5 of 6 people found the following review helpful:
4.0 out of 5 stars
Reliving the beauty of my Up North childhood...an outstanding sophomore novel by Ms. Gamble, October 21, 2005
This review is from: Good Family: A Novel (Hardcover)
Like author Terry Gamble, I spent my childhood summers in the same town as the author in Northern Michigan: the millionaires' summer resort of Harbor Springs, with its lavish "summer cottages" (sprawling mansions) and yacht club, inspiration behind her first novel "The Water Dancers" and her sophomore effort "Good Family." The natural beauty of this area is lovingly brought to life as the setting for a family reunion upon the death of its matriarch. Like the thinly veiled settings of Harbor Point, Harbor Springs, and Petoskey in "Water Dancers," "Good Family" seems a juxtaposition of the turn-of-the-century cottages on Mackinac Island, the elegant mansions of Harbor Point, and the turn-of-the-century Methodist summer community of Bay View in Petoskey.
The Addison family, made famous by its early pharmaceuticals, owns the Aerie, a sprawling, run-down cottage on Sand Isle, where cars are forbidden and transportation is by horse, carriage, and bicycle. The family's many eccentric relatives are drawn back together at the imminent death of its matriarch.
The novel's narrator is Maddie, a struggling filmmaker in New York who is recovering from years of alcoholism and traumatic earlier events. The last place she wants to be is the Aerie, haunted by ghosts both real and imagined. Memories of earlier summers, of her mother's easy elegance and later neglect, of forbidden crushes, of life-altering tragedies all come flooding back, and Maddie must assess where she has come from and where she is going. Maddie, her sister (the faithful, staid Dana) and cousins (the mystic Adele, rebellious adopted Jessica, alcoholic thespian Sedgie, artistic Derek) come together for the first time in a decade to figure out the etiquette of dying. Maddie must tangle with the ghosts of her past and make peace with the events that so drastically altered her life (the death of a child and a divorce, her alcoholism, near-incest), while bringing closure to the family's tumultuous relationship with its matriarch.
Clearly, many elements of Ms. Gamble's childhood summers on Harbor Point seem autobiographical: the train rides to Northern Michigan, the sprawling, run-down, once-elegant summer mansions that have fallen into disrepair, the rivalries and vicious backbiting of the country club elite, the flippant disregard to spending large sums of money on keeping up appearances, the inherent racism of an earlier age (the invisibility of the "colored help," black lawn jockeys, etc.), and the Native American mysticism that is as old as the land: the Odawa (Ottawa) tribes that live around Little Traverse Bay, on hard times but still maintaining a cultural presence (a theme explored in more depth in her debut "The Water Dancers.").
As a sophomore follow-up to "The Water Dancers," "Good Family" is much improved, featuring a more tightly-knit cast, a seamless interweaving of past and present, and a much stronger, more realistic storyline. Instead of a picture-perfect world of millionaires and easy living, Ms. Gamble's characters wallow in the mundane sorrows of living: a damaged Vietnam vet (cousin Edward, in and out of different institutions until he finally disappears), alcoholism (Maddie, her mother, Sedgie, and her gay best friend Ian), failed relationships, dead babies, and the price of apparent success. The country club lifestyle that so dominates Northern Michigan resort towns is systematically picked apart to reveal its earlier racism, elitism, and falsity of appearances and substance.
A spellbinding read that once again transported me to the beautiful landscapes of my childhood, dominated by the cry of gulls, the shifting moods of Lake Michigan, the elegant, faded mansions of Mackinac Island, Bay View and Harbor Point, the small boutiques of Harbor Springs with their colorful striped awnings and resplendent windowboxes of petunias, pansies and impatiens, and the sense of home.
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