Product Details

• Actors: Nicole Kidman, Daniel Craig, Freddie Highmore, Ian Mckellen, Dakota Blue Richards
• Directors: Chris Weitz
• Format: AC-3, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
• Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1 EX), English (DTS ES 6.1)
• Subtitles: English, Spanish
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rated: PG-13 (Parental Guidance Suggested)
• Studio: New Line Home Video
• DVD Release Date: April 29, 2008
• Run Time: 113 minutes
• Average Customer Review: 3.4 out of 5 stars  See all reviews (378 customer reviews)
• ASIN: B00139W3NE
• Amazon Best Sellers Rank: #7,464 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "The Golden Compass (Widescreen Single-Disc Edition)" on IMDb

Editorial Reviews

Amazon.com

A fantasy epic with more than a passing resemblance to the Lord of the Rings and Chronicles of Narnia film franchises, The Golden Compass takes place in an alternate universe where each human's soul is embodied in a companion animal called a daemon. Lyra (Dakota Blue Richards), an orphan who's lived most of her life among the scholars at Oxford, is intrigued when her uncle, Lord Asriel (Daniel Craig), announces his plans to travel north to investigate the source of some mysterious particles called Dust. Lyra has little hope of following her uncle until a mysterious woman named Mrs. Coulter (Nicole Kidman, at her most icily beautiful) asks Lyra to travel north as her personal assistant. All is not as it seems, however, and the disappearance of Lyra's friend Roger (Ben Walker) sets her on a dizzying adventure. She does have an alethiometer, or golden compass, that can help her see the truth, and a number of companions, including her shape-shifting daemon, Pantalaimion (voiced by Freddie Highmore of Charlie and the Chocolate Factory), polar-bear warrior Iorek Byrnison (voiced by Ian McKellen), Texas aeronaut Lee Scoresby (Sam Elliott), and witch queen Serafina Pekkala (Craig's Casino Royale co-star, Eva Green). Even before its release, The Golden Compass was the subject of controversy over its perceived anti-religious themes. While it does involve an oppressive institution called the Magisterium, it's not overtly religious, particularly to a young viewer. The movie's PG-13 rating should be taken seriously, however. Suitable for an older audience than Narnia (though younger than The Lord of the Rings), it deals with complex concepts, violence (though largely bloodless) and implied death, children and animals in peril, and an unrelentingly ominous and unsettling mood.

Despite a few changes and rearrangements, the overall plot of the movie is remarkably faithful to its source material, the first installment of Philip Pullman's His Dark Materials trilogy. It doesn't finish the book, however, and--much like The Fellowship of the Ring did--leaves the viewer hanging in anticipation of the next film, The Subtle Knife, due in 2009. So even though The Golden Compass is impressive--especially with its spot-on cast and terrific visual effects--we probably won't know its full emotional impact until the story is complete. --David Horiuchi

Product Description

Nicole Kidman, Daniel Craig, Ian McKellen. Lyra, a young orphan, lives among scholars at Jordan College in an alternate world, where people's souls exist outside the body in animal form. After she innocently learns of a powerful microscopic dust," she is forced to embark on a dangerous, dimension-crossing journey in order to save her friend. 2007/color/113 min/PG-13.

Most Helpful Customer Reviews

150 of 167 people found the following review helpful

4.0 out of 5 stars A Fantasy with a Strong Cast of Humans and Animated Animals! May 3, 2008

By Grady Harp HALL OF FAMETOP 50 REVIEWERVINE™ VOICE

Format:DVD

Not being one who seeks out the seemingly endless line of Harry Potter/Narnia/Lord of the Rings tropes (a little computer generated monster realm goes a long way), THE GOLDEN COMPASS came somewhat as a pleasant surprise. Yes, this is still a fantasy film, but the emphasis is more on stylish creation of various animals (in the forms of 'daemons' that accompany children as their souls, morphing into various animal life at will) than tiresome explosions and flying beasties.

Lyra (Dakota Blue Richards) is clearly the star of this adventure that explores the possibility of other, parallel worlds whose interaction with the world as we know it is controlled by various groups of good guys and bad guys, all seeking the source of secrecy contained in a Golden Compass that can only be read by a single girl - Lyra, a poor child living in the presence of scholars. Lyra's uncle, Lord Asriel (Daniel Craig) places the Golden Compass in Lyra's knowing hands and heads off to the far North to investigate the element that binds all life together - Dust. The tale is set in motion by the enigmatic Mrs. Coulter (Nicole Kidman) who gains Lyra's confidence and offers to take her to the great North. All manner of adventures occur on the journey - friends of Lyra's are threatened to be separated from their various daemons in the cruel hands of the bad guys, Lyra's encounter with a witch Serafina Pekkala (Eva Green), her assistance from a friendly astronaut (Sam Elliott) and an armored bear - and with all fantasies, good prevails - or does it? Tune in for the very obvious next installment.

The pleasures are many, not the least of which are the voices and changing forms of the little animal daemons. The cast is excellent and the whole movie sails with yet another beautiful musical score by Alexandre Desplat. It is a nice diversion, but you have to love fantasy. Grady Harp, May 08

19 of 21 people found the following review helpful

4.0 out of 5 stars An excellent adaptation of a very complex book July 8, 2008

By Damion F. Chaplin

Format:DVD

The Golden Compass is a very ambitious film based on a very ambitious book. If you haven't read the book, and you liked this movie, you must go read the book. That said, this film really did seem rushed and a lot of the appealing aspects of the book are left out. However, most of what they changed made sense to me (like switching the order of events at Svalbard and Bolvangar) and made the flow of the movie work better.

My main problem with this movie is the same one I had with David Lynch's Dune: You really wouldn't know what's going on unless you've read the book. I saw the movie before I read the book, but my wife, who was watching it with me, had just finished the trilogy and she was able to explain a lot of what I was seeing - much like when I watch Dune with someone who hasn't read the book.

So in the end, The Golden Compass suffers from being too complex and fast-paced in order to do justice to the book it's based on. Yes, I liked the movie a lot (enough to buy it for my library), and it inspired me to read the fantastic novels, but those who haven't read the book may be confused by what they're seeing.

I wholeheartedly recommend this movie, but I really recommend reading the book first to get everything out of it.

174 of 228 people found the following review helpful

5.0 out of 5 stars The Fight for Free Will December 7, 2007

By Chris Pandolfi

The special effects and the cinematography of "The Golden Compass" are wonderful, but it's the subtext that really shines through, making for one of the most unique, fascinating, and entertaining fantasy films of recent memory. Just as it is in the film, the plot of Philip Pullman's original novel suggested that free will was kept under strict control. The film brings this idea to the surface and allows the audience to analyze it; in a parallel universe--in which a person's soul is separate and physically represented by an animal--a ruthless organization called the Magisterium tries to enforce rules against free will. Anyone who challenges its authority will be condemned as a heretic. Because they wanted to ensure total compliance, the Magisterium sought to destroy every last alethiometer, or golden compass--a magical, watch-like mechanism that literally tells the truth by pointing at strange symbols.

The one alethiometer that survived is now in the possession of Lord Asriel (Daniel Craig), a college professor who defies the Magisterium by confirming the existence of dust. I'm not referring to the allergy-inducing particles that settle on ordinary surfaces; I'm referring to the magical substance that's somehow related to a rift between their universe and ours. Because this has put him at odds with the Magisterium, he gives the alethiometer to his orphaned niece, Lyra (Dakota Blue Richards), a young girl raised by the professors at a university. Lyra, who absolutely hates being called a lady, is clever, bold, and incredibly headstrong, with an adventurous spirit that occasionally gets her into trouble. Her spirit--or daemon, as referred to by the characters--is Pan (voiced by Freddie Highmore), who hasn't quite decided which animal form to take. He spends most of his time as a ferret, but he also turns into a cat, a bird, and a mouse.

When Lyra hears that her uncle is traveling to the snowy north to find the dust and open this cross-dimensional rift, she wishes to join him. Asriel refuses to let her, and he warns her against speaking of dust to anyone. Here enters Mrs. Coulter (Nicole Kidman), the wicked, controlling head of the Magisterium; she quickly learns that the alethiometer is in Lyra's possession and vows to reclaim it by tricking Lyra onto her good side. Mrs. Coulter's true nature is soon revealed, and upon escaping, Lyra is put under the protection of the Gyptians, a band of rebels who were once aided by Lord Asriel. As they journey north with Lyra, she also meets: Serafina (Eva Green), an elegant, almost ethereal witch; Lee Scoresby (Sam Elliott), a grizzled pilot who speaks like a Texan from the Old West; and Iorek Byrnison (voiced by Ian McKellen), a disgraced polar bear who was once a great warrior among an entire clan of polar bears. To rid himself of his shame, he decides to reclaim his stolen armor and protect Lyra at whatever cost.

This is pretty much the foundation for the adventure that follows, an adventure so big that it isn't over even when the movie ends. But in the grand scheme of things, the adventure is fairly superficial and only part of what makes it so wonderful; "The Golden Compass" is just as thought provoking as it is enjoyable, filled to the brim with intelligent, meaningful undertones. This isn't to say that the film exists entirely as one big commentary--a good portion of it functions at a level of pure entertainment, from the convincing special effects to the stunning set designs to the fantastic mechanical creations. The story is not one of the future, the past, or even the present; its unique setting has essentially made any sense of time meaningless. And let's not forget a number of lighthearted moments between Lyra and her best friend, Roger (Ben Walker), both of whom are more like bonded siblings.

But there is a dark side to this story. For one thing, the Magisterium is involved in a sinister plot to kidnap children and sever the connections between them and their daemons. The sooner they lose their spirits (pun definitely intended), the quicker they can be controlled. There's also a general sense of foreboding that runs through the entire film, as if to say that certain things are not as simple as they may first appear. Consider the fact that a person's physical pain is also felt by his or her daemon, and vice versa: What exactly will happen if one of them dies? Can one exist without the other? And how exactly are daemons a threat to free will?

The fact that I'm asking these questions is a good thing, because it proves that "The Golden Compass" is a stimulating film. Rarely is a fantasy story allowed to transcend the limiting clichés of princesses, castles, dragons, swords, and predictable Hero's Journeys. Here's a film that actually brings something new to the genre, something fresh, exciting, daring, and determined. This is not a mind-numbing rehash; it's a thoroughly original experience, highlighted by delightful performances, a solid structure, and a well-rounded social commentary. I suppose I should make a note about the Catholic Church's poor reception of this film, but why bother? Religion--or lack thereof--has nothing to do with it. It has everything to do with being engaging, smart, and imaginative.