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154 of 165 people found the following review helpful:
5.0 out of 5 stars
A PROFOUND STORY SIMPLY TOLD..., September 18, 2004
This 1932 Pulitzer Prize winning novel is still a standout today. Deceptive in its simplicity, it is a story built around a flawed human being and a teetering socio-economic system, as well as one that is layered with profound themes. The cadence of the author's writing is also of note, as it rhythmically lends itself to the telling of the story, giving it a very distinct voice. No doubt the author's writing style was influenced by her own immersion in Chinese culture, as she grew up and lived in China, the daughter of missionaries.
This is the story of the cyclical nature of life, of the passions and desires that motivate a human being, of good and evil, and of the desire to survive and thrive against great odds. It begins with the story of an illiterate, poor, peasant farmer, Wang Lung, who ventures from the rural countryside and goes to town to the great house of Hwang to obtain a bride from those among the rank of slave. There, he is given the slave O-lan as his bride.
Selfless, hardworking, and a bearer of sons, the plain-faced O-lan supports Wang Lung's veneration of the land and his desire to acquire more land. She stays with him through thick and thin, through famine and very lean times, working alongside him on the land, making great sacrifices, and raising his children. As a family, they weather the tumultuousness of pre-revolutionary China in the 1920s, only to find themselves the recipient of riches beyond their dreams. At the first opportunity, they buy land from the great house of Hwang, whose expenses appear to be exceeding their income.
With the passing of time, Wang Lung buys more and more land from the house of Hwang, until he owns it all, as his veneration of the land is always paramount. With O-lan at this side, his family continues to prosper. His life becomes more complicated, however, the richer he gets. Wang Lung then commits a life-changing act that pierces O-lan's heart in the most profoundly heartbreaking way.
As the years pass, his sons become educated and literate, and the family continues to prosper. With the great house of Hwang on the skids, an opportunity to buy their house, the very same house from where he had fetched O-lan many years ago, becomes available. Pressed upon to buy that house by his sons, who do not share Wang Lung's veneration for the land and rural life, he buys the house. The country mice now have become city mice.
This is a potent story, brimming with irony, yet simply told against a framework of mounting social change. It is a story that stands as a parable in many ways and is one that certainly should be read. It illustrates the timeless dichotomy between the young and the old, the old and the new, and the rich and the poor. It is no wonder that this beautifully written book won a Pulitzer Prize and is considered a classic masterpiece. Bravo!
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33 of 33 people found the following review helpful:
5.0 out of 5 stars
Authentic Chinese story - I can't believe she was American!, December 21, 2003
By A Customer
While reading this book, I was totally struck by the honest and compassionate way Pearl Buck told her story. Born and raised in China, I can see my great grandparents in Wang Lung and his wife O-Lan, although in the end they didn't make it to the riches but stayed in the middle class among farmers and had put all their kids through schools which was the first ever in their village. What I love most about this book is that it shows the Westerners what life was REALLY like in rural China at the turn of the century instead of the usual stereotype or common cliche. In that sense, Pearl Buck was more Chinese than Chinese, for Amy Tan, Dai SiJie and the alike are just commercial writers in my opinion, who more or less only wrote what they thought would sell. The book itself is certainly well written too. It's as if walking through a living museum of the past and one could vividly envision what Wang Lung and O-Lan had gone through as the story unfolds. Pearl Buck used simple yet powerful narrative language in which I felt Wang Lung's pain, suffering, ambition, agony, pride and all sorts of emotions and couldn't help but empathized with him as a human being. There are also small things that delighted me in Perl Buck's writing. To name just one, she had faithfully translated the characters' dialogs into English and I have to say you can't get more authentic than that. For example, she used moon for month, old head for old man, etc., and those are exactly how we say in Chinese, literally. It's a pity that neither in the US nor in China Pearl Buck is recognized or respected as much as she should have been. Though I went to Nanjing University where Pearl Buck had taught for years in China, little have I heard of her until just now, after finishing the Good Earth. Then I found that she also did a lot of humanitarian work in addition to writing after her return to the US, including pushing for the legalization of interracial/international adoptions that now has benefited so many families. I would recommend Camel XiangZi by Lao, She ( Original in Chinese and translation in English available) which is the tale of a urban pedicab driver in the same era if you enjoy the Good Earth. I think the two authors have similar styles in story-telling.
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29 of 31 people found the following review helpful:
5.0 out of 5 stars
A Brilliant Way to Understand China, May 26, 2002
When great political upheaval occurs, do the "ordinary people" even know about it? How does it affect their lives? Is social change something palpable, or only something one can see in retrospect? These questions are addressed in Pearl Buck's moving and exquisitely written Pulitzer-Prize-winning novel, "The Good Earth." It is the story of a simple Chinese peasant, Wang Lung. We first meet him as a young man on his way to pick up his bride, whom he has purchased from the estate of a wealthy landowner.Wang Lung is a farmer, barely able to survive, but it is time for him to marry and produce a grandchild for his aged father, who lives in his simple farm hut and is shown great reverence, as was the way in China at the time. The only way that Wang Lung could afford a wife at all, and a virgin, which was highly desired, was to purchase an ugly female slave from the great house. All of the pretty slave women were defiled by the master and his sons early on; O-lan was so ugly that she was spared. Harsh? Evil? Yes. But the story is told with such simplicity, from the viewpoint of Wang Lung, who knows no other life. Which is one of Buck's points: the simple Chinese peasant, struggling to survive, had no wherewithal to stand back and say, "I should not be buying an undefiled slave from a corrupt landowner who keeps me in virtual slavery as well." It just didn't happen that way. O-Lan turns out to be the perfect farmer's wife, hardworking, efficient, and, it turns out, wonderfully fertile. The scene where the young woman painfully gives birth in the field during harvest time and then goes back to work without missing a beat is almost a cliche by now. But in the book, it gives great insight into the strength of character that the silent O-Lan possesses, a strength that will save her family time and again, during good years and famine times, when she is forced to murder a newborn daughter so that the rest of her children might survive. Against the framework of tremendous social change, the simple story of this one family gives us a framework within which we can observe its effect on ordinary people. The tremendous difference between the innocent and humble Wang Lung of the beginning of the book, and the prosperous and slightly corrupt elderly man at the end, is simply astoundingly written. This book is Pearl Buck's single greatest work. She went on to become a prolific writer, and many of her books were brilliant, but none ever touched the simple genius of "The Good Earth."
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