This novel by yet another accomplished Swedish crime writer takes a while to get going, but once it does, readers had better hang on. Originally published in 1998, and available here for the first time, the very atmospheric, somewhat claustrophobic story concerns Justine, a wealthy woman approaching middle age, who, after a tormented childhood and a not-much-better adulthood, figures it's time to free herself of the horrible memories that are beating her down. This involves a considerable amount of revenge against the people who made her life so miserable, but rather than go the traditional slice-and-slash route, the author focuses more on what's happening inside Justine's head, the emotional toll that settling old scores takes on her. It's an interesting approach--we don't exactly root for Justine, but we empathize with her--and the novel is one of those psychological thrillers that settles into a dark corner of your mind and just sits there, hanging around long after you have moved on to other things.
David PittCopyright © American Library Association. All rights reserved
Review
This novel by yet another accomplished Swedish crime writer takes a while to get going, but once it does, readers had better hang on. Originally published in 1998, and available here for the first time, the very atmospheric, somewhat claustrophobic story concerns Justine, a wealthy woman approaching middle age, who, after a tormented childhood and a not-much-better adulthood, figures it's time to free herself of the horrible memories that are beating her down. This involves a considerable amount of revenge against the people who made her life so miserable, but rather than go the traditional slice-and-slash route, the author focuses more on what's happening inside Justine's head, the emotional toll that settling old scores takes on her. It's an interesting approach--we don't exactly root for Justine, but we empathize with her--and the novel is one of those psychological thrillers that settles into a dark corner of your mind and just sits there, hanging around long after you have moved on to other things. --David Pitt, Booklist
When it comes to bleakness, it doesn't get bleaker than Inger Frimansson's Good Night, My Darling, set in chilly Sweden. The book follows Justine Dalvig, a sad, middle-aged woman who shares her large house with a pet bird. In this harrowing psychological study, we learn that Justine endured a horrific childhood at the hands of Flora, her sly, sadistic stepmother. Now Flora is a helpless stroke victim, confined to a nursing home where Justine takes frequent visits - but not out of altruism. Flora wasn't the only person who made childhood hell for Justine. So did a schoolmate and an unfaithful lover. Like so many bullying victims, Justine becomes a bully herself, and with chilling prescience we watch her begin to plot vengeance on those who victimized her. Beautifully translated from the original Swedish by Laura Wideburg, Good Night is a peerless exploration into the mind of a dark, lost soul. Inger Frimansson is one of Sweden's premier psychological thriller writers, the winner of theSwedish Academy of Mystery Authors Award for her books - and it's easy to see why. --Betty Webb, Mystery Scene
Justine Dalvik appears to be an ordinary yet eccentric fortysomething Swedish woman living in her childhood home with her pet bird, but below the surface, there is a volcano waiting to erupt. Since her mother's death when she was a toddler, Justine's life has been silently careening out of control. She has endured intense bullying at school, emotional and physical cruelty at the hands of her stepmother, sexual abuse as a teenager, and betrayal by a lover in adulthood. In a story as fragmented and erratic as Justine's own past, Frimansson, one of Scandinavia 's most popular writers, weaves a tale of psychological terror that reveals what happens when a victim decides to take revenge on a world that has made her life a living hell. While this novel received very favorable reviews in Europe and the Swedish Academy of Crime Writer's Award for Best Swedish Crime Novel in 1998 perhaps something has been lost in translation. The disjointed way in which the narrative changes from past to present makes for a difficult read. An optional purchase for public libraries. --Mary Todd Chesnut, Publishers Weekly