Good Night And Good Luck 2005 PG CC

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(475) IMDb 7.6/10
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Good Night And Good Luck' chronicles the real-life conflict between Edward R. Murrow and Senator Joseph McCarthy in 1950's America.

Starring:
Jeff Daniels, David Strathairn
Runtime:
1 hour 33 minutes

Available to watch on supported devices.

Good Night And Good Luck

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Good Night and Good Luck [Blu-ray]

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Product Details

Genres Drama
Director George Clooney
Starring Jeff Daniels, David Strathairn
Supporting actors Alex Borstein, Rose Abdoo, Dianne Reeves, Peter Martin, Christoph Luty, Jeff Hamilton, Matt Catingub, Tate Donovan, Reed Diamond, Matt Ross, Patricia Clarkson, Robert Downey Jr., George Clooney, Thomas McCarthy, Glenn Morshower, Don Creech, Grant Heslov, Robert John Burke
Studio Warner Bros.
MPAA rating PG (Parental Guidance Suggested)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

This film beautifully captures the "feel" and history of the McCarthy era in America.
Linda Painchaud-Steinman
Such ignorance of the truth shows just why we need a film like George Clooney's Good Night, and Good Luck now more than ever.
Michael K. Beusch
The great Edward R. Murrow's meritorious dedication to the integrity of journalism is fast fading from the American memory.
Rocco Dormarunno

Most Helpful Customer Reviews

81 of 84 people found the following review helpful By Rocco Dormarunno on May 30, 2006
Format: DVD
This movie will be attacked, and for all the wrong reasons. It will be interpreted as a piece of leftist agit-prop. It will be attacked for being filmed in black and white and entirely indoors. But these complaints should not make the potential viewer think that this movie is not worth the watching. That is incredibly wrong.

GOOD NIGHT AND GOOD LUCK captures a piece of time which is rapidly moving from current events to history. This is sad. The great Edward R. Murrow's meritorious dedication to the integrity of journalism is fast fading from the American memory. And while GOOD NIGHT AND GOOD LUCK only examines one aspect of his long career, what an aspect it is! Murrow's pit-bull grip to bring down the infamous Joseph McCarthy was probably the highlight of his career. (Unfortunately, it also relegated both men to the "back row" of their professions, in the long run.) Some people have read about how political cartoonist, Thomas Nast, brought down Boss Tweed in the 19th Century. Some people remember how Woodward and Bernstein were an integral part of forcing Nixon out of office. But this journalist's contribution to restoring sanity to America during the 1950s is hardly remembered, and not at all talked about in schools (unless you take a journalism class--and that's maybe!)

The performances are wonderful. Strathairn IS Edward R. Murrows: remarkably understated and still very intense. George Clooney, as Fred Friendly, is his perfect foil--very extroverted and constantly joking. It was good to see Robert Downey Jr. take such a serious role, again. His portrayal of Chaplin is the last serious thing I think he did. Jeff Daniels was perfectly cast as the tooth grinding stuffed shirt, and Frank Langella was on-the-money as the powerful William Paley, owner of CBS.
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147 of 179 people found the following review helpful By MICHAEL ACUNA on October 20, 2005
Format: Theatrical Release
One of the great things about George Clooney's "Good Night and Good Luck" is that you need not know anything about Senator Joe McCarthy or Edward R. Murrow to appreciate the importance and drama of their 50 year old conflict played out on TV in the every home, every night here in the US and around the world a half century ago.
Gloriously shot in evocative black and white and expertly directed by George Clooney with a sensitive eye towards the 1950's milieu of this story: stock footage of McCarthy is seamlessly and cleverly blended with new, "GNAGL" is made as contemporary and palpably current as this morning's newspaper.
David Strathairn plays Murrow as a conflicted man: inexorably drawn to the pursuit of truth and the uncovering of those that would attempt to obscure it yet always aware that his position as television's conscience requires of him a certain amount of decorum. His portrayal is marked by both a frantic restraint and a quiet passion that speaks to the very best in all of us.
"Good Night and Good Luck" is a daring, sophisticated movie that holds its audience in the highest regard: never once dumbing down its cogent story in order to win us over. It is a film that demands a lot of us, but our payback is in the invaluable and irrevocable currency of understanding and tolerance.
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124 of 155 people found the following review helpful By L. Quido VINE VOICE on November 6, 2005
Format: Theatrical Release
Black and white, and set in 50's America, "Good Night and Good Luck" is the sign off slogan of one of America's greatest journalists and early television pioneers, Edward R. Murrow. Murrow made his bones in WWII as a correspondent, and continued with a distinguished career as a journalist and radio/television newsman at CBS in the 50's and early 60's.

"Good Night and Good Luck" is a jewel of a film for the history buff who still shakes their head at the paranoia and all encompassing aspects of the McCarthy witch hunt in the 50's. I think you just had to be alive then, and feeling the fear we all felt of the Cold War and the specter of Communism, to understand how this land could have been misled and led by the nose thanks to the "junior Senator from Wisconsin".

Some reviewers say that the clash between Murrow and McCarthy, between a free television press and television that is simply an entertainment venue, is as engrossing for those who aren't fully aware of that era of our history, as it is for those of us who lived then. Perhaps, but I think not. Part of what makes the film a success is the director's infallible instinct in recreating the 50's...from the prevalence of smoking to the clothes, sets and dialogue of those who lived through the era.

What a marvelous piece of imagery it was to utilize only filmclips of McCarthy in the movie, instead of getting an actor's portrayal. With this film, Geoge Clooney fully establishes himself as a force to be reckoned with, in filmmaking. Directing, assisting with the script, and acting the part of Edward R. Murrow's boss, Fred Friendly.
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5 of 5 people found the following review helpful By Mr. Stephen Kennedy on February 4, 2007
Format: DVD
This is George Clooneys masterpiece - and its easy to see why he made it now, as the issues brought out in the movie are so easily transposed to current day. The movie faithfully depicts, through faithful reproduction of his monologues as well as actual footage, the sequence of programmes Ed Murrow made exposing McCarthy and ulimtately playing a part in bringing about his downfall. This is mixed with the drama of what was going on behind the scenes and the real cost of telling it like it was at a time when fear was king, and telling the truth had real consequences.

This is a talking heads movie - there is no flash bang effects, or tense scenes. It's all about what was being said, and why it was being said. Even then, you have to listen pretty hard because Clooney has used a verite style of people talking as they do in real life, overlapping and not always talking in neat sentences.. except for those masterful monologues. The movie is in black and white, which does not detract but rather accentuates the drama both by making it feel authentically of its time, and bringing out rich detail of the characters expressions and nuances.. and as a sidenote, cigarette smoke has never looked more beautiful, almost a character in itself at times - how jarring it is to see one of the most respected newscasters, with cigarette in hand while addressing the nation!

The acting is simply perfect - Strathairn is knockout as Murrow, and must have spent ages poring over his newsacst to so faithfully recreate him, and do so with so much heart.

For me the movie had two messages - one, the obvious political one, and the other - the state of television today. There is nothing on TV now that comes close to the intelligence and impact of Murrow's pieces.
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