From Library Journal
Howe's first collection, chosen by Margaret Atwood for the "National Poetry" series, employs a somewhat simplistic, imprecise, yet fashionable surrealism: there are strange noises in the night, birds appear as omens, dead people converse. Premonitions of doom abound, but nothing is ever told fully: "If the man has died, if the child's illness has taken a sudden/turn, if the house has burned in the middle of night/ and in winter, there is at least a kind of stopping that will/pass for peace." But we never see the house burn, feel the winter's cold, or understand the peace. In the best poems (e.g., "Encounter," "The Beast") Howe hints at large emotional issues that, if explored more fully, might produce some powerful poetry. Rochelle Ratner, formerly Poetry Editor, "Soho Weekly News," New York
Copyright 1988 Reed Business Information, Inc.
Review
Apology
Bad Weather
The Beast
Death, The Last Visit
Encounter
From Nowhere
The Good Reason For Our Forgetting
Gretel, From A Sudden Clearing
Grosvenor Road
Guests
How Many Times
Isaac
Keeping Still
Letter To My Sister
Lullaby
Mary's Argument
The Meadow
Menses
The Mountain
My Father's Oak
Part Of Eve's Discussion
Providing For Each Other
Recovery
Retribution
Song Of The Spinster
Sorrow
The Split
A Thin Smattering Of Applause
The Unforgiven
Veteran's Day
What Belongs To Us
What The Angels Left
The Wise Men
Without Devotion
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Table of Poems from Poem Finder®Howe's haunting lyricism lifts the back shades on the familial and the mythic in poems that bespeak a hard-earned compassion amid the world's chaffing. --
The Boston PhoenixMarie Howe's poetry doesn't fool around . . . . [The poems] transcend their own dark roots. --
Margaret Atwood[Howe] has stolen from domesticity not only the trappings of mysticism but the wisdom of experience. --
The Partisan Review