Garrison Keillor calls his latest book of verse GOOD POEMS FOR HARD TIMES. He could just as easily have called it MORE GOOD POEMS or FURTHER GOOD POEMS since he has produced another anthology every bit as good or better than his previous GOOD POEMS. These 185 poems from 61 named poets-- there are a couple of anonymous poems and a psalm or two-- were selected from Keillor's "Writer's Almanac" radio show so they are the kind you listen to and grasp the meaning of while waiting for the light to change. These poems are meant to speak to ordinary people through what Mr. Keillor calls "the last presence of honest speech and the outspoken heart."
It is worth the price of this book for Mr. Keillor's introduction alone. He opines that America is in "hard times" now with "the levels of power firmly in the hands of a cadre of Christian pirates and bullies whose cynicism is stunning," with the perversion of religion, a tax system that favors the rich, when newspapers decline and the censor abounds. He fears for a future when America has "no binding traditions," when the public cannot name senators and gets their political knowledge through television and their "only public life at Wal-Mart." He says further about what is already taking place: "You lie in a hotel bed at night, remote in hand and surf a hundred channels of television. . . and you can drift for hours among the flotsam and you will never see anything that shows that you're in Knoxville or Seattle or Santa Fe or Chicago and nobody will ever speak to you as straightforwardly and clearly as poetry does." That's pretty scary stuff.
Mr. Keillor is totally democratic in his choice of writers. The qualifications for inclusion appear to be that the poet be fairly accessible on a first hearing and not long-winded so you need not look for a Pound or Eliot here. These verses are about the rubber meeting the road. There are some heavy-hitters among the poets included, i.e., the ones we read in the Norton American and English Literature anthologies: Auden, Robert Burns, E. E. Cummings, the beloved Miss Emily, Donne, Frost, Hardy, Keats, Shakespeare, Whitman et al. Also included are important modern names-- Wendell Berry, Charles Bukowski, Raymond Carver, Billy Collins, Rita Dove, Donald Hall, Mary Oliver-- and a host of good poets I had never heard of before. (I found myself often looking up the bio of a previously unknown writer whose poem I had just been taken with.) Although I understand completely that every editor must discriminate and cannot include everybody, I would have liked included maybe a poem by Cavafy or Mark Doty or Paul McCartney.
The subject matter of these poems is diverse, from 1977 Toyotas and spiral notebooks to baseball, which is not to say that many of the selections are not profound nor beautiful. One of my favorites is Charles Bukowski's "the con job," obviously about the First Gulf War where "the U. S. ground troops were largely/made up of Blacks, Mexicans and poor/whites/most of whom had joined/the military/because it was the only job/they could find." Another is the beautiful and sad "Affirmation" by Donald Hall where the young "row for years on the midsummer/pond, ignorant and content." And Lisel Mueller's exquisite poem about snow, "Not Only the Eskimos."
Finally the biographical sketches of the poets included at the end of this collection usually have a quotation in bold black letters by the writers themselves, often as good as their poems. My favorite is by Lawrence Ferlinghetti: "Like a bowl of roses, a poem should not have to be explained."
Thank you, Mr. Keillor, for more good poems.