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  • Goodbye Yellow Brick Road (40th Anniversary Deluxe Edition)
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Goodbye Yellow Brick Road (40th Anniversary Deluxe Edition)


Price: $11.88 & FREE Shipping on orders over $35. Details
Includes FREE MP3 version of this album.
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Audio CD, March 25, 2014
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The Diving Board - Album Trailer

Biography

(Hollywood CA) JUNE 24, 2013 - Capitol Records is proud to announce the release of Elton John’s The Diving Board, the artist’s first solo studio album in seven years, on Tuesday, September 24. Produced by T Bone Burnett, the album features 12 new songs written by Elton and his longtime lyricist Bernie Taupin, as well as three piano interludes composed by the artist.

The ... Read more in Amazon's Elton John Store

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Frequently Bought Together

Goodbye Yellow Brick Road (40th Anniversary Deluxe Edition) + Madman Across the Water
Price for both: $16.87

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Product Details

  • Audio CD (March 25, 2014)
  • Original Release Date: 2014
  • Number of Discs: 2
  • Label: Island
  • ASIN: B00I480SDE
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (475 customer reviews)
  • Amazon Best Sellers Rank: #958 in Music (See Top 100 in Music)

Disc: 1
1. Funeral For A Friend
2. Love Lies Bleeding
3. Candle In The Wind
4. Bennie And The Jets
5. Goodbye Yellow Brick Road
6. This Song Has No Title
7. Grey Seal
8. Jamaica Jerk Off
9. I've Seen that Movie Too
10. Sweet Painted Lady
See all 18 tracks on this disc
Disc: 2
1. Candle In The Wind (Ed Sheeran)
2. Bennie and the Jets (Miguel)
3. Goodbye Yellow Brick Road (Hunter Hayes)
4. Grey Seal (The Band Perry)
5. Sweet Painted Lady (John Grant)
6. All The Girls Love Alice (Emili Sande)
7. Your Sister Can't Twist (But She Can Rock And Roll) (Imelda May)
8. Saturday Night's Alright For Fighting (Fall Out Boy)
9. Harmony (Zac Brown Band)
10. Candle In The Wind (Elton John)
See all 18 tracks on this disc

Editorial Reviews

This 40th anniversary Deluxe Edition includes the 2014 remaster of Goodbye Yellow Brick Road and an additional disc with contemporary artists personally chosen by Elton paying tribute to the iconic album.
Artists covering classics from the album include Emili Sande, Fall Out Boy, Miguel, The Band Perry, Zac Brown Band, Hunter Hayes and many more. In addition, the disc also features tracks from Elton John's 1973 Live at Hammersmith performance.

Customer Reviews

One of the best album tracks Elton ever did.
Michael G. Fox
Many will be familiar with Funeral for a Friend/Love Lies Bleeding, Benny and the Jets, Harmony, Candle In The Wind, and the title track.
Michael A. O. Donnell
If the SACD mix of this album is anything close to the quality of the included stereo version, I may be making the transition very soon.
PJM

Most Helpful Customer Reviews

120 of 127 people found the following review helpful By Kindle Customer on November 28, 2003
Format: Audio CD Verified Purchase
Since I purchased a Super Audio CD player (SACD) about six months ago, I've been disappointed by most of the surround sound mixes I've heard. It's true that remixing a recording that was originally prepared for two-channel stereo into 5.1 surround does create a different performance. So? The original stereo mix is still available (and with the two-layer "hybrid" format used here, it's readily accessible). As a result, most multi-channel mixes are fairly timid, placing the voice in the center speaker and perhaps daintily tossing a few stray ambient sounds into the rear speakers. When I buy a SACD, I want to hear something daring, something adventurous, in other words... something I haven't heard before.

On this new mix of "Goodbye Yellow Brick Road", the producer has pulled out all the stops and created a powerful, knock-your-socks-off reinterpretation that really deserves to be called "surround sound." Bold, vibrant music surges into all five speakers from the opening organ notes of "Funeral For A Friend", and the action never lets up until the last note of "Harmony."

This demonstrates the advantages and disadvantages of surround sound re-mixes. On the plus side, you hear details that were buried before; backing vocals, guitar parts, and other dynamics leap out at you. This was always a lush recording, but you can now appreciate some of the ingredients more fully.

The downside, of course, is that some passages sound quite different from what you're used to. The opening of "I've Seen That Movie, Too," for example, is almost unrecognizable, as the guitars are much more prominent and even threaten to drown out Elton's piano. Perhaps the producer went a bit too far... but the original stereo mix is right there (and plays on SACD or ordinary audio CD players).
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33 of 34 people found the following review helpful By Benjamin VINE VOICE on February 19, 2007
Format: Audio CD
This is a celebration for music fans. The best CD by Elton John, even better. One of the best albums of all times and among my Top 20 favorite albums of all time. The album hit #1 in the Billboard Pop List in 1973. This is the Deluxe edition on SACD Surround Sound. The remaster of the audio is outstanding and will blow you away! This edition comes with a DVD (The Making of GYBR) that lasts about 50 minutes. This is the film that was previously published on DVD in the collection Classic Albums. If you already have this DVD, you can buy the CD SACD separately for $29,00. If you don't, I strongly recommend you to get the "whole package." The film tells the inside story of the making of this classic album with archive footage and interviews from Elton John, Bernie Taupin, Davey Johnstone, Nigel Olsson, Gus Dudgeon (producer of the original album), etc. The documentary has many terrific moments. To me, the best one is when Elton John is singing Candle in the Wind in honor of the Princess Diana. GYBR was released as a double album. CD1 contains the first 8 songs of LP1. CD2 contains the other 9, plus 4 bonus tracks, one of them Candle in the Wind acoustic, previously unreleased. The packaging is gorgeous with a booklet that contains a presentation by John Tobler, the original art work with lyrics, and some drafts of some lyrics. I had the original album on CD already, but went ahead and bought this edition and I am completely and absolutely satisfied. No regrets! The only problem is that this is expensive. But honestly, I am a collector and I appreciate the record company for releasing this so beautifully. If we don't buy this gems, record companies will stop doing this and then we'll go back to the complaints that the music industry sucks today. This is how CD's should be.Read more ›
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81 of 90 people found the following review helpful By 33-year old wallflower on October 21, 2002
Format: Audio CD
By 1973, Elton John & Bernie Taupin had already logged enough hits to become a part of rock history, but even as their fanbase continued to grow, they hadn't yet reached their peak. When HONKY CHATEAU became Elton's first #1 album in 1972, it proved that he was not just someone FM radio played all the time, even AM listeners (and the biggest single-buyers) had taken notice as well. Continuing with the breakneck pace of his early `70s days, Elton turned up DON'T SHOOT ME I'M ONLY THE PIANO PLAYER early in '73 & won his first #1 single with "Crocodile Rock". Whether or not, Elton & Bernie had a sudden burst of creativity or wanted to give their fans more bang for their buck, they decided to make the next LP a double, which as rock history has dictated many times before, is almost a no-win situation. Rarely has a double album been great with every single song & needless to say, Elton & Bernie's certainly wasn't. But even their lesser songs were still darn good, making GOODBYE YELLOW BRICK ROAD not only their crowning achievement, but a good example of how a double album should be made.
Right from the grandiose opener, Elton & Bernie certainly did their homework on the ways of a double album. "Funeral For A Friend/Love Lies Bleeding" shows the influence of progressive rock on music of the time with its spacey synthesizer intro (not done by Elton) before leading into the piano-pounding rocker that details the end of a love affair in musical terms. Naturally, this had to have made one hell of an opener in Elton's concerts of this period & even when you just listen to it now, you can almost hear the possibilities for a stage performance of this song.
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