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The Good Apprentice (Classic, 20th-Century, Penguin)
 
 
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The Good Apprentice (Classic, 20th-Century, Penguin) [Paperback]

Iris Murdoch (Author)
3.9 out of 5 stars  See all reviews (9 customer reviews)

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Book Description

Classic, 20th-Century, Penguin November 27, 2001
"A brilliant entertainment." (Harold Bloom, The New York Times Book Review)

Edward Baltram is overwhelmed with guilt. His nasty little prank has gone horribly wrong: He has fed his closest friend a sandwich laced with a hallucinogenic drug and the young man has fallen out of a window to his death. Edward searches for redemption through a reunion with his famous father, the reclusive painter Jesse Baltram. Funny and compelling, The Good Apprentice is at once a supremely sophisticated entertainment and an inquiry into the spiritual crises that afflict the modern world.

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The Good Apprentice (Classic, 20th-Century, Penguin) + The Black Prince (Penguin Classics) + A Fairly Honourable Defeat (Penguin Twentieth-Century Classics)
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Editorial Reviews

From Publishers Weekly

For openers, there's murder, a tough act to follow. But Murdoch, veteran of 21 novels and a recipient of a Booker among other literary prizes, plunges undismayed into the dense, tortured history of Edward Baltram. As a lark, Edward has drugged a sandwich and served it to his best friend and fellow student Mark Wilsden, then gone off to pleasure himself with a casually met young woman; he returns to find Mark's shattered body on the pavement below the window of their shared lodging. At a seance, attended in desperation, he receives a summons to Seegard, the turreted stronghold of Jesse Baltram, whose bastard he is and who long ago abandoned him. There, greeted ony by Jesse's wife May and his two daughters, who assure Edward that Jesse will soon return, he sets out to find the father on whom the wild force of his austerely repressed love is now concentrated. Just after Jesse is discovered, a senile prisoner in a tower of his own house, Edward's stepfather Harry Cuno stumbles by chance into Seegard with Edward's aunt Midge, sister of his dead mother, once Harry's wife. Until that moment only the reader has been privy to the lovemaking carried on at Midge's house when her psychiatrist husband, Harry's closest friend, is in his office, at Harry's when his son and stepson Stuart are away. Now portents and poltergeists are released in good earnest: Was Midge the agent of her sister's death? Whose face does Edward see in the water? Is May poisoning the father and the son? Was Mark's love for Edward homosexual? It is a measure of the author's skill that despite the contrivances, coincidences, psychic dabbling and all-but-incestuous trafficking, the reader's involvement with the huge cast never diminishes, nor does attention to their wit and philosophical exchanges flag. The strands of several novels on many levels are here densely woven together, and if the knots are tied too patly, it is nonetheless a joy to watch the pattern emerge. 25,000 first printing. U.K. rights: Chatto & Windus; translation rights: Ed Victor. January
Copyright 1985 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From the Publisher

Iris Murdoch's 24th novel, a San Francisco Chronicle bestseller, explores the meaning of life in a story of love and betrayal, faith and doubt.

"Murdoch works with an intellectual daring most writers only dream of." - The Philadelphia Inquirer --This text refers to an out of print or unavailable edition of this title.


Product Details

  • Paperback: 528 pages
  • Publisher: Penguin Classics (November 27, 2001)
  • Language: English
  • ISBN-10: 0141186682
  • ISBN-13: 978-0141186689
  • Product Dimensions: 7.8 x 5.1 x 1.2 inches
  • Shipping Weight: 1.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #510,718 in Books (See Top 100 in Books)

More About the Author

Iris Murdoch was born in Dublin in 1919 of Anglo-Irish parents. She went to Badminton School, Bristol, and read classics at Somerville College, Oxford. In 1948 she returned to Oxford where she became a fellow of St Anne's college.

Her first published novel, Under the Net, was selected in 2001 by the editorial board of the American Modern Library as one of the 100 best English-language novels of the 20th century.

Awarded the CBE in 1976, Iris Murdoch was made a DBE in the 1987 New Year's Honours List. She died in February 1999.

 

Customer Reviews

9 Reviews
5 star:
 (3)
4 star:
 (3)
3 star:
 (2)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

12 of 12 people found the following review helpful:
5.0 out of 5 stars murdoch's genius, December 9, 2001
By A Customer
This review is from: The Good Apprentice (Hardcover)
This is one of the three superb long novels Murdoch published in the second half of the 80s. The characters are brilliantly drawn, especially the psychiatrist Thomas, his friend the ambitious, talented but frustrated Harry Cuno, and Harry's son Stuart, the good apprentice of the title. Underneath the typical Murdochian plot twists, the novel tackles profound themes, including depression and mental illness, guilt and forgiveness, and the impact of technology on human relations. The parts of the novel set in London are stronger than those set in the country. Her genius is fully on display here.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars Good intentions & the pursuit of happiness, January 13, 2003
By 
"jenniferbraun" (Santa Rosa, CA United States) - See all my reviews
This review is from: The Good Apprentice (Classic, 20th-Century, Penguin) (Paperback)
What happens when loving intentions result in disastrous outcomes? Iris Murdoch's, The Good Apprentice, features gothic ancestral dwellings, a trio of eccentric women, peculiar, seedy London séances, modern psychiatry, upper-class contemporary love affairs and infidelity, intense family relationships and questing for worthy missions in order to justify individual lives. I didn't easily breeze through this book neither could I put it down. Murdoch's heavy philosophical background is excruciatingly evident. However, I knew I was in the hands of a great artist when I laughed out loud with delight in passages. I look forward to reading more of her writing.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars Rich in pleasures, plot, and philosophy, July 25, 2005
This review is from: The Good Apprentice (Classic, 20th-Century, Penguin) (Paperback)
The Good Apprentice sucked me into reading Iris Murdoch about 20 years ago. I have since worked my way, with immense pleasure, through all her novels. I'm reading GA for the second time, and I find I have less patience now for the long philosophical soliloquies of the characters. But the novel reminds me how well Murdoch indulges her readers' love a good plot and richly imagined and deliciously flawed characters, all revolving around a Great Man, who may not be but probably is somewhat of a charlatan. Reading Murdoch is the best way I know to combine a love of philosophy--and excellent writing--with a hankering for soap opera. GA is a good place to start reading Murdoch (and come back to).
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Inside This Book (learn more)
First Sentence:
DORA GREENFIELD LEFT HER HUSBAND because she was afraid of him. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
elf maidens, paraffin heater
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Mother May, Elspeth Macran, Jesse Baltram, Max Point, Sarah Plowmain, Edward Baltram, West Selden, Harry Cuno, Mark Wilsden, East Selden, Railway Cottage, May Baltram, Stuart Cuno, Chloe Warriston, Flood Street, Mary Geddy, Willy Brightwalton, British Museum, Cleve Warriston, Fitzroy Square, Giles Brightwalton, Oxford Street, Brenda Wilsden, Harness Room
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