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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Powerful and Passionate, January 6, 2004
The Manics are nothing if not passionate...that much at least everyone can agree on regarding the controversial Welsh rockers. Beyond that they have been described as being everything from brilliant to worthless. On "Gold Against the Soul", they will do nothing to dispel the notions of those in the latter camp. However, to the fans who have discovered the tremendous talent and emotion of this band, GATS is the epitome of Manics albums.Loud, beautiful, melodic, confrontational...all words could be used to describe this album. From the gradiose, open country feel of opener "Sleepflower", to the psuedo-metal/funk closing title track, the Manics, still with since-missing guitarist/lyricist Richey James, pull out all of the stops. Again, the operative keyword here is *passionate*. When vocalist James Dean Bradfield screams "Gold destroys the soul...destroys the soul...", you KNOW that he means it. Whether you agree with their politics or not (and many don't), the Manics deserve points for their brutal honesty in their songwriting. The songs touch on a broad wave of topics, from international politics, personal relationships, James's ever-increasing inner turmoil and self-loathing (which would go on to be the focal point of 1994's bleak "The Holy Bible"), and even a diatribe about Tourrete's Syndrome. James and his partner in controvserial-songwriting crime, bassist Nicky Wire, tune down the raw outbursts which were evident on "generation terrorists", but the message is as unabashed as ever. If the political rhetoric has remained on par, then the musical output of the band has grown increasingly refined. The Manics dispatch any remaining semblance of their punk band past, and instead embrace a melodic, yet forceful, brand of guitar rock. Bradfield and drummer Sean Moore, the musical "directors" of the band, show their keen sense of melody and arrangement throughout GATS. "La Tristesse Durera" is a funk/guitar-driven melodic sing-along, "Roses in the Hospital" is a shimmering, groove-based anthem, and "Life Becoming a Landslide" is simply beautiful. "Symphony of Tourrete's" is a break from the formula, with the band showing that although they don't turn out Clash-inspired punk like they used too, they can still crank it up. Notions that GATS represents a "sophomore slump" for the band are groundless assertions. Rather, GATS ranks among the band's finest work, and represents a final ray of sunlight before Richey James drove the band down the dark, disturbing path which led to the aformentioned "Holy Bible". No Manics fan should be without this, and those who are curious about the group would be wise to pick it up.
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