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The Golden Age of Persian Art 1501-1722 [Hardcover]

Sheila Canby (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

April 1, 2000
The golden age of Persian art was the era of the Safavid dynasty. In this time of dynamic religious and political developments, painting and textiles achieved new heights of brilliance and opulence, and architecture flourished with the growth of cities. This resplendent volume provides a chronological history of the reign of each successive Safavid shah, including that of Shah 'Abbas I, who came to the throne in 1588. He not only built grand mosques and palaces, but also welcomed foreign travelers-and their artistic influences to his court.

The superb illustrations complement a much-needed text by a leading scholar in the field. This volume is sure to become a standard reference on this sublime period in Persian painting, architecture, illuminated manuscripts, ceramics, metalwork, and other decorative arts.

150 illustrations, 100 in full color, 10 x 10 1/4"

SHEILA R. CANBY is an assistant keeper in the Department of Oriental Antiquities at the British Museum, London. She is also the author of several previous books on Persian and Middle Eastern art.


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Editorial Reviews

From Library Journal

Canby, a curator in the department of Oriental antiquities at the British Museum, has produced an informative, scholarly, and sumptuously illustrated volume on the art of Persia's Safavid dynasty. The term art includes, among other things, ceramics, carpets, architectureDand, of course, the wonderful manuscript illuminations. Canby examines each of the dynasty's reigns in turn, discussing its political events and major artistic achievements. It is interesting to note how carefully and comprehensively each important building is examined in a volume that covers such a variety of artistic media. The author is very well versed in her subject and familiar with the relevant scholarly publications. The text is clearly written and supported, where necessary, by endnotes. The photographs are clearly reproduced and attest to the superb quality of the art of the time. This is a volume for academic and larger public libraries.DMartin Chasin, Adult Inst., Bridgeport, CT
Copyright 2000 Reed Business Information, Inc.

About the Author

Dr Sheila Canby is an Assistant Keeper in the Department of Asia at the British Museum. --This text refers to the Paperback edition.

Product Details

  • Hardcover: 192 pages
  • Publisher: Harry N. Abrams (April 1, 2000)
  • Language: English
  • ISBN-10: 0810941449
  • ISBN-13: 978-0810941441
  • Product Dimensions: 10.6 x 10.3 x 0.9 inches
  • Shipping Weight: 2.8 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,753,011 in Books (See Top 100 in Books)

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Average Customer Review
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8 of 8 people found the following review helpful:
5.0 out of 5 stars A gem, March 12, 2003
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D. Golden (Savannah, GA United States) - See all my reviews
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This review is from: The Golden Age of Persian Art 1501-1722 (Hardcover)
This book is clearly written and profusely illustrated with many wonderful examples of Persian art at it's best. Ms. Canby does an amazing job of providing a good historical , as well as art historical, foundation for the reader. In these difficult times, it's very worthwhile to be reminded that Islam has produced much sublime beauty. As an artist, I value this book both as a historical document and as an inspiration for my studio work.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Brilliant book on Persian Art - great university course text, October 14, 2008
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P. Hunt (San Francisco) - See all my reviews
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A needed and delightful text for both scholars and students of Safavid Persian art, Canby has produced a lavishly illustrated and finely wrought masterpiece in this book. Ample footnotes and index add to significant quotations and excerpts. Useful for university classes - indeed a course text in my own - THE GOLDEN AGE OF PERSIAN ART is comprehensive in covering not just Persian miniature painting but also ceramics, books and manuscripts, calligraphy, tiles, architecture, metalworking and textiles. One of the most helpful glossaries in the literature on Persian art explains appropriate terms like `qitabkhaneh' (a literary and art workshop or atelier) and `ghazal' (a verse trope often used for love poems). One of my favorite passages includes Canby's note about the artist Sadiqi Beg's brilliant use of waqwaq design on a robe of the Queen of Sheba Balqis on p. 106. Canby's economically-worded yet extensive glossary notes waqwaq is a "human - and animal headed arabesque scroll" and here the hybridized image is in Sadiqi Beg's painted textile, wondrously subtle art within art.
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