Goodbye Lullaby (Deluxe Edition) [Deluxe Edition, CD+DVD]

Avril Lavigne | Format: Audio CD

Product Details

• Audio CD (March 8, 2011)
• Original Release Date: 2011
• Number of Discs: 2
• Format: Deluxe Edition, CD+DVD
• Label: RCA
• ASIN: B004H2ZFPW
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.2 out of 5 stars  See all reviews (98 customer reviews)
• Amazon Best Sellers Rank: #12,234 in Music (See Top 100 in Music)

Track Listings

1. Black Star

2. What The Hell

3. Push

4. Wish You Were Here

5. Smile

6. Stop Standing There

7. I Love You

8. Everybody Hurts

9. Not Enough

10. 4 Real

11. Darlin

12. Remember When

13. Goodbye

14. Alice (Hidden Track)

15. What The Hell (Acoustic)

16. Push (Acoustic)

17. Wish You Were Here (Acoustic)

18. Bad Reputation

Editorial Reviews

Avril Lavigne's fourth studio album, Goodbye Lullaby, is set for release by RCA Records on March 8, 2011. Working with longtime collaborators Deryck Whibley, Evan Taubenfeld and Butch Walker, as well as songwriter/producer Max Martin, Lavigne continues to share her personal experiences through her writing and music with a more organic and raw sound.

Avril Lavigne has made an indelible mark on the music community, selling more than 30 million albums worldwide, earning eight Grammy nominations and seven Canadian Juno Awards. She burst onto the music scene in 2002 with the critically acclaimed Let Go, featuring the smash singles "Sk8r Boi" and "Complicated". Her 2004 release, Under My Skin, debuted at #1 on the Billboard charts, as did her third album, The Best Damn Thing, which produced the irrepressible #1 single "Girlfriend" and logged more than 130 million views on YouTube! Lavigne also wrote the song Alice for Tim Burton's critically acclaimed Disney Film Alice in Wonderland.

DVD includes the Making Of Goodbye Lullaby.

Customer Reviews

Most Helpful Customer Reviews

94 of 110 people found the following review helpful:

3.0 out of 5 stars Catchy, Light Pop Prevails On 'Lullaby', March 8, 2011

By 

Lance G. Augustine (The Midwest, USA) - See all my reviews

This review is from: Goodbye Lullaby (Audio CD)

For an older guy like me, Avril Lavigne's first two albums were the ultimate guilty pleasure; I couldn't resist her infectious brand of rock despite her youth and the average age of her fans.

While I didn't much care for the direction of 2007's The Best Damn Thing, I still recognized her undeniable talent and remained hopeful her music would mature as she grew older.

Goodbye Lullaby is quite different from her previous releases, mainly from the standpoint that most of the musical rock edginess and looseness is no longer present. This is a collection of simple & repetitive, mid tempo, light pop songs. You'll hear a lot of strings and electronic percussion, familiar pop rock chord progressions and melodies, and thankfully a minimum amount of crazy special effects. If you were hoping for more upbeat, catchy pop hits like "What The Hell", you're basically out of luck. Don't get me wrong, there are hooks all over this album. But the songs seem to lack power, and it certainly doesn't help that there are no distorted guitars to be heard.

While the majority of tracks are very similar, a few do stand out. It's hard to not get excited listening to "Push", a song that really pushes Avril's vocal range, and good luck getting the chorus of "Wish You Were Here" out of your head after you've heard it a couple of times. Its triple-trifecta of hook phrases ("Damn, damn, damn", "here, here, here" and "near, near, near") is the finest example of crafty pop songwriting on the album. "Not Enough" includes real drums, good dynamics and edge, easily making it my personal favorite. "Remember When" and "Goodbye" are respectable ballads, containing perhaps the two finest vocal performances from Avril on the record. "Remember When" builds in intensity and is wonderfully melodic, and the excellent falsetto on "Goodbye" is something I haven't heard from her before.

A different approach to production would have helped this record, and Avril Lavigne is capable of much better. But overall, this is still an album I believe most fans will enjoy.

37 of 42 people found the following review helpful:

5.0 out of 5 stars Simple, Solemn, and Wonderful, March 10, 2011

By 

Phoenix Child (USA) - See all my reviews
(VINE VOICE)   

This review is from: Goodbye Lullaby (Audio CD)

Avril Lavigne built a strong fanbase and then caught herself in something of a conundrum: her first album was a pop/rock fusion with catchy radio tunes such as "Sk8er Boi" and "Complicated" mixed in with darker fare like "Unwanted" and "I'm with You"; her second album was a raw, darker rock sound with excellent hooks and still one or two pop sounds ("He Wasn't", anyone?). Then, something changed -- literally, everything. "The Best Damn Thing" was Lavigne's third album and saw her with blonde hair streaked with pink, and every song on the album drenched in goopy bubblegum pop. With this move, Lavigne's fanbase seemed to split itself in two: those who were perfectly fine with the 'new Avril' and those who desperately wanted to see her 'return to herself.'

"Goodbye Lullaby", the oft-delayed, much-anticipated fourth album from the challenging singer-songwriter, is both a rich return to roots, a powerful maturation of what we've already seen, and also a simple look at life.

There's been some genuine criticism of "Lullaby" from critics who decry the simplicity of the songs, but one of the complete charms of the album is that it genuinely feels like Lavigne invited listeners into her living room while she sat at her piano or strummed her guitar. There's no grand procession of chords because Lavigne cannily realised, she didn't need them. "Lullaby" is not just a song detailing her failed marriage, it's a firm introspection on how far she's come from the teenage mall-punk she started out as. The singer stated herself that most of the songs were written in her bed or whatever hotel room she was staying in, and it truly, truly shows.

But there's still so much of the Avril that we all have come to know and love over the years as well. "What the Hell", written with Max Martin, could have jumped right off of "The Best Damn Thing", while the Alanis-like kiss-off "Smile" reaches back to the feel of "Under My Skin", and for those thirsting for the innocence of "Let Go" tracks such as "Things I'll Never Say" is echoed in "Darlin'", a song written by Lavigne when she was still fifteen years old. Opening up with the oddly eerie piano tinkle "Black Star" written for Lavigne's new fragrance line before moving into the rest of the album, "Goodbye Lullaby" has proven itself to be perhaps Lavigne's best album yet.

Intimate, beautiful, and above all simple, "Lullaby" lets go of all of the old tricks while still echoing everything that made Lavigne likable in the first place. Sad and introspective yet never whiny, gorgeous tracks like "Wish You Were Here" and "4 Real" are longing ballads, while "Not Enough" is perhaps one of the best musings of the album as Lavigne comes to grips with the fact that some relationships fail, despite love still being there, through no real fault of the participants. Her ex-husband Derrick Whibly is a member of Sum 41 and his presence was overpowering in the music of "The Best Damn Thing"; on "Lullaby" he is a gentle guider and also a phantom hovering over the most longing ballads while still allowing Lavigne to poke a bit of fun with "Smile" and "What the Hell".

"Goodbye" is the true lullaby of the album and the sweeping piano ballad that provided the album's name, bringing everything to a close as Lavigne stretches her vocals beyond what we've really heard before. An extremely good decision was to provide a bonus track of sorts and close the album with the power ballad "Alice" that Lavigne wrote for the 2010 film "Alice in Wonderland". The song puts Lavigne in the point-of-view of Alice, tumbling down the rabbit hole to Wonderland and making the decision to control her own fate and take charge of her life. It's a powerful song and the extended version with a whole new verse provides an uplifting, beautiful end to the album as she assures the world that she is, indeed, alright.

"Goodbye Lullaby" is far from a perfect album - the chords aren't too terribly original and the lyrics aren't going to be winning any awards for poetry anytime soon. But the simplicity of the album is its true strength, as Lavigne wrote every song herself (or at least had a heavy hand in them). She invited her listeners in on the most intimate record she's yet produced, and while critics may not have been impressed it was everything that her fans have been waiting for, perhaps joining the fans of the split-personality-Avrils together again and proving that this is one artist with true staying power. If anything, "Goodbye Lullaby" is a powerful break-up album with quite a few standouts, and a marvellous entry into Lavigne's discography.

I eagerly await her fifth album and I, for one, feel justly rewarded in waiting for the release of "Goodbye Lullaby" after skipping out on "The Best Damn Thing".

Five out of five stars.

21 of 26 people found the following review helpful:

5.0 out of 5 stars Album of Ballads, March 8, 2011

By 

Raychel G. Terschluse (St.Louis, MO) - See all my reviews
(REAL NAME)   

This review is from: Goodbye Lullaby (Audio CD)

This new CD from Avril Lavigne is completely different than her three previous albums. This is is full of ballads and for the most part are well written. Standouts include Push, Goodbye, Wish You Were Here, Stop Standing There, and Smile. This album, while unique, sounds more like her first album, if any. It took a couple of listens to get hooked but on the third time I found myself digging the new sound. I enjoyed this album two-fold more than The Best Damn Thing because this album is personal and has a deeper feel to it. I'd really like to see these as acoustic numbers during her next tour. Try it!