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The Good, The Bad & The Queen (Deluxe Edition CD/DVD)
 
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The Good, The Bad & The Queen (Deluxe Edition CD/DVD) [Deluxe Edition]

The Good The Bad & The QueenAudio CD
4.0 out of 5 stars  See all reviews (58 customer reviews)

Price: $7.99 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Formats

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MP3 Download, 12 Songs, 2007 $9.49  
Audio CD, 2007 $10.94  
Audio CD, Deluxe Edition, 2007 $7.99  
Vinyl --  

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The Good, The Bad & The Queen (Deluxe Edition CD/DVD) + Monkey: Journey to the West
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Product Details

  • Audio CD (April 24, 2007)
  • Original Release Date: January 23, 2007
  • Number of Discs: 2
  • Format: Deluxe Edition
  • Label: Virgin Records
  • ASIN: B000LXST5O
  • Also Available in: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (58 customer reviews)
  • Amazon Best Sellers Rank: #179,418 in Music (See Top 100 in Music)

Disc: 1
1. History Song
2. 80s Life
3. Northern Whale
4. Kingdom Of Doom
5. Herculean
6. Behind The Sun
7. The Bunting Song
8. Nature Springs
9. A Soldier's Tale
10. Three Changes
See all 12 tracks on this disc
Disc: 2
1. Nature Springs (Live At The Tabernacle) - 3.15
2. The Bunting Song (Live At The Tabernacle) - 4.00
3. The Good, The Bad And The Queen (Live At The Tabernacle) 4.35
4. A Soldier's Tale (Rehearsal Footage) - 2.22
5. The Good, The Bad and The Queen (Interview) - 20.43

Editorial Reviews

Amazon.com

To open this oddball supergroup's debut, Paul Simonon hints at "Guns of Brixton," and when Tony Allen's flex rhythms come in, there's a shadow of Fela Kuti, too. Then Damon Albarn's slow grit of a voice enters--framed by Simon Tong's flecked guitar. And collectively, The Good, the Bad, & the Queen is quickly sui generis, adamantly different than anything you think you've heard. A band with this much power has at least two options: to cut loose raucously or to mute their overt power for a more covert, dub-inflected atmospheric potency. Smartly, Albarn and his crew opt for the half-light of elastic bass lines, the clouds between the parentheses of drums--the covert. It's not until "Kingdom of Doom," the erstwhile 'single' of the album, that motion expands beyond the languorous. And even then, Tony Allen largely sits out. You get the full flush of Simonon and Allen on "Three Changes" shuffling time even while holding the tempo to a dubbish gait. It's not Blur, the Clash, Fela, the Verve, or Gorillaz. It's more than just names on albums. --Andrew Bartlett

Product Description

The Good, The Bad & The Queen is a new album featuring Damon Albarn (Blur/Gorillaz), Paul Simonon (The Clash), Tony Allen (Africa 70 / Fela Kuti) and Simon Tong (The Verve). This release is the deluxe edition which includes live performance video footage and an interview in addition to the complete audio CD.

 

Customer Reviews

58 Reviews
5 star:
 (25)
4 star:
 (17)
3 star:
 (9)
2 star:
 (5)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (58 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

25 of 26 people found the following review helpful:
4.0 out of 5 stars Ok..Ok..Ignore the rap sheet., February 22, 2007
See. This is a prime example of how we hold artists back with "good ol' days syndrome". I can explain this record in one fell swoop: If this were a debut recording by a unknown band with unknown members, people and press would be gushing all over this.
I didn't care for Blur and Verve was ok in my book, but remained on the periphery due to its short lifespan, and Simonon hasn't done anything since The Clash. Since the preconceptions were subdued, I listened to the record the first time with an open mind. I wasn't waiting for that Blur blitz or that Verve hook or that Clash swagger. As a result, I have a record that is truly engaging and beautiful, especially if you've ever been to London.
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28 of 32 people found the following review helpful:
5.0 out of 5 stars A trip down the city, March 18, 2007
By 
Let's being by saying that this album DOES NOT sound like Blur, Gorillaz, The Clash or The Verve. If you are expecting at least one song to sound like any of the aforementioned, you will be greatly disappointed. That said it is also fair to mention that the talent from those three band members come together in an interesting fusion of skill and concept.

Damon Albarn has said The Good, the bad and the queen is not the name of the band but of the album, and his four piece orchestra is much more difficult to explain that what journalists or even reviewers would like to narrow them down to. And that could well be why this record results so rich in concept and so ethereal in execution.

The somber and at times extremely claustrophobic sound serves to transport the listener to different aspects of London. Just as the lyrics cannot be constricted to either pop or punk, there is a certain mood that prevails all along the album, and it maye be (dare to say) formulated as an electropop-rock-folk allusion to the background of each of the players.
"Kingdom of doom", "Northern Whale" and "80's life" are the standout tracks, but it is in "Herculean" that they summon up all that feeling of overwhelm and almost despair one gets to know while listening to this.
Closing track, which happens to have the same name as the album, is a prolonged exectuion that quite doesn't fit with the rest of tracks but treats us to the showcase of wild drums, exquisite guitars and the omnipresent, yet vague vocals that we have come to indulge in.

If you find this review confusing then you have a leading point to listen to this record. I did not approach it thinking it would remind me of Blur or Verve, but in a way it strives to get past that, and in my opinion it takes it to another level that even they might be wonder about. Call it an acquired taste, The Good, the bad and the queen is an album to savor more than once and discover along with your own secrets.
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10 of 10 people found the following review helpful:
4.0 out of 5 stars 4.5 star all star effort, January 30, 2007
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First thing you notice is the dub bass of Paul Simonon then Albarns dark understated vocals- and throughout this excellent album the odd arrangements and sounds form a hybrid with electronic and disconnected classical strings hanging from very simple songs. Theres dub- a little britpop but mostly an odd kaleidoscope of sounds and a Kingston meets the eastend vibe. Organic folky roots music with a post 911 feel of gloom. This is Gorillaz without the trends or guest stars- this is a well assembled cast of excellent musicians creating a unique experience- timeless but modern.
This will take a few listens as the pace is slow to mid tempo and pretty dark- almost blurred at times. Albarn is an excellent songwriter and this may be his best work yet and former clash bassist Simonon is superb and looks great despite his broken nose in the cd photo. Tong (ex) of the Verve and Tony Allen both add exactly what is needed- nothing fancy but nothing common or predictable. Theres an abundance of piano but not in the coldplay vein- more traditional english music hall. To sum it up this resembles the perfect mix between later period Blur and the moody slower Gorillaz material put through producer Danger Mouse's sonic treatment. So far the best album of the last few months by quite a distance. The whole album is consistent in tone and style and is once again a very special project that transcends the history of its members.
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