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Most Helpful Customer Reviews
6 of 6 people found the following review helpful:
4.0 out of 5 stars
A Home Run,
By
This review is from: The Golem's Mighty Swing (Paperback)
The Golem's Mighty Swing works both as a tale of Prohibition-era barnstorming baseball and as a tale of ethnic relations. James Sturm sharply observes the baseball details, including a number of interesting and authentic-sounding anecdotes about the game. And by telling the story through the eyes of a man who is accustomed to the prejudiced attitudes of the day, Sturm gives us not a rabble-rousing screed with the obvious moral that anti-Semitism is bad, but a highly evocative portrait of life as an ethnic outsider that gives us some feeling for what it's actually like.
Sturm's art is clean and says a lot with a little, as other reviewers have said. But Sturm's talent for saying a lot with a little is true of his prose as well. For a hundred-page comic, this book has a remarkable number of memorable and realistic characters. Also, the book design itself, from the color of the pages to the art inside the front covers, gives a retro feel that enhances the mood of the story. Sturm obviously sweated the details to create something as simple in outline yet as emotionally and thematically complex as The Golem's Mighty Swing. His effort pays off. The Golem's Mighty Swing effortlessly sweeps the reader up in the story, the characters, and the setting, making for a quick read at first, and then a thoughtful mood after the reading is done.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Ring that bell!,
By
This review is from: The Golem's Mighty Swing (Paperback)
Comics about history are rarities in this country. Comics about baseball are even more rare. Here, James Sturm has combined both to create an elegant graphic novel about a barnstorming squad in the 1920s. The gimmick behind this squad, The Stars of David, is that the players are all bearded Jews. Kind of.The manager, fierce-looking Noah Strauss, a former bench player for the Red Sox, fields a team that also features his younger brother, Mo, a kid with huge potential if he can keep his head on straight. Mo's a little young to grow a beard, so he improvises. Noah also fudges the lineup by adding a former Negro-Leagues slugger, Henry Bell, billing him as Hershl Bloom, "a member of the lost tribe." Barnstorming is a tough business, and, strapped for cash when the team bus dies, Noah accepts a promoter's offer of a big pay day if Henry will wear the recently acquired monster costume from the contemporary German horror movie smash, THE GOLEM. The proposed match-up with an enhanced upstate New York factory team carries electrifying potential when the hype-machine rouses an anti-Semitic furor. Despite the tension he creates, artist Sturm delivers a narrative that captures the rhythms, suspense, and gamesmanship of a great baseball match. In this tale, he looks at what baseball means to its fans, what America looked like to its immigrants, and how both of these themes lend themselves to great storytelling. All this comes with clean, well-designed artwork that represents an object lesson on the principles of great comic art. Fans of non-superhero comics will enjoy this book for its craftsmanship, while fans of baseball history will love the story.
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Great Book,
By A. Ross (Washington, DC) - See all my reviews (VINE VOICE) (HALL OF FAME REVIEWER) (TOP 500 REVIEWER) (REAL NAME)
This review is from: The Golem's Mighty Swing (Paperback)
Even though I'm not a believer in the whole theory/vision of baseball as part of the American myth, Sturm does a pretty nice job with the metaphor in this understated but striking graphic novel. Set in the 1920s, the story concerns "The Stars of David", an ostensibly all-Jewish (one ex Negro League star qualifies as a "member of the lost tribe") barnstorming baseball team. With a decent amount of talent, they tour small towns as perpetual visitors, perpetual bad guys, and perpetual outsiders, earning just enough to scrape by. Until the team captain is approached by Victor Paige, of the Big Inning Promotional Agency. Paige convinces the team to create a Golem, "a creature that man creates to be a companion, a protector or a servant" as a gimmick to increase attendance. The gimmick works, but rather too well, as when they arrive in the next town, they are met with hostility and anti-Semitism beyond what they've ever faced before. The outcome is, well, predictable, and a metaphor for the times. The art is a lesson in the effectiveness of elegant simplicity, and captures the movement of baseball amazingly well. As per usual for Drawn & Quarterly, the book is very nicely printed and produced.
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