Customer Reviews

Gone Baby Gone [Blu-ray]

5 star:		(108)
4 star:		(78)
3 star:		(43)
2 star:		(14)
1 star:		(20)

 

 

Ben Affleck has written (with Aaron Stockard) a superb screenplay adaptation of Dennis Lahane's novel GONE BABY GONE and has proceeded to direct this tough tale with an ensemble cast of both well-known actors and unknown actors and walk-ons from the streets of the Boston area where they grisly story takes place. The result is a film so well tuned and realistic with a perfect sense of pacing and character development that it becomes a remarkable calling card for Ben Affleck's career as a director. That it is going unnoticed (with the exception of Amy Ryan's nomination for Best Supporting Actress) by the Oscars is a grave oversight !

The time is contemporary Dorchester, Massachusetts and Patrick Kenzie (Casey Affleck) and his girlfriend/partner Angie Gennaro (Michelle Monaghan), become aware of a missing child Amanda (Madeline O'Brien) in their own neighborhood. The child's aunt Bea (Amy Madigan) and uncle Lionel (Titus Welliver), unable to cope with Amanda's drugged out mother Helene (Amy Ryan), knock on Patrick and Angie's door, pleading with them to help find Amanda: Patrick and Angie are private detectives who just happen to be an integral part of the neighborhood. Reluctant at first to become involved in the now 3-day police hunt for the child, a hunt headed by the respected Captain Jack Doyle (Morgan Freeman) who his lost his own daughter in similar circumstances and detectives Remy Bressant (Ed Harris) and Nick Poole (John Ashton) and who as a triad feel they are competent to handle the case without the 'immature experience' of the young couple. But Patrick and Angie do become involved, uncover leads within the neighborhood that lead to the clues behind the missing child incident and in doing so, unravel a lot of corruption within the police force, and also discover differences between themselves that threaten their otherwise close relationship. To say more would remove the incredible tension this story maintains all the way to the fadeout credits.

The cast is uniformly excellent, from the smallest roles to the most major ones. It is difficult to single out any performer for praise as this is truly an ensemble piece. The flavor of the film is honest, unflinching, and refuses to ignore the grotesque incidents that must be shown for the movie to maintain its impact. Writer Dennis Lahane ('Mystic River', 'Shutter Island') is a master of detailing the spectrum of responses that ugly matters induce: even the most noble of intentions have their shadowy side. Affleck finds all of this in this excellent film, a film so strong that it easily bears repeated viewings. Highly recommended...but not for the squeamish. Grady Harp, February 08

I'm going to be honest, I really wasn't overly exited to see "Gone Baby Gone." From the previews, it looked like a competent--if familiar--genre picture. I was galvanized, finally, to see the film based on Amy Ryan's practical sweep of the award season's Best Supporting Actress Prizes. The Affleck brothers, Ben as Director and Casey as Star, did nothing to alleviate my limited expectations. But something quite unexpected happened--my opinion completely changed as I was caught up in the twists of this genuinely good sleeper. Ben Affleck has generated a brisk, tough and uncompromising film and Casey Affleck has turned himself into a bona fide leading man! And although not a flawless film, I ended up loving "Gone Baby Gone."

When a child goes missing, the community of Dorchester gets caught in a media frenzy. With Morgan Freeman and Ed Harris as officials in charge of the investigation, Casey Affleck (as a local detective) is brought in by the family as additional help. Having been raised in the area, it is felt that these contacts may give him better access to and communication with the tightlipped Boston neighborhood. Immediately, the story starts to unravel and the sympathetic mother (Amy Ryan) turns out to be not so sympathetic. The route the film follows takes us to some familiar territory but also to unchartered waters. The film dares to raise moral and ethical questions and presents a terrific and thoroughly uncompromising ending! The film's final moments put this head and shoulders above traditional Hollywood product. And I give Ben Affleck full credit for not bending to a more stereotypical conclusion.

"Gone Baby Gone" is actually the fourth in a series of novels by crime writer Dennis Lehane featuring private detectives Patrick Kenzie and Angela Gennaro. It is, however, the first to be treated to a big screen adaptation. Those familiar with the novels know that the Kenzie/Gennaro dynamic provides much emotion and conflict. Their relationship is almost as important as any case that they work. Fans of this aspect of Lehane's novels, therefore, might be a bit disappointed. In making this stand-alone film, Gennaro is largely marginalized and the impact of what happens to them as a couple isn't as significant to the story as it is in the book. That said, film and novels are two different mediums and "Gone Baby Gone" as a film still works exceedingly well in its own right.

Casey Affleck is not the conventional actor one would picture for this role. Small in stature, relaxed in delivery--his offbeat presence actually makes "Gone Baby Gone" even more intriguing. As he is not a predictable "leading man," you're never quite sure what he's going to do. I found this lack of expectation to be quite invigorating and led me to accept and appreciate the twists of the film to a greater degree. With "The Assassination of Jesse James by the Coward Robert Ford," this was Casey's year to redefine himself. Freeman, Harris, Ryan, Amy Madigan, and Michelle Monaghan (as Gennaro) all give impassioned performances. With a tight script and solid direction, "Gone Baby Gone" is a surprisingly tough film--and I mean that in all the best ways. Highly recommended. KGHarris, 01/08.

Ben Affleck's adaptation of Dennis Lehane's book, Gone Baby Gone, is one of the best movies I have seen in years.

The basic story centers around two local detectives who reside in Dorchester. They are asked to assist the police in their investigation of a missing girl, who was abducted while her alcoholic/drug addict mother was at her friend's place. Reluctantly, they agree to take on the case.

Having read the book, the only complaint I would have is how they portayed Angela Gennaro, played by Michelle Monaghan. In the book, her character has survived a physically abusive marriage and numerous brushes with death. In this film, she is almost like a hood ornament to Casey Affleck's Patrick Kenzie. But the chemistry between the two actors can almost make you forget about that.

The story moves at breakneck pace and keeps you in suspense until the very end. Morgan Freeman and Ed Harris are excellent as two police officers who are deeply involved in the case....and even deeper in secrets. But the true standout is Golden Globe nominee, Amy Ryan, who plays the missing girl's mother. You don't like her from the start, even though you feel tempted to feel some sympathy because of her situation. Ryan plays this crass, ambivalent single parent with such raw power, you truly despise this woman.

The movie reflects on many famiilar themes; tight knit people who will "die with their secrets", things not appearing to be what they seem, the moral dilemma of doing what is right and what is "right", etc. And by the end, you find yourself just as torn as Kenzie about which "right" will prevail.

You should probably read Deniis Lehane's prequels to this film such as "A Drink Before the War", "Darkness, Take My Hand", and "Sacred" before watching this film. It will make you appreciate it even more.

A great film. A truly "do not miss" film.

When a young Boston girl, Amanda McCready, is kidnapped, PI's Patrick Kenzie (Casey Affleck) and Angie Gennaro (Michelle Monaghan) are called in by the child's aunt to investigate sources in the neighborhood that won't talk to the police.

They're reluctant to take the case. Gennaro doesn't think it will end well--as Kenzie comments in the opening narrative, "we handle cases for people who live on the edge--and fall through the cracks."

As they dig into the case, they realize Helene McCready, Amanda's mom, isn't precisely Mother of the Year material. Amanda is considered the mascot at Helene's favorite bar--but she only goes in there in the daytime because it's far too violent after dark. Helene is a drug user and occasionally acts as a mule for one of the local dealers. Little Amanda was probably stolen because Helene and her no-account boyfriend ripped off the local drug dealer.

Enter Detective Remy Bressant (Ed Harris) and his partner, Nick Poole (John Ashton). They're assigned to help Kenzie and Gennaro by Captain Jack Doyle (Morgan Freeman). When Bressant learns of the drug deal gone bad, he and Kenzie team up to set things right believing that if they paid back the drug dealer that he'd return little Amanda to her family.

The switch goes awry and Kenzie and Gennaro realize they've been had. Now they stand on opposite sides of a moral issue and the question posed to them threatens their future together and their individual peace of mind.

Ben Affleck did an amazing job directing this thriller-morality play by Dennis Lehane. For the most part, he was spot on with his timing. Standouts were younger brother Casey as Kenzie and of course Ed Harris as Bressart (in a reprise of his true believer type role in "The Rock") and Morgan Freeman as Doyle. I genuinely believe at least two of the three of these actors should be nominated for an Academy Award for their performances.

"Gone" was a hard film to watch and it's one that will have you debating the merits of the decision with your family and friends for days to come. That's the true mark of a really good film--how well it stays with you. This one's a must for collectors of strong mysteries.

This is a confident and assured directing-debut for Ben Affleck. He has proven to be a good screenwriter (he co-wrote this one, as well as the Oscar-winning script to GOOD WILL HUNTING), but has been prett spotty as an actor. Sometimes his choices were poor and sometimes his performances too. He is obviously very intelligent and capable...but that doesn't always come through in his performances.

With GONE BABY GONE, filmed in Affleck's beloved and familiar Boston...he has established himself as an outstanding director. There aren't any fancy tricks or special-effects here. Just an understanding of how to set mood and how to give good actors space to operate.

The movie (based on the novel by Dennis Lenhane, who also wrote MYSTIC RIVER) tells the story of two low-rent private eyes (Casey Affleck and Michelle Monaghan) who are hired by grieving relatives to help the police in their search for a 4 year old missing girl. The belief is that people who won't talk to the police will talk to them. This proves to be an astute assumption, as the two investigators (who are also a loving couple) quickly make headway.

Regulations apparently compel the police to cooperate, so two veteran detectives (Ed Harris and John Ralston) assist the couple in their work...and vice versa. I liked the fact that there was tension between the two groups (which we certainly come to expect when we see similar scenarios in movies) but it fairly rapidly is lightened when it becomes clear that the two private eyes are actually making progress and the two cops are actually willing to act on this information and to take some risks themselves.

I'm going to leave the plot there...suffice it to say that no one is quite who they appear to be. It is an intersting and surprise-packed story on the surface...and that's almost good enough...just watching the case unfold and the twists get revealed. But what earns this film an extra star is the moral and ethical tale just beneath the surface. These characters grapple with moral choices, and the movie shows over and over that our consciences and religious beliefs may be tightly held and admirably adhered to...but they can nonetheless get us into serious trouble. As viewers, we understand fairly clearly what we think everyone OUGHT to do...but we also feel the pain of internal conflict when they don't. Because we understand their internal battles. And we also feel for them when they live with the consequences of their prideful stubborness. Doing the right thing isn't cut and dried in this film at all.

Pretty much everyone in the film does great work. Special mention should go to Casey Affleck, an actor that I've pretty much paid no attention to. Well, he's having a great year (with this film and THE ASSASINATION OF JESSE JAMES...) and he's an interesting performer. Unconventional looking and seemingly a little slow and sleepy-eyed...his character bursts forth with shocking actions and bravery. He uses bluster to get out of sticky situations...but you can also easily tell that he's probably quivering in his boots at the same time.

The film isn't perfect. Michelle Monaghan's character is both underwritten and underplayed. I think this movie stretched her skills just past her breaking point. She isn't awful...but I was distracted by her lack of convincing reactions in many scenes. And a couple of brief flashback scenes go by SO quickly, and they're so important, that I think I may have missed a couple of minor points of plot developments.

Quibbles aside...this is a stirring, adult, thought-provoking, well-acted, well-written and SURPRISE, well-directed thriller. I HIGHLY recommend it.

I first heard of this film project in November of 2005 when Dan Rissner, one of the co-producers, contacted me to ask for the manuscript of an unpublished baseball novel I had on the back burner. I found him open and down to earth, and while he wasn't able to pull things together, I became interested in his work.

I've now seen the final product and I am impressed. It's not often I buy a DVD for my collection, but this time I did. All success storys begin with savvy casting, and here the producers made truly excellent choices: Casey Affleck might be a bit fuzzy cheeked, but he fit the iron-willed investigator perfectly, and the chemistry between him and his business partner/girlfriend Allie (Michelle Monaghan)felt genuine. Of course, with old pros Ed Harris and Morgan Freeman in supporting roles, the backup cast had to outdo itself and happily that's what they did. I was particularly taken with Amy Ryan as the undeserving and graceless mother of the kidnapped child. She was so convincing, I actually hoped she wouldn't end up getting her kid back.

Gone Baby Gone is not a happy story. It depicts life in the city where everything is hard-edged, nothing is ever for sure and openness and honesty are usually the first casualties. Highly recommended.

Art Tirrell is the author of the 2007 adventure novel The Secret Ever Keeps set on and under the waters of Lake Ontario.

"Simply put...the best underwater scenes I've ever read." - reviewer MW

A compelling story that may cause the viewer to ask 'what would I have done in the end?'. A selfish, rotten mother lies about events surrounding her missing daughter. At first the case appears drug related, since the situation for the child was in dire need of welfare intervention, but when the young girl's aunt brings in a P.I. familiar with the neighborhood and its bad guys, the case gets far more complicated. As the P.I. digs deeper he's soon faced with a complicated question of right and wrong, only the question of what's right is anything but simple. The real sad fact is there are parents out there that are like the mother character so superbly played in this movie, so it's not difficult to sympathize with a few well-meaning characters who thought they were doing the right thing. This one will make you think.

Chrissy K. McVay - Author

The moment the first note of the theme song came up on the screen, the moment this film started, tears started to fill my eyes... I knew that the directorial debut by Ben Affleck, "Gone Baby Gone, was going to be a Great Film. All you had to do was LISTEN. All you have to do is HEAR. You will be transported from the land of the living to the land of innocence lost and long gone and the longing for what we knew long ago and far away... it's that place we all know and long to return to that doesn't have a name.

You don't even have to watch the screen, even though you wouldn't want to miss a frame... This gorgeous, touching, heartbreaking soundtrack by Harry Gregson-Williams follows every fast-paced twist and turn down the rushing river that takes us on this tale of "right and wrong."

The story is heartbreaking morality play, about the choices that we find that we must make, even when we don't want to take a side, and none of them seem right. The musical score by Harry Gregson-Williams perfectly sets the stage.

You could be a blind person and not have to watch a frame; just sit and listen and you would know the tale of love, longing and loss, and right and wrong and how we sometimes try to do our best. This is one of the best film and soundtrack I've heard and watched in a long, long time.
* * * * *

This isn't an easy film to watch but it is one of the year's stunners and I am shocked that it didn't get more attention when it came to the Oscar nominations. While I loved it for many reasons, not the least of which was a breakout performance by Casey Affleck, I'd have to say one of the most powerful aspects of this movie may be exactly the thing that turns so many viewers off- it takes a long, hard look at the moral complexities of life and the difficulty in doing the "right" thing and making the best choice, especially when it comes to children and their rights.

Some people think that Casey Affleck, playing a young private investigator, comes across as rigidly moral and ethical, especially towards the end of the film. I think differently. All though the film, you can see him struggling with his anger, which threatens to overwhelm him (and does, at points) and his conscience as well as his religious values. More than once, he brings up what his priest would say about certain situations. Some things don't "rest easy" with him. And yet he has trouble figuring out why and how best to address his ambivalence. He can't seem to fathom the deepest ramifications of his decisions, to see clearly the potential for harm even when one is trying to do good.

The movie revolves around the kidnapping of a child, her drug-addicted and inattentive mother and some private investigators who work with the police to try and find the child.

Affleck's on-screen partner and lover, played by Angela Monaghan, almost steals the show and I think she was an important counterpart to Affleck's role, even though he is clearly meant to be the lead actor.

Where he is often rigid in his opinions, she relates to people on a gut level and senses what is truly right and what could lead to more serious consequences. I found her compassion, heart and way of relating to people to be very compelling and moving.

There is a key part of the movie where she doesn't hesitate to risk her life, leaving the men around her stunned at her nerve - and leaving me awed as well.

The message I got? When one's beliefs are truly integrated with one's heart, then there is no hesitation during even life-threatening moments. Monaghan was willing to put her life on the line to try and save a child. At the end of the film, I believe she still felt that way and had come to a very different conclusion about how to do that than her partner. Watch it and see what you think - and why the lead characters made the choices they did.

There are some parts of the film that may confuse and baffle viewers so I'll warn you right now about those:

1. THe language and plot. Graphic, often bloody, full of every curse word you could imagine. Not one for the kids to watch. The dirty and seamier side of life is shown, in all its ugliness. People in this one are hard and some are permanently ungrounded.

2. The mumbling and often inarticulate accents of the characters. This was not a distraction for me but it was for some of our friends. Those with even minor hearing issues may have a problem.

3. The confusing plot line. It was NOT confusing for me to follow but I did watch the film three times. I'd also read the book. There are a lot of twists and turns in this film. Viewers have to stay alert and need to care about hanging in there. The film can drag in some parts.

Even with all the potential pitfalls for viewers, I highly recommend Gone, Baby, Gone. It pushes viewers to think about what they'd do in a difficult situation. It raises questions and inspires debate. Finally, it reveals what brings couples together and the types of issues that can separate them irrevocably, based on one decision. The decision, of course, is not a minor one.

...deeply unsatisfying. Two reasons: the last 1/3 of the film implodes under way too many implausibilities (and I can't really discuss them without giving away the plot), and the lead character's moral pigheadedness (or principledness, depending on your point of view) was equally implausible and extremely hard to accept.

It's a shame, because this film could've been at a whole other level in the hands of a more subtle and experienced filmmaker. Ben Affleck is plenty competent in the technical department: he's gotten together a strong cast and script, has diligently gotten all the local South Boston settings and flavors just right, knows how to handle the camera and keep the film moving along at an engaging pace, etc.

But he can't quite close the deal. There is no strong or coherent subtext, no "bigger picture" framing this picture, no irony or ambiguity. It feels like simply an extraordinarily well-crafted but small, made-for-HBO film, or an earnest, straightforward film-school project following pretty much an Aristotle-by-the-numbers structure.

In short, mostly quite absorbing and enjoyable to watch, certainly of a higher quality than the standard Hollywood dreck, but not a film I'd be in any hurry to sit through again.

Should stimulate lots of lively debate though, gotta give it that much. Would be good material for a moral philosophy class probably, or if you watch it with some people that you like to argue with.

3 and 1/2 stars.