commanding literary presence of his time.

Goethe and His Publishers organizes for the first time the myriad details of Goethe's career in print. Director of the German publishing company Suhrkamp Verlag, Siegfried Unseld brings a singular perspective to this biography, focusing our attention on an essential component of Goethe's literary endeavors: his relationship to his publishers. Carefully examining each work, Unseld covers the range of Goethe's oeuvre, from first anonymous publications to eventual monumental editions brought out by Johann Friedrich Cotta, the most renowned publisher of his day.

Unseld sifts through the rich correspondence between Goethe and his publishers, as well as letters to and from friends, colleagues, and contemporaries. Analyzing publishing contracts, draft contracts, and historical documents, Unseld reveals the tremendous energy Goethe exerted on behalf of his manuscripts. During negotiations he was sometimes circumspect and reserved, other times demanding and assertive. These exchanges not only shed new light on Goethe's complex character but also show how he changed the author's role in the publishing process. Thus, this work offers a penetrating study on the intricate and many-tiered relations between author and publisher, then and today.

Goethe and His Publishers celebrates Goethe's works, his life, and his times, from the viewpoint of a publisher today. Written by an individual who has devoted much of his life to the study of the poet whom he reveres, such a personal approach not only forms an excellent introduction to Goethe's work but helps restore Goethe to his rightful place in the world of letters.


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Editorial Reviews

From Publishers Weekly

Unseld is the veteran boss of Germany's huge Suhrkamp Publishers, noted for, among other things, its list of modern masters like Bertolt Brecht, Hermann Hesse, Samuel Beckett and Max Frisch. His study is a chronological look at the great German Romantic writer's relations with his publishers, based entirely on other scholars' research. Although the result is not, as the jacket hype would have it, an "excellent introduction to Goethe's work," it is an enjoyable case study that shows that, regarding the relationship between poet and publisher, the more things change the more things stay the same. One early publisher, Goschen, placed a public curse on the heads of book pirates, telling them, "Your own wife and child will look upon you with disgust and no honest man will drink with you." Finally, Goethe settled into a long-term relationship with another German publisher, Cotta, successfully shaking him down for money. Unseld offers a number of irrelevant but intriguing anecdotes about authors on his list like Brecht and Beckett. There are some gratuitous comments, such as one about Goethe's 28-year affair with a woman named Christiane: "certainly a long time in the life of a person," and stuffy punditry about "the duty of a publisher" in general, which Unseld says is "service." The book's tone is not helped by a stiff and unidiomatic translation. "Goethe published another work pregnant with a public...." The author, using the German word schwanger, no doubt meant "mature" or "ripe and ready." Worth reading for Goethe fans, but real specialists will go back to the Unseld's sources, such as Ian C. Loram's unpublished dissertation, "Goethe and the Publication of His Works."
Copyright 1996 Reed Business Information, Inc.

From Library Journal

Goethe dealt, to varying degrees of dissatisfaction, with as many as 20 publishers in his lifetime, especially the prominent firm of Cotta and Goschen. The difficulties in these partnerships can be attributed to Goethe's diligent and persistent advocacy on behalf of his writings. Rampant piracy, shaky business ethics, and the absence of an elaborate legal framework governing publishing and the book trade did not help to soothe his skepticism. In this authoritative study, Unseld, director of the German publishing house Suhrkamp and a Goethe scholar, draws on primary sources, letters, and other documents to probe aspects of the publishing world's practices according to Goethe's experiences. Unseld's work fortunately does not evolve into a boring history of the business. Significant portions are dedicated to complete and authorized editions. With the exception of a few terms that are cumbersome to translate, this English edition generally captures the thrust of the original German. Recommended for academic and comprehensive public library literary collections.?Ali Houissa, Cornell Univ., Ithaca, N.Y.
Copyright 1996 Reed Business Information, Inc.

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Inside This Book (learn more)
First Sentence:
IN HIS AUTOBIOGRAPHY, Poetry and Truth, Goethe tells how a friend of his youth, Ernst Wolfgang Behrisch, received his poetic productions indulgently but warned him about the public: "he let me do as I liked," writes Goethe, "but only on condition that I did not have anything published." Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
final authorized edition, second complete edition, duplicate printings, individual editions, pirated versions, first complete edition
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Frau von Stein, Wilhelm Meister, Die Horen, Charlotte von Stein, Carl August, French Revolution, Easter Fair, Herr Cotta, First Publications, Frau von Schiller, Wilhelm von Humboldt, Bertolt Brecht, Chancellor von Müller, The Great Cophta, Allgemeine Zeitung, Ernst von Schiller, Metamorphosis of Plants, The Bourgeois General, Confederate Convention, Congress of Vienna, Reynard the Fox, Sulpice Boisserée, The Accomplices, Caroline von Wolzogen, Christoph Martin Wieland
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