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Track Listings
| 1. Meridian |
| 2. Black Eyes |
| 3. Landscape at Speed |
| 4. Hidden Lakes |
| 5. Corridors |
| 6. God Made Me |
| 7. Runners of the Sun |
| 8. Castaways |
| 9. An Insular Life |
| 10. Uniforms |
| 11. Missing Islands |
Editorial Reviews
"The Golden Archipelago" is the third album in a triptych of mindblowingly beautiful, dense and ambitious excursions about man's impact on the natural world from Austin's SHEARWATER. This time singer/songwriter Jonathan Meiburg turns his attention to life on islands - a world of lushness and austerity, silence and sudden cataclysms. From rising sea levels to displaced populations, Meiburg travels from the Falklands to Madgascar, from the Bikini Atoll to the Tierra Del Fuego. The music matches the grandeur and melancholy of its subject matter. This is an ALBUM album. The first 10,000 CDs come packaged with a 50-page perfect-bound book of dossier of records, photos, regulations, and images on islands, displaced peoples, immigration records and more.
Customer Reviews
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful
By D. C. Casey
Format:MP3 Music|Amazon Verified Purchase
Musically, Shearwater has taken a leap forward with this album. Mostly up-tempo tracks (very unusual for the group) with dense, rhythmic instrumentation, it's obvious that the theme behind the album has charged the band full of a potent and exciting energy. As someone who's only in it for the songs, without the benefit of the enormous informative booklet sold with the CD version, I feel like I might be missing an integral part of the experience, however, as the lyrics do not quite seem up to par.
Their previous albums contain lyrics that conjure haunting images or clear stories. The song "Rooks" is a master class in doomsday lyricism, and "Leviathan, Bound", while abstract, features the powerful statement "You are racing, alone" to anchor the song. The same is true with phenomenal tunes like "Seventy-Four, Seventy-Five" and the apocalyptic images of "Red Sea, Black Sea". The Golden Archipelago, on the other hand, seems to get lost in vague phrases that almost betray the power of the music and Jonathan Meiburg's incredible voice. For example, the fury of "Corridors" is similar to that of their previous track, "Century Eyes", but without the fascinating openly interpretable but evocative lyrics featured in the latter song.
While it's possible that Meiburg et. al. got a bit lost in this island-hopping concept, the album still stands as a fantastic sonic journey from one of the most interesting bands out there right now (with, I might add, one of my personal favorite vocalists of all time -- From his manic howls to his mournful falsetto, Meiburg is vocally in top form here). I greatly look forward to a future combination of their new found orchestration and their older, more open lyrical masterpieces.
Their previous albums contain lyrics that conjure haunting images or clear stories. The song "Rooks" is a master class in doomsday lyricism, and "Leviathan, Bound", while abstract, features the powerful statement "You are racing, alone" to anchor the song. The same is true with phenomenal tunes like "Seventy-Four, Seventy-Five" and the apocalyptic images of "Red Sea, Black Sea". The Golden Archipelago, on the other hand, seems to get lost in vague phrases that almost betray the power of the music and Jonathan Meiburg's incredible voice. For example, the fury of "Corridors" is similar to that of their previous track, "Century Eyes", but without the fascinating openly interpretable but evocative lyrics featured in the latter song.
While it's possible that Meiburg et. al. got a bit lost in this island-hopping concept, the album still stands as a fantastic sonic journey from one of the most interesting bands out there right now (with, I might add, one of my personal favorite vocalists of all time -- From his manic howls to his mournful falsetto, Meiburg is vocally in top form here). I greatly look forward to a future combination of their new found orchestration and their older, more open lyrical masterpieces.
2 of 2 people found the following review helpful
By DKDC
Format:Audio CD
I have listened only a couple times to the cd, but it did not disappoint. The only defect I heard in Rook was too much falsetto. I like the falsetto, but it seemed to be the main singing style on every song. Still a great album.
This time it is tuned down a little. And the song writing is as strong as ever.
Those are my only comments so far.
This time it is tuned down a little. And the song writing is as strong as ever.
Those are my only comments so far.
2 of 2 people found the following review helpful
By roebeet
Format:MP3 Music
First off, my review is for the vinyl release which came direct from Matador Records.
I've been a Shearwater fan since "Rook", and have gone back and listened to some of their earlier efforts after-the-fact. Their new album is generally more upbeat to the point where I could consider them to fall into an "Indie rock" genre. I think this is a fantastic new album and could certainly add to their fan-base.
The standout track for me is "Castaways". It hooks you as soon as the chorus kicks in and doesn't let go until the final note - one of those rare songs that you don't have to wait for it to grow on you (If I were running the Grammy's, I would be putting this song in the running for best song of the year). But, the rest of the tracks on the album are quite good, as well - as a cohesive whole, it's very satisfying and I can easily play it from beginning to end with no track skipping. That's quite an achievement.
Do I like it better than "Rook" and their earlier efforts? Yes, I do. Five stars, and a big thumbs up. Well done.
I've been a Shearwater fan since "Rook", and have gone back and listened to some of their earlier efforts after-the-fact. Their new album is generally more upbeat to the point where I could consider them to fall into an "Indie rock" genre. I think this is a fantastic new album and could certainly add to their fan-base.
The standout track for me is "Castaways". It hooks you as soon as the chorus kicks in and doesn't let go until the final note - one of those rare songs that you don't have to wait for it to grow on you (If I were running the Grammy's, I would be putting this song in the running for best song of the year). But, the rest of the tracks on the album are quite good, as well - as a cohesive whole, it's very satisfying and I can easily play it from beginning to end with no track skipping. That's quite an achievement.
Do I like it better than "Rook" and their earlier efforts? Yes, I do. Five stars, and a big thumbs up. Well done.
Most Recent Customer Reviews
4.0 out of 5 stars
Soulfulness!!!...
I have listened to this CD for three weeks now, having gotten accustomed to it and having experienced all the diversities ans subtleties of the album I can say Shearwater has... Read more
Published on February 2, 2011 by Javier Ponce
5.0 out of 5 stars
Shearwater = Awesome
This band is amazing. Jonathan Meiburg's ability to create a melody that captivates, enthralls, and evokes a pure and beautiful scene is unparalleled by anyone else in Indie music,... Read more
Published on December 24, 2010 by akmakansi
5.0 out of 5 stars
awestruck
Buy this music now,you wont be disappointed,the sound flows through like your in the room with the band.i hope this band gets the attention it so richly deserves.
Published on November 29, 2010 by Edward Cefarelli
5.0 out of 5 stars
Incredible!!!
If you've never heard this group, you owe it to yourself to listen. I first heard them on our local public radio station - specifically track 8 on the CD. Read more
Published on September 29, 2010 by bobbinbloom
1.0 out of 5 stars
Not So Golden in My Book
I'd not heard of this band before this release was reviewed in the Chicago Tribune. The reviewer could barely say enough about it. He used words like "original" and "rich. Read more
Published on May 27, 2010 by Eric Sanberg
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