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A word of caution, though---the illustrations can be dark and frightening for younger children, and the morality of the tale is complex and disturbing, even for adults.
For those who are not familiar with the legend, it concerns the "Blood Libel," that fantastical tale that the Jews had used Christian blood in the baking of Passover matzohs, and Rabbi Loew's attempts to stave off a resultant pogrom (riot) in Prague by creating a Frankenstein's monster which "does it's work almost too well." Upon saving the Jews, Rabbi Loew returns the Golem to the earth from which it came.
Sensitive and inquiring children (and adults) will be filled with questions, particularly as to why the Golem, who is both mindlessly, childishly destructive and sweetly childlike in his appreciation of flowers and sunsets, is rewarded by his creator with death after completing his appointed task.
These are saddening, unanswerable questions, but make GOLEM a true parable of human life. Children and parents may weep together over the injustices described here.
Definitely not for unsophisticated youngsters,or for adults faint of heart or spirit, this book should be shared and discussed at length and in depth.
The book retells the legend of Rabbi Leow and the Golem he created from clay to protect the Jews of Prague during a time of danger for them. Anti-semitic factions within the city were spreading rumors that Passover matzoh was made with the blood of Christian children; this rumor, called the Blood Lie, led to attacks and abuses of the defenseless Jews. Already, the story is a deeply distressing one, too upsetting for the average child. It gets worse, though - the Golem, who calls Rabbi Leow 'Father,' protects and saves the Jews, and then begs the Rabbi not to kill him. Leow does anyway. While the message here is one about the wise use of power, it was mostly lost on our family, since at that point everyone was crying too hard to think at all.
There's no doubt that the book is well presented. It's beautiful, with cut-paper illustrations that seem to spring off the page. However, even these gorgeous pictures cast a pall; they are grim in tone and appearance, at times giving a hellish cast to a story that needed no further embroidering in that department. The novel medium - photographs of cut paper - and the success with which it is used do merit the Caldecott Medal.
However, unlike most Caldecott books, this one is not for casual or entertainment reading, nor is it for children. I can't emphasize this enough. I would never read this book with children younger than 12, or ones unfamiliar with Jewish history; even as it is, I more than half regret sharing it, despite its beauty, depth, and educational value. It provoked some painful questions (in particular, about the cruelty of all people, including Rabbi Leow) and left us all depressed.