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Format: Hardcover|Vine Customer Review of Free Product( What's this? )
In the first few pages of Gillian Flynn's new novel Gone Girl, I was thinking, "This is it -- one of those rare novels that's unique and totally engrossing, cleverly plotted so that each new development has me astounded and eager to find out what happens next." Then the story continued as Midwestern husband Nick began to deal with his wife Amy's sudden disappearance and some gradually revealed details that might cast doubt on his own innocence in the matter. During that time, the book dropped down from the level of extraordinary to merely somewhat intriguing. However, once I reached Part Two of Gone Girl ("Boy Meets Girl"), it was like Ms Flynn kicked it up a notch, and the book became amazing again. Without giving any spoilers, Part Two unveils some major plot twists that cast Amy's status in an entirely new light. From that point on, the story moves along in powder keg fashion: the fuse has been lit, and it's only a question of how long 'til the explosion, and how much damage will be done when it happens. Flynn has a distinctive writing style that really involved me in what was going on with her two main characters. I had previously purchased but not yet read her Dark Places (after several recommendations). Now I will have to read it, and also get her first book, Sharp Objects. Only one warning, though: Gone Girl contains a fair amount of foul language. This was not a problem for me, but it might be for some readers.
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on July 21, 2012
Does the ending of this book leave you a) wishing you hadn't read it in the first place; b) asking, "where's the resolution?" c) feeling thoroughly unsatisfied; or d) all of the above. Answer: d

Think of a life experience you've had that started great only to bomb out at the end. Like a promising date that was going really well--only to be ruined by a nasty argument at the end of the evening. You go to bed feeling empty, unfulfilled. That's what reading this novel was like for me. Starts great, quickly becomes a can't-put-it-down page turner, then completely fizzles at the end, leaving you unsatisfied with the novel's lack of resolution.

That said, I agree with most of the positive comments about the book: "Fiendishly clever," "Totally engrossing," Gripping and addictive." "Well-plotted," etc. Does Gillian Flynn have excellent writing chops? Does she masterfully develop psychologically complex, multidimensional characters? Present penetrating insights into the nature of modern marriage and relationships? Write pitch-perfect dialog? Absolutely. She just needs to learn how to finish. Develop resolution.

One thing Flynn might want to learn to use to her advantage in future novels is the "recency effect," which simply states that the last thing you see or experience in a given situation or event is more accessible in your memory, and therefore more likely to be remembered by you then those things that occurred in the beginning or middle of the experience. Given the novel's lack of resolution and totally unsatisfying ending, the last thing I remember about the book is my feeling of utter disappointment.
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on August 25, 2013
Amy and Nick are married for five years, but there is not much harmony left. All of a sudden, Amy is missing. And from there, a more and more surprising and devious plot develops, cleverly and elegantly put together by a very talented writer.

It is difficult to talk about the plot without risking spoilers. So let's say this: It is not a conventional thriller. There are twists and totally surprising developments, we are getting manipulated and are lied to by both protagonists. It's not only a thriller, the book is also about unconventional truths about love and marriage. Sadly, the ending is a disappointment. Best not to expect too much from it and just enjoy the reading of the novel as such.

The book is always straightforward and readable, but maybe there are a few digressions too many. I can't help but feeling that nowadays thriller writers feel the need to expand their books to 600 pages when 400 would have done just as well. That's stupid, because it automatically weakens the suspense.

Gillian Flynn really deconstructed love and marriage here a lot, so I have a suggestion for readers who would like to read a (shorter) crime novel which is thrilling, full of dark humor and lets you believe in love again: Heads Off (A Lisa Becker Mystery).
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on June 11, 2012
I was totally engrossed in this book in the beginning. I liked the way the story was told from both Amy and Nick's perspectives; it made it difficult to know what was really going on because I wasn't sure who to believe. In Part 2 several surprises are revealed that make the story even more engaging...until it isn't. Towards the end of Part 2 the twists and turns stopped being intriguing and just seemed over the top. The characters stopped being flawed and interesting and instead just seemed incredibly unlikeable. And the ending is just terrible. I cannot stress enough how much I hated the ending. I have never read a book before that took me from not being able to put it down to wanting to punch someone in the face out of frustration. So my advice is this: if you really want to read this book, check it out at the library. Don't do what I did and pay the Kindle price!
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on June 24, 2012
I kept reading through all the drawn-out, detailed story for the sole purpose of seeing how justice is dealt. The ending is simply ridiculous because it does not match anything that the story leads up to. This poorly thought-out ending ruined anything I did like about this book.
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on July 3, 2012
I wish I had read more of the one star reviews before I wasted my money on this book. The first part of it sounds like a teenage diary, except the female character is in her 30's. The middle started to pick up, and then started to be beyond belief. The ending made me feel like I needed to take a shower for some reason. It was awful, and makes me wonder about this author in several ways, none of them very good.
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on June 20, 2012
I don't like spoilers in reviews so won't include one here, but the ending of this book is so bad I can't believe it was ever published. I had mixed feelings about the book -- somewhat clever, somewhat annoying -- but I stuck with it thinking the author would find a great way to wind it up. Instead we get . . . you've got to be kidding me.
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on July 6, 2012
I am still angry that I wasted my time and money on this ridiculous book. Seems like a good plot at the beginning, but soon you find yourself saying over and over again "What?", "No Way!". Totally unbelievable. I kept reading thinking the author must have a really clever way of wrapping up all the insanity. There was no wrap up, there was no ending. All the hateful characters and plot lines just stop. In the author's acknowledgements she writes that she got stuck when the book was 82% completed, and her editor had to help her finish it. She should have just stopped at 82%. I wish there was a way to demand my money back after feeling totally manipulated and ripped off. Don't buy this book!
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There's a lot to like about Gillian Flynn's GONE GIRL. It's a captivating mystery (did charming Nick have anything to do with the disappearance of his lovely wife Amy?) and a cleverly conceived thriller (there are enough twists and turns to satisfy any fan of the genre). But what really works - and what makes GONE GIRL a real page turner - is how beautifully Flynn dissects the disintegration of a marriage. This isn't really a book about Amy's disappearance; in fact, that aspect of the plot becomes fairly moot by the half-way point. This is a book about what it means to love someone, in all its terrifyingly selfish horror. It's about what we do to one another in the name of love and happiness.

Manhattan-born Amy is gorgeous, rich, and successful, and she admits to playing roles in her relationships with men (she'll be the "Cool Girl," since men love Cool Girls - easy-going, fun, never a complainer). Nick is likable and charismatic, yet he is haunted by his relationship with an angry and deranged father (at first he can't believe pretty Amy loves him; later he can't remember why he ever loved her). Their marriage is great until they both lose their jobs -- then they leave Manhattan for the pressure cooker of small-town Midwestern life, and nothing is ever quite the same again. On the morning of their fifth anniversary, Amy disappears. Nick becomes the primary suspect. And the reader is left trying to figure out which of these two characters to believe.

In the first part of the novel, the narration shifts between Nick's story and Amy's journal entries. Sometimes they both describe the same event, and we get a clear picture of how impossible it is for two people to really understand each other. These two hurt each other without ever understanding why. They also both lie . . . repeatedly. Later in the story, we get a different picture. At first we sympathize with Amy and grow suspicious of Nick (she's loving and caring; he's sullen and secretive). Later, we will sympathize with him, and despise her. By the end, we won't know what to believe or what to think. Is anyone in the novel telling the truth?

The ending of this book has generated quite a bit of controversy, mainly because what ultimately happens is so depressingly awful. But at the same time, it's difficult to imagine any other ending, outside the Hollywood "feel-good" kind of thing you would expect from a big-budget movie. There's nothing "feel-good" about this book - not the story, not the characters, and certainly not the ending. This is hard stuff, about people who are psychologically damaged. It's hard to like either of them. Near the end, Nick says, "So let everyone take sides. Team Nick, Team Amy. Turn it into even more of a game: Sell some [*******] T-shirts." There is no "Team Nick" and "Team Amy" here. You'll find yourself hard-pressed to support either of them by the end.

Do I recommend this novel? Sure - I loved parts of it, even as I was repulsed by other parts. It's a fascinating read, and Nick and Amy are fascinating, if damaged, people. It will remind you of Turow's PRESUMED INNOCENT (if you've read it, you'll know what I mean), Craig Jones's masterful BLOOD SECRETS (out of print, but well worth the search for a used copy), and the 1981 film BODY HEAT (there's a fine line between passion and betrayal). But maybe the best comparison is to the 1989 dark comedy, WAR OF THE ROSES. If GONE GIRL was a comedy (and it's totally not), it would be WAR OF THE ROSES. By the end of that film, there wasn't much left to laugh about. By the end of GONE GIRL, you'll wonder if there'll ever be anything to laugh about again. It's a powerful book. But it's certainly not an easy read.
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on July 17, 2012
The first half was great. It kept my interest and what you think is great character development. Then, when it takes a huge plot turn, and you think, ahhh this is really getting interesting and original, it spirals down into a hugely depressing read. It's two people who's lives have gone horribly wrong and both are just terrible, stupid people. I wanted to throw my book across the room but it's a Kindle so I couldn't. I did think, "what a huge waste of time". Don't bother. It wasn't entertaining, just depressing as all get out. Shame on the author for such a let down. It could have been wonderful if good finally won out over evil. As it is, there is no payoff for hard money spent and hours of time I will never get back.
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