Goin' to Kansas City (Music in American Life) [Hardcover]

Nathan W. Pearson (Author)

Editorial Reviews

From Publishers Weekly

Count Basie, Buck Clayton, Eddie Durham, Jesse Stone, Mary Lou Williams and other musicians, whose reminiscences are gathered here by ethnomusicologist Pearson, explain why Kansas City was such an important center of jazz in the 1920s and 1930s. They recall the Blue Devils, the orchestras of Bennie Moten, Basie and Jay McShann, the development of a distinctive Kansas City style from ragtime and New Orleans jazz, the ambience during the days when Tom Pendergast's corrupt political machine ran the town and the rise of innovators Buster Smith, Lester Young and Charlie Parker. Also included are enjoyable sections on such lesser-known groups as George E. Lee's Singing Novelty Orchestra and Thamon Hayes's Kansas City Rockets.
Copyright 1987 Reed Business Information, Inc.

From Library Journal

Based on a series of 41 interviews conducted between 1977 and 1980, this work "uses the development of jazz in Kansas City as the focal point for a social history." It traces the sources of Kansas City jazz, examines the corrupt political and social climate of the city, and follows the big bands of Benny Moten, Count Basie, Jay McShann, and others who made the city famous. The balance between thematically arranged excerpts from the interviews and the text, which provides biographical notes and interpretive continuity, gives this work value both as an anecdotal resource and as a historical account. William Brockman, Drew Univ. Lib., Madison, N.J.
Copyright 1988 Reed Business Information, Inc.

Product Details

• Hardcover: 252 pages
• Publisher: University of Illinois Press (December 1, 1987)
• Language: English
• ISBN-10: 0252013360
• ISBN-13: 978-0252013362
• Product Dimensions: 9.3 x 6.4 x 1.2 inches
• Shipping Weight: 1.6 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #2,875,907 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

4.0 out of 5 stars Goin' to Kansas City, November 15, 2010

By 

N. Pearson - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Goin' to Kansas City (Music in American Life) (Hardcover)

Goin' To Kansas City

Nathan W. Pearson, Jr

University of Illinois Press, 1987

Hardback. 272pp. b&w illustrations

£29.99

The great bands of the Kansas City era - The Blue Devils, Bennie Moten, Andy Kirk, the Kansas City Rockets, Count Basie and Jay McShann - rank among the most exciting groups in jazz. These musicians brought together many different musical styles to create a distinctive Kansas City jazz that was among the finest expressions of swing, and laid the groundwork for modern jazz.

Goin' to Kansas City tells the story of the community, primarily through the recollections of many who were active participants. Through interviews that provide first-hand accounts of such prominent musicians as Mary Lou Williams, Buck Clayton, and Buster Smith, and accompanying narrative, Nathan Pearson offers an intimate view of the times and lore of this important centre of American music, its development, and its great bands.

Kansas City has long been recognised as having been a major jazz centre, ranking in importance only behind New York, New Orleans, and Chicago. From the mid-1920s through the late 1930s, jazz musicians from the central states of America were "goin' to Kansas City" in search of jobs, musical challenge, and good times. When they arrived they entered a musical community that was extraordinarily supportive, demanding, and artistically uplifting. Pearson's social history reveals how this unique jazz style developed in the context of Kansas City's political and economic environment prior to World War II.

Kansas City jazz prospered while most of America suffered through the Great Depression, largely because of the corrupt but economically stimulating administration of Boss Tom Pendergast. Jazz was the popular social music of the time, and the centres of vice - nightclubs and gambling halls - usually hired musicians to attract customers. The serendipitous results were plentiful but low-paying jobs for jazz musicians from throughout the Mid-west and an outpouring of great new music.

NATHAN W. PEARSON, Jr., is trained as an ethnomusicologist and is a management consultant in New York City.

"Nathan Pearson and his colleague, Howard Litwak, did a wonderful job of locating and interviewing these oldtimers, and their documentation is full. Goin' to Kansas City will be useful to the sizeable audience interested in jazz in a scholarly way, which includes not only academic ethnomusicologist and other music types but also many people who have no academic affiliation but nevertheless specialise in jazz history. In addition, a lot of scholars are interested in materials like this as a basis for sociological and historical generalisation." - HOWARD S. BECKER