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Gone [Abridged] [Audio CD]

Jonathan Kellerman (Author), John Rubinstein (Reader), Sherry Huber (Producer)
3.2 out of 5 stars  See all reviews (86 customer reviews)


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Book Description

March 28, 2006
No one conducts a more chilling, suspenseful, thoroughly engrossing tour through the winding corridors of criminal behavior and the secret chambers of psychopathology than Jonathan Kellerman, the bestselling “master of the psychological thriller” (People). Now the incomparable team of psychologist Alex Delaware and homicide cop Milo Sturgis embark on their most dangerous excursion yet, into the dark places where risk runs high and blood runs cold.

It’s a story tailor-made for the nightly news: Dylan Meserve and Michaela Brand, young lovers and fellow acting students, vanish on the way home from a rehearsal. Three days later, the two of them are found in the remote mountains of Malibu -battered and terrified after a harrowing ordeal at the hands of a sadistic abductor.

The details of the nightmarish event are shocking and brutal: The couple was carjacked at gunpoint by a masked assailant and subjected to a horrific regimen of confinement, starvation and assault.

But before long, doubts arise about the couple’s story, and as forensic details unfold, the abduction is exposed as a hoax. Charged as criminals themselves, the aspiring actors claim emotional problems, and the court orders psychological evaluation for both.

Michaela is examined by Alex Delaware, who finds that her claims of depression and stress ring true enough. But they don’t explain her lies, and Alex is certain that there are hidden layers in this sordid psychodrama that even he hasn’t been able to penetrate.

Nevertheless, the case is closed–only to be violently reopened when Michaela is savagely murdered. When the police look for Dylan, they find that he’s gone. Is he the killer or a victim himself? Casting their dragnet into the murkiest corners of L.A., Delaware and Sturgis unearth more questions than answers–including a host of eerily identical killings. What really happened to the couple who cried wolf? And what bizarre and brutal epidemic is infecting the city with terror, madness, and sudden, twisted death?


From the Hardcover edition.

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Editorial Reviews

From Publishers Weekly

In bestseller Kellerman's pulse-pounding 20th Alex Delaware novel (after 2005's Rage), the Los Angeles psychologist looks into the murder of attractive 23-year-old Michaela Brand, an aspiring actress. Soon after Michaela and a fellow acting student, 24-year-old Dylan Meserve, achieve their 15 minutes of fame by staging their abduction, their hoax is exposed and Michaela turns up dead in circumstances reminiscent of her faked assault. Delaware joins forces with his sometimes official partner in crime, LAPD detective Milo Sturgis, and together they pursue an investigative trail littered with corpses leading to an unconventional acting school and the family of the eccentric woman who runs it. While the murderer's identity may not be that surprising, the author's ability to convey the unrelenting sadness of his characters' lives and his deep psychological insights will satisfy those looking for more than mere thrills. (On sale Mar. 28)Correction:In the Q&A with Alice Quinn that ran in our Feb. 20 issue, the photo credit should have read Robert Falcetti.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

In "a reality show episode that backfired," two twentysomethings fake a kidnapping to jump-start their acting careers. When criminal psychologist Alex Delaware is called in to evaluate one of the pair, Michaela Brand, he learns a few details that come in handy later, after she's found brutally murdered, and the case has fallen into the lap of Alex's buddy, Lieutenant Milo Sturges. The murder trail leads back to an acting studio operated by wealthy, drug-addled Nora Dowd; a steady stream of starstruck would-be thespians arrive at the studio--and then sometimes disappear. Gradually, the pool of suspects widens, as more people turn up missing and dead. As usual, Kellerman maintains a tight balance between suspense and characterization, using dialogue to push things quickly along: Delaware and Sturges bounce theories off one another in rapid succession--as much from habit as necessity. Neither gets everything right; the truth is much more horrifying than either suspected. As number 19 in the long-running series, this fast, clever thriller proves again why Kellerman's books reside on best-seller lists. Stephanie Zvirin
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Product Details

  • Audio CD
  • Publisher: Random House Audio; Abridged edition (March 28, 2006)
  • Language: English
  • ISBN-10: 0739309773
  • ISBN-13: 978-0739309773
  • Product Dimensions: 6.2 x 5.5 x 1 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (86 customer reviews)
  • Amazon Best Sellers Rank: #611,598 in Books (See Top 100 in Books)

More About the Author

Jonathan Kellerman is one of the world's most popular authors. He has brought his expertise as a clinical psychologist to more than thirty bestselling crime novels, including the Alex Delaware series, The Butcher's Theater, Billy Straight, The Conspiracy Club, Twisted,and True Detectives. With his wife, the novelist Faye Kellerman, he co-authored the bestsellers Double Homicide and Capital Crimes. He is the author of numerous essays, short stories, scientific articles, two children's books, and three volumes of psychology, including Savage Spawn: Reflections on Violent Children, as well as the lavishly illustrated With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award.

Jonathan and Faye Kellerman live in California and New Mexico. Their four children include the novelist Jesse Kellerman.

 

Customer Reviews

86 Reviews
5 star:
 (19)
4 star:
 (17)
3 star:
 (27)
2 star:
 (11)
1 star:
 (12)
 
 
 
 
 
Average Customer Review
3.2 out of 5 stars (86 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

68 of 74 people found the following review helpful:
3.0 out of 5 stars not up to par, April 1, 2006
By 
M. S. Butch (Katonah, New York USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
I looked forward to this book, bought it the day of release, but was disappointed. On a relative scale, a below-par Jonathan Kellerman book it still better than most mystery/thrillers -- nevertheless, given the high standard that Kellerman has created for himself, it is a "3" compared to the "5"s of his other books. Why? (1) I identified the villain early, and Alex and Milo seemed oddly blinkered; (2)I'm not sure why, but the book seemed emotionless (more than usual) - I just didn't care about the vics, or for that matter, Milo and Alex; (3) a subplot that felt like padding; (4) I'm tired of the Robin/Allison thing and reading this book made me realize that neither one has much character beyond the purely physical descriptions (5)most of all, I see no character development over of the many books, and I think that an Alex Delaware with no inner life in book 20 is a lot less interesting than an Alex Delaware several books ago, before this was apparent. He is very passive, and his back-and-forth between Robin and Allison almost seems to be a matter of indifference to him, not to mention all of the victims.
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52 of 56 people found the following review helpful:
3.0 out of 5 stars Disappointing, April 16, 2006
Time for a reality check. Jonathan Kellerman's 20th "Alex Delaware" murder mystery, Gone, is a disappointing yarn. It falls short of satisfaction on several counts.

The last 35 pages of the book are anticlimactic. After the killers are captured, it takes Mr. Kellerman an inordinately long time to write "Finis" to this work.

Kellerman is obsessed with describing, in boring detail, the clothes people wear, the houses they live in, the furniture in these houses, and other repetitious minutiae.

Another weakness is the glacial pace taken by clinical psychologist Dr. Alex Delaware and his longtime pal, L.A. homicide detective Lieut. Milo Sturgis, to locate the serial killer on their radar screen.

Meanwhile, we, the readers, are yelling at them, "Look there! Look there!" but they are frustratingly oblivious to the obvious. When Milo and Alex finally take a suspicious look at the sociopath--"poison palming itself off as perfume," we mutter, "It's about time!"

The plot of Gone revolves around wannabe thespians who are drawn, like moths to a flame, to Hollywood's fantasy world and become victims of a psychopathic predator. The victims of choice are beautiful young blondes such as Michaela Brand and Tori Giacomo.

At the novel's climax, Delaware and Sturgis discover the predator's lair and gruesome evidence of brutal scenes of horror. But what were the killer's motives? Gone is both a whodunit and a "whydunit."

A strong point of Gone is Kellerman's engaging descriptions of the camaraderie between Delaware and Sturgis. We chuckle often at their playful banter. And we are impressed by their dogged pursuit of seemingly tangential clues.

The bad news, again, is that this police procedural is fristratingly repetitive. Typically, after Delaware and Sturgis interview suspects, relatives, acquaintances, and other persons of interest, they meet, usually at a restaurant to assuage Sturgis's gargantuan appetite, and construct hypothetical scenarios of the crime. This process occurs so often that we feel trapped in the twilight zone of an eternal recurrence.

Gone is not really a bad novel. It's just not all that great. Wait for the paperback edition.

Jonathan Kellerman's first Alex Delaware novel, When the Bough Breaks, was published in 1985. Other novels in this series are Monster, Dr. Death, Over the Edge, and Therapy. Mr. Kellerman lives in California and New Mexico.

Roy E. Perry of Nolensville (rperry1778@aol.com) is an advertising copywriter at a Nashville publishing house.
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16 of 17 people found the following review helpful:
3.0 out of 5 stars Are we tired of Alex, or is the author tired of Alex?, May 21, 2006
By 
Snowbrocade (Santa Barbara, CA) - See all my reviews
(VINE VOICE)   
The appeal for me of the Alex Delaware series is the addition of psychological complexity brought by the psychologist main character to a fairly standard mystery thriller. In addition, having been a former Los Angeles resident, I enjoy reading about LA locations, restaurants. I have read all of the series from the beginning and read each one as they come out.

Kellerman continues to deliver a fine quality of writing and an unusual psychologically disturbing plot. I think that the character is experiencing some mid-life crisis which causes some staleness to the character. Either Kellerman is losing some interest, or it is time for the character to go thru some major changes--which could cause loss of readership.

It must be difficult to write a series of books about the same character year after year. Do you stick to your formula and write the same novel with different details? Or do you allow the character to change like a human person.

Overall I was not as interested in this book--but again, I am not sure if I am tired of Alex or if the author is tired of Alex. An adequate plane read or second book.
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