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A childhood memory that my sister and I shared, though from slightly different angles, was a lost two-yuan bill. She was seven, and I was three, and on this summer day she was in charge of taking care of me and buying two yuan worth of pork, which, in 1976, would count as half of our monthly meat ration.
The waiting line at the meat counter was long. I was hot, and bored, and made a fuss to hold the bill for my sister while she struggled not to lose the ration book, or me, or her position in the line. She had me promise not to let the money go from my grasp many times before putting it in my hand; I walked in and out of the line, holding the money tightly, but the next thing I knew, when I looked again the money was gone from my hand, and in its place I had a piece of scrap paper.
My sister received a memorable beating for the lost bill from our mother. I received no such punishment, but had my first experience of remorse. For days after I would try to revise my memory: that I had not asked for the money; that I had held it so securely that it had not been replaced. But remorse, like my sister's pains from the beating or from being the less favored daughter, takes its course to become less engrossing, so the episode becomes a joke between us, standing in for all the things we can and cannot possibly laugh about. What I find more fascinating, though, is how the money was replaced: my parents believed that I dropped the money and picked up something else in its place; I, however, knowing even then the significance of two-yuan bill, believed that I had not let the money go until someone, not by force but by guile, got the money out of my hand and repaid me with the scrap paper. Either possibility would make sense; either could make a story with a happy ending: the one who deceived a small child and the one who spotted a lost bill could both, at the end of the day, celebrate their good fortune.
All the stories in Gold Boy, Emerald Girl, like the episode with the lost money, came from situations--both Chinese and American--that could lead to different stories. The versions I chose to tell, I hope, have neither villains nor victims in them but people who have both taken from others and have been taken from, who have both deceived and been deceived, and who are as lonely as you and I.
©2010 by Yiyun Li
Yiyun Li's prose is elegant and seeping through your eyes like a sweet nectar. Each story is exciting and not lacking in depth of human's emotions and dilemmas. Read morePublished 4 days ago by shetachai chatchoomsai
My new favorite author. She's won every major short story award for a freaking reason.Published 6 months ago by e kaiser
I had no expectations about this book I read for a book group. The stories were engaging and an interesting insight into parts of the Chinese revolution. Read morePublished 8 months ago by Richard and Liz Davies
Her first book of short stories, A Thousand Years of Prayers, is much better but I wanted more. Fabulous insight into the daily life and minds of people.Published 9 months ago by tspia
I needed this book fast because a scheduling change thrust me into a course which uses it. Amazon's price was the lowest, and delivery was fast. Read morePublished 10 months ago by Birgitta L Ramsey
The writing was excellent, but I found the stories depressing. I don't want stories to be sugary, but I enjoy a little lightness or a peak at a happy moment.Published 19 months ago by MaryLou
Every story in this masterful collection is pretty freaking depressing. They are all love stories, but they're also about loneliness, loss, and growing older. Read morePublished on September 9, 2013 by Amazon Customer
Beautifully written stories. I gave a copy to a dear friend who mentored me through grad school and he loved it, too. Read morePublished on September 30, 2012 by Picky Purchaser
'Gold Boy, Emerald Girl' is a timeless classic set in 21st century Beijing, created by Yiyun Li. It is the story of how thirty-eight year old Siyu, and forty-four year old Hanfeng... Read morePublished on August 19, 2012 by S