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Gone (Original Motion Picture Soundtrack) Soundtrack


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Gone
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Audio CD, Soundtrack, March 20, 2012
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Gone (Original Motion Picture Soundtrack) + Parker
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Product Details

  • Audio CD (March 20, 2012)
  • Original Release Date: 2012
  • Number of Discs: 1
  • Format: Soundtrack
  • Label: Lakeshore Records
  • ASIN: B006ZKAFZO
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #251,296 in Music (See Top 100 in Music)

1. Forest Park
2. Going Home
3. Empty House
4. Police are Waiting
5. Jill Runs for Her Life
6. Darkness Falls
7. Alameda Car Pursuit
8. Confronting Jim
9. Molly is Safe
10. Evidence
11. Leaving the Forest
12. End Titles

Editorial Reviews

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Most Helpful Customer Reviews

3 of 3 people found the following review helpful By Kaya Savas VINE VOICE on February 29, 2012
Format: MP3 Music
David Buckley is no stranger to the thriller genre. He recently scored Joel Schumacher's Trespass last year and also the thriller ATM. Here Buckley does what he knows best and that's create a subtle theme to base the score off of and then slowly add layers with electronic textures. The score builds to some great and entertaining tracks while never going overboard or doing too much musically. He knows when to let air in so as not to suffocate the narrative.

Musically we start with a piano theme that is distorted with reverb added to create a dissonant uneasiness. As the score progresses we start to hear more layers. Strings pulsate in the background to give the score some body and weight. Buckley is an avid user of electronics in his music, and he does so with great precision. Never do the electronics overtake or drown out the melodies. The score is very simple and was crafted that way. There are a couple moments of action where he ramps up the tempo and then dials it back down. Just enough to get your heart pumping, but it won't make you break a sweat. Once we close the album we get a nice resolution.

Gone is a great thriller score done with honed precision from a composer who knows exactly what the story needs and doesn't need. While you won't be blown away by Gone it is indeed great to hear a thriller score executed with talent since those are hard to come by these days. If you were a fan of Buckley's previous scores such as From Paris With Love, The Forbidden Kingdom or his collaboration with Harry Gregson-Williams on The Town then I suggest you check out Gone. Both Harry and David have similar sensibilities so if you're a fan of Harry you will definitely love David's work. Check it out.
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