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Gone with the Wind Paperback – July 10, 2007

ISBN-13: 978-1416548898 ISBN-10: 1416548890

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Product Details

  • Paperback: 960 pages
  • Publisher: Scribner (July 10, 2007)
  • Language: English
  • ISBN-10: 1416548890
  • ISBN-13: 978-1416548898
  • Product Dimensions: 6 x 1.6 x 9.2 inches
  • Shipping Weight: 2.6 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (1,717 customer reviews)
  • Amazon Best Sellers Rank: #735,248 in Books (See Top 100 in Books)

Editorial Reviews

Review

"Let's say you've read "Gone with the Wind" at least twice, and seen the movie over and again. So, here's a thought. Buy this handsome paperback edition, just for Pat Conroy's preface. This passionate, nearly breathless love letter is a Song of Solomon to Margaret Mitchell, Scarlett O'Hara, and Conroy's beautiful, GTW-obsessed mother. Indeed, his luminous preface packs a durable wallop, just like the epic Pulitzer prize-winning work that inspires it." -- Jan Karon, author of "The Mitford Years" series

About the Author

Margaret Mitchell Marsh
1900 - 1949

Born in Atlanta in 1900, Margaret Mitchell grew up surrounded by relatives who told endless tales of the Civil War and Reconstruction. She knew those who were relics of a de-stroyed culture, and those who had put aside gentility for survival. Her mother instilled in her that education was her only security. She attended Smith College but had to come home when her mother fell ill. After her mother's death, Margaret resolved that she had to make a home for her father and brother, so she left college and returned to Atlanta.

In 1923, she became a feature writer for the Atlanta Journal, and in 1925, she married John Marsh, a public relations officer for Georgia Power. She found most of her assignments unfulfilling, and she soon left to try writing fiction more to her own taste. Her own harshest critic, she would not try to get her work published. She began to write Gone with the Wind in 1926, while recovering from an automobile accident. Over the next eight years she painstakingly researched for historical accuracy.

She accumulated thousands of pages of manuscript. Here is how she later described her life's labor: "When I look back on these last years of struggling to find time to write between deaths in the family, illness in the family and among friends which lasted months and even years, childbirths (not my own), divorces and neuroses among friends, my own ill health and four fine auto accidents ... it all seems like a nightmare. I wouldn't tackle it again for anything. Just as soon as I sat down to write, somebody I loved would decide to have their gall-bladder removed. ... "

In 1934, an editor from Macmillan's Publishers came to Atlanta seeking new authors. He was referred to John and Margaret Marsh as people who knew Atlanta's literary scene. She steered him to several prospects, but didn't mention her own work. A friend told him that she was writing a novel, but she denied it. On the night before he was to leave Atlanta, she appeared at his hotel-room door with her still imperfect, mountainous manuscript and left it with him for better or for worse.

The rest of the story is well-known --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Love the story, Love the characters.
Jorjana Walker
Margaret Mitchell did an excellent job of weaving her fictional story against the historical backdrop of a war torn South during the Civil War.
Patricia Hatten
I loved this book and had a hard time putting it down, even though it is a very long book.
Amazon Customer

Most Helpful Customer Reviews

148 of 159 people found the following review helpful By Misfit VINE VOICE on August 30, 2007
Format: Paperback
I would give this 10 stars if I could. I haven't read this since I was a young girl in the early 70's and should never have waited so long to read it again. The characters were exceptionally well drawn, the dialogue was brilliant, particularly between Rhett (SIGH!) and Scarlett. I swear there was sparks flying off the pages. I am going to miss the people I will have to put behind me now that the book has come to an end, Rhett (SIGH), Scarlett, Mammy, Prissy and Aunt Pitty Pat (LOL).

The author's use of prose was beautiful, all the scenes and action came alive for me. Some people seem to be offended by the racism in the book, but that's how things were back then. Sugar coating it would have ruined the story reducing it to a Harlequin romance.

This is an incredibly well written book about the death of a civilization and the struggles to survive in the new era. This is a book that should not be missed, particulary those who enjoy historical fiction.
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165 of 182 people found the following review helpful By Mark Blackburn on March 17, 2004
Format: Mass Market Paperback
It took this reviewer half a century to get around to reading this great novel for the first time! Appreciating it then, with 'fresh eyes' I share the view that "Gone With The Wind" is quite simply the most readable long novel of all time. With world-wide sales nudging 25 million, it's probably fair to say that most first-time readers (apart from the odd reviewer here at the world's biggest web site) have shared that opinion in the almost 70 years since Margaret Mitchell wrote her one-and-only book. At least one other, highly readable novelist of the past century, the late James A. Michener certainly felt that way.

I'm recalling an interview of thirty years ago in which Michener - a master storyteller in his own right - expressed awe at Mitchell's achievement. I remember Michener quoted a long-forgotten critic who greeted the book's release in 1936 with the perfect, one-sentence summing up: "It's the shortest long novel I have ever read!" Michener predicted at that time (1975) that "critics will forever have to grapple with the problem of why Margaret Mitchell's novel has remained so readable, and so important to so many people."

Michener singled out a few of the "super-dramatic confrontations" so perfectly conjured up in Mitchell's lucid, timeless writing style: Mammy lacing Scarlett into her corset; the wounded at the railway station; Scarlett shooting the Union straggler; the girls making Scarlett a dress from the moss-green velvet draperies; Rhett carrying his wife upstairs to the long-unused bedroom.
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43 of 46 people found the following review helpful By James Wood on September 6, 2007
Format: Hardcover
"Gone With the Wind," as a novel, has been mistakenly dismissed by literary critics as pulp fiction for the masses. This view is premature and biased, in my opinion. If one digs deeply into the fabric of this very complex novel, one is likely to find that this novel works on two very different levels: the external level, in which themes such as survival and romantic love figure prominently; and the internal level, in which themes such as division v. reunion and the child v. the adult figure prominently.

An external analysis of the novel yields much that has been obvious to the reading and movie-going public for years. "Gone With the Wind" is, most obviously, a very powerful novel about a young woman's survival of two unique crises: the American Civil War and Reconstruction of the South that followed. The personal qualities of those who survive and prosper in this novel -- characters such as Scarlett O'Hara, Rhett Butler, Mammy, Will Benteen, old Mrs. Fontaine, even Mrs. Merriwether -- are contrasted sharply with those who do not survive and prosper: Ashley Wilkes, Ellen O'Hara, Gerald O'Hara, and Scarlett's first two husbands, Charles Hamilton and Frank Kennedy.

Melanie Hamilton presents an interesting study in the story of survival. Margaret Mitchell uses her to represent the dignified stateliness of the Old South matron. Rather than becoming a victim of the Old South's disintegration, she survives in a way that equals or even surpasses Scarlett's survival.
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58 of 65 people found the following review helpful By Daniel on February 16, 2000
Format: Hardcover
Margaret Mitchell wrote, for her first book (an earlier work, called "Lost Laysen" has since been published), an exhaustingly researched, wide-ranging, exciting and thrilling book set in the Civil War. This book - Gone With The Wind - was a runaway success; and ultimately made into the biggest movie of its day. Alright, let's admit it, by modern standards it's sexist, racist, overblown, and melodramatic. And it's pretty darned brilliant. I have read this book no less than ten times! In theory, one ought to detest that spoiled little brazen, Scarlett O'Hara, but Margaret Mitchell makes her into a vivid, strong human being, a woman with spirit and the will to survive, but who was essentially immature and spoilt. But she was fiercely protective, loyal, and someone who you were forced to admire, even as you disliked what she was doing. She also had a alarming propensity to fall in love with the wrong men - this was a woman doomed to claw her way anywhere to succeed, but at the same time, estranging herself in the eyes of her Society. But does she give up, does she make it a tragedy? No. She gets up and keeps going, she just doesn't let people see that she minds it very much. She is an inspiration, but she doesn't really deserve to be. Scarlett is flawed, hideously so, but none the less, we are forced to admire her. She IS the book. A weaker or less flawed heroine would be irritating or just TOO unsympathetic. Her unrequitted love is very believable, it's happened to most of us at one time in our youth, and we never really quite shake that first infatuation off without a rude or painful awakening.Read more ›
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