24 of 27 people found the following review helpful:
3.0 out of 5 stars
The future of the Nightside, January 6, 2010
This review is from: The Good, the Bad, and the Uncanny (Nightside) (Hardcover)
Walker has always been a central force in the morally grey Nightside -- he'll do just about anything, good or bad, to maintain the status quo.
But all that changes in the eleventh Nightside book, along with a lot of other stuff in the mystery zone between good and evil. Unfortunately "The Good, The Bad and the Uncanny" is a mixed bag of supernatural plots: it seems less like a cohesive book than a trio of interlaced short stories, and two of them suffer from some severe issues with pacing... but the subplot about Walker and John is tragically, horrifically brilliant.
As usual, John has weird cases -- first he has to get an elf lord (nicknamed Screech) from one of the Nightside to the other... and Walker is determined to stop him (cue werewolves, Neanderthal bikers, etc). As payment, Screech has some mildly freaky news for him. Then John is hired by Larry Oblivion, a zombie detective who wants to find his brother... except John can't find him. Oh yes, and his brother Hadley Oblivion, the terrifyingly divine Detective Inspectre, is back in the Nightside.
Finally, John is contacted by Walker, who reveals that he's terminally ill, and wants John to be his successor in the Nightside. Of course, John refuses -- and as he investigates the whereabouts of Larry's brother, Walker keeps popping up to show John the good, the bad and the uncanny about his job. The problem is, he isn't revealing everything to John -- and John starts to realize that Walker is more dangerous than ever before.
"The Good, the Bad and the Uncanny" is probably the wobbliest Nightside novel thus far -- it's basically a novella with two short stories twined around it, with very little connecting them. The central story about Walker is absolutely brilliant, a dark gem about temptation, fanaticism and mortality, but one of the side-plots is never really finished (except for a "to be continued" at the end), and the other is wrapped up rather hastily.
Fortunately the Nightside is as weird and deliciously freaky as ever; Green dabbles in a mansion dragged into hell, a transvestite super-heroINE in a fluffy pink car, the ultimate drug den, and a lobotomized Argus who can see the entire Nightside. And his writing is as vivid ("she grinned back at me like a shark scenting blood in the water") and clever as ever (when a trio of witches start yelling "All hail John Taylor, who shall be king hereafter!", he just says, "Alex put you up to this, didn't he?").
And there's a brilliant climactic scene with John and Walker, reminiscent of Christ being tempted by the Devil with all the kingdoms of the world... except this is the Nightside. On the other hand, some sections are stretched out -- there's a thirty-page car chase, and a forty-page flashback that has little to do with the plot.
Snarky anti-hero John Taylor is in some unpleasant situations here, especially since his gift sometimes doesn't work right, and we see how rock-hard John's principles can be. And Walker is a tragic, frightening figure here, a fanatical man who has sold his soul to maintain the Nightside, and is faced by the question of what will happen when he's gone. The Oblivion Brothers aren't quite as engaging -- often they seem like pallid copies of Dead Boy and the Walking Man.
John Taylor sees "The Good, The Bad and the Uncanny" in the eleventh Nightside novel, a wildly uneven affair that leaves one door open for mayhem in the next outing. Worth reading, but flawed.
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7 of 9 people found the following review helpful:
4.0 out of 5 stars
Flying carpets, biker neaderthals, twisted religious men. Just another day in the Nightside, January 11, 2010
This review is from: The Good, the Bad, and the Uncanny (Nightside) (Hardcover)
The Good, the Bad, and the Uncanny is the 10th volume in the always strange Nightside series by Simon R. Green. The strangeness is at an all-time high as the Nightside is still reeling from the events of Just Another Judgement Day, which was one of the quickest volumes and more of an interlude than anything else. I read Just Another Judgement Day right before this one, which lays the ground work for the crux of Uncanny.
If you haven't read the other Nightside books do not skip ahead to this volume as it would ruin everything that happened prior. Green does nothing if not build off everything that is seemingly unimportant from past volumes and he is still not scared of killing off some fairly prominent characters. The Good, the Bad, and the Uncanny shows that Green is still able to push the envelope with John Taylor as he hasn't lost the touch of putting him in situations that seem unwinnable just to somehow sucker punch his way out of. The series formula has not wained on me at all, which is especially telling of such a long running series.
Flying carpets, biker neaderthals, twisted religious men, hot pink transportation, and the truth about the running of the Nightside are all covered this time around. To start we get a nice little almost novella of Taylor taking a case to get an Elf to the otherside of the Nightside, which from what I can remember is the first such instance of this race having a role in the Nightside. Green takes it from the angle that Elves and their ilk should never be trusted and rightly so. In typical style Taylor enlists aid for the trek. This time around from the little seen Ms. Fate who is a kind of like an Emma Peel drag queen superheroine. She is much more likable than I was expecting. At first I was missing Deadboy, but Ms. Fate more than holds her own with her dialogue and battle skills. After Taylor clears up that trouble he is accosted by Larry Oblivion to help find his brother Tommy who has been missing since the Lilith War saga. We get Larry's origin story from his point of view, which was nice for a change of pace. A lot of closure happens this time around as things come to a head for many characters including Taylor who gets a 'best of' tour of sorts from Walker in his attempt to have Taylor better understands what it means to be Walker.
Fans of the series will not be disappointed as a real showdown with Taylor and Walker finally happens. Through it all you gain a deeper insight into the underpinnings of the Nightside and the growth of John Taylor. The one flaw in the series is the constant repetition of some lines such as "in every way that matters." Yet Green certainly moves the story along at a fox's pace. This is setting everything up for the penultimate volume in the series as Green has said he will stop at the twelfth volume. The groundwork has been laid to give the series a strong show stopper.
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