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12 of 12 people found the following review helpful:
5.0 out of 5 stars
Warm-hearted, Wise and Wonderful, May 31, 2005
This review is from: The Good, the Bad, and Me: In My Anecdotage (Hardcover)
I was so entertained by this upbeat memoir that I couldn't put it down -- but I did put it down. I made myself stop reading before the final 35 pages, because I didn't want to wake up the next day with none of it left to enjoy. There are certain performances that are indelible. Eli Wallach and Anne Jackson's performances in THE TYPISTS remain so vivid and welcome in my memory that to this day I can laugh over their big "dream of romance" scene and cry over the final moments of the play. I just knew this memoir would be wonderful -- and I was right.
Wallach is one of those people who savors every moment of life --and for that reason he does a great job of relating what he has experienced. His appreciation of his beautiful, talented and witty wife, Anne Jackson, makes this a triply delightful read. How great it must be to not only get the last word, but to have your husband treasure it and then share it with the world like a rare pearl!
I still don't want this to end. Perhaps the publishers could get a memoir from Anne Jackson and another book of acting wisdom by the two of them. Put me down for first editions!
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
A Class Act Tells A Fascinating Story--His Own, August 1, 2005
This review is from: The Good, the Bad, and Me: In My Anecdotage (Hardcover)
How did a Brooklyn-born Jew who grew up in an Italian-American neighborhood wind up getting famous for playing Mexican outlaws in some of the greatest westerns ever made? What was it like working with Clark Gable, Marilyn Monroe (both in their last pictures before death) and John Houston? How does a "method"-trained theater actor deal with the commercialism and quicker pace of filmmaking--especially down-and-dirty spaghetti western filmmaking? You'll learn the answers to these and more questions in this wonderfully entertaining, insightful, and charming memoir by one of America's finest actors--still alive, well, and working in his nineties!
The story is a love story, too--both of Wallach's love of the craft of acting and his love of his wife, Anne Jackson, and family. In a life that takes twists, turns, and zig-zags all over the creative and cartographic map of the world of stage and screen, you travel effortlessly through the pages with your "host" and get to know him well. Whether you're a fan of Mr. Wallach's great performances or merely a movie buff who wants to know "the way it was" in the golden age or a theater fan looking for Broadway anecdotage, you'll be satisfied with this perfect autobiography--and if you're an actor or know one seeking to "break in" to the business, this book should provide lots of inspiration and hope, too.
There are many showbiz memoirs in print--I've never read one with as much content for BOTH "fans" and professionals as this one. Buy it, enjoy it, and buy it for a friend or two, too.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars
Great grab-bag of anecdotes, July 16, 2005
This review is from: The Good, the Bad, and Me: In My Anecdotage (Hardcover)
This is one of those books I put on my wish list after running across it in a bookstore shortly after its release. I then sat back and waited for the theoretical eccentric millionaire who reads wish lists and randomly buys things for people... and sure enough, the book was mine within a few weeks. I have to admit up front that I simply was not around when most of the stories in this book took place, especially those relating to Wallach's life on the stage in the 1940s through 1960s. In fact, I'd never even heard of most of those plays, except perhaps in passing; I know him best from "The Godfather Part III", and (randomly) from the audiobook of Stephen King's "Insomnia". As the book's anecdotes essentially end in 1967, Wallach does not cover this ground. I put the book on my wish list simply because I wanted to know more about the guy, and to learn more about an era I missed out on.
The book's tone is set by the prologue, in which Wallach sets out to research the role of gangster Albert Anastasia for a guest appearance in a TV series, and learns that he has a much closer connection with the crime boss's family than he suspected. Several chapters then detail Wallach's Jewish upbringing in sepia-toned Brooklyn (just six miles from where two of my grandparents were doing the same thing in East New York).
I found myself equally captivated by Wallach's stories of growing up, and his tales of working on an impressive body of theatrical and film work. Entire chapters are given over to "The Misfits" and "The Good, The Bad, and The Ugly". Wallach spends lots of time discussing his (often better-known) co-stars, ranging from Clark Gable to Marlon Brando to Sir John Gielgud to a very young Alan Arkin. No-one is insulted; particularly warm, extended looks at Marilyn Monroe and Clint Eastwood are featured. The tone is very pleasant and inviting.
Written in a very simple, direct writing style, with no credited co-author, this autobiography will not require much of your time, but will leave you with lots of anecdotes to re-tell. Based on the time frame presented, a sequel is theoretically in the offing. I will update my wish list accordingly.
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