From Publishers Weekly
Peg Goldberg, a fledgling Indiana antiques dealer, paid $1.2 million in borrowed cash for what she believed to be four authentic early Christian mosaics, without thoroughly checking their provenance or the reputations of the sellers. In 1989, she was accused of knowingly buying stolen property by the Greek Orthodox Church of Cyprus which, claiming the mosaics were taken illegally from the island, successfully sued for their return. Unsolved mysteries about the deal intrigued Hofstadter, a freelance writer who calls himself "a person without a fixed address or steady job...who happened to love beautiful things." He attempts to disentangle the story's threads of Greek, Turkish and Cyprian politics, legal battles, treacherous dealers and middlemen, as well as a leading lady who may not have been as innocent as she seemed. But the byzantine dealings, large cast of shady characters and author's frequent asides on his own involvement result in a jumble of colorful elements that is often difficult to follow.
Copyright 1994 Reed Business Information, Inc.
Hofstadter, a writer of unfailing specificity, vividness, and wit, is, nevertheless, infatuated with ambiguity. His first book,
Temperaments: Artists Facing their Work (1992), explored the enigmatic artistic process. Here he immerses himself in an even murkier realm, the labyrinthine and mendacious world of antiquities dealing. A bit of a nomad, Hofstadter found himself seduced by the dazzle and predation of Istanbul's Grand Bazaar, an experience that led him to Peg Goldberg, a novice Indianapolis art dealer and "deep-dyed Midwestern nonconformist" who ended up in court after purchasing four early Christian devotional mosaics under questionable circumstances. The Greek Orthodox Church of Cyprus claimed ownership, insisting that the mosaics were war booty taken by the Turks in 1974. Hofstadter covers the often confusing trial that made international headlines with its exposure of antiquities smuggling and its interpretation of national cultural patrimony. As Goldberg started the appeal process and the mosaics were returned to Cyprus, Hofstadter resumed his travels and met with an assortment of slippery characters connected to this deal gone bad. As he describes this series of baffling encounters, he muses on the curious energy generated by the telling of lies and the keeping of secrets, an energy both sinister and intrinsically human.
Donna Seaman