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I Got The Show Right Here: The Amazing, True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman
 
 
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I Got The Show Right Here: The Amazing, True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman [Hardcover]

Cy Feuer (Author), Ken Gross (Author)
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

March 4, 2003
"Guys & Dolls...The Boyfriend...How to Succeed in Business Without Really Trying...Can-Can..." These are just a few of the many Broadway shows produced by the legendary Cy Feuer, who, in partnership with the late Ernest H. Martin, brought to life many of America's most enduring musicals.

Cy Feuer was at the center of these creations, as well as the films based on two of Broadway's most exceptional musicals, "Cabaret" and "A Chorus Line." He was the man in charge, the one responsible for putting everything together, and -- almost more important -- for holding it together.

Now, at age ninety-two, as Cy Feuer looks back on the remarkable career he had on Broadway and in Hollywood, the stories he has to tell of the people he worked with are fabulously rich and entertaining.

There's Bob Fosse, a perfectionist with whom Feuer did battle over the filming of the movie "Cabaret."
There's Frank Loesser, the brilliant and explosive composer of "Guys & Dolls, Where's Charley?," and "How to Succeed..."
There's Liza Minnelli, star of both the movie "Cabaret" and the Broadway musical "The Act," whose offstage activities threatened to disrupt the show.
There's the contentious George S. Kaufman, the librettist and director whose ego was almost as great as his talent.

Add to the list such glamorous figures as Cole Porter, Julie Andrews, Abe Burrows, Gwen Verdon, John Steinbeck, Martin Scorsese, and George Balanchine, and you have a sense of the unbeatable cast of characters who populate this fabulous story of a young trumpet player from Brooklyn who became musical director for the Republic Pictures film studio, then feverishly tackled Broadway, back when "putting ona show" did not require the support of major corporations, and when dreams of overnight success really did have a chance of coming true.

Funny, witty, and immensely entertaining, "I Got the Show Right Here" is a treat for anyone who loves show business, a story wonderfully told by one of Broadway's greatest and most talented producers.



Editorial Reviews

From Publishers Weekly

From his birth in Brooklyn in 1911, Feuer seemed destined to become a legend in his own time. In this rollicking and rambunctious memoir, Broadway producer Feuer reminisces about his mother's dragging him to bandleaders and trumpeters, touting her son's musical talent. When his father died, Feuer's trumpet playing had to provide for the family; at 15 he was bringing home money from weekend club dates. After he finished Juilliard, Feuer made the rounds with big bands, playing venues such as the Roxy and Radio City Music Hall. Following World War II, Feuer and Ernie Martin formed a theatrical partnership and began to produce Broadway musicals. With curmudgeonly affection, Feuer recalls his greatest successes-Guys and Dolls, Can-Can, How to Succeed in Business Without Really Trying and Cabaret-and the stories surrounding them. He vividly re-creates Bob Fosse's temper tantrums, Cole Porter's obsession with finding the right lyric, and Liza Minnelli's staunch defense of her then-lover, Martin Scorsese. (Feuer considers today's Broadway musicals sentimental and not very deep.) Poking fun at himself and his foibles as often as he recalls the shortcomings of others, Feuer offers a tantalizing no-holds barred look at the halcyon days of the Broadway musical and the people who made them come to life on the stage.
Copyright 2003 Reed Business Information, Inc.

Review

Mel Brooks & Thomas Meehan We laughed and we cried at Cy Feuer's wonderfully warm, brash, and colorful memoir of his life in the New York theater and happily recommend it to anyone who has ever been to a Broadway musical or at least has an aunt who saw Guys & Dolls on the road in Cleveland. -- Review

Product Details

  • Hardcover: 304 pages
  • Publisher: Simon & Schuster (March 4, 2003)
  • Language: English
  • ISBN-10: 0743236114
  • ISBN-13: 978-0743236119
  • Product Dimensions: 9.8 x 6.4 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,301,273 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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15 of 15 people found the following review helpful:
5.0 out of 5 stars How to Succeed in Show Biz, March 5, 2003
By 
S. Berner (Cocoa, Fl USA) - See all my reviews
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This review is from: I Got The Show Right Here: The Amazing, True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman (Hardcover)
Reading Cy Feuer's memoir is like sitting at the feet of a beloved uncle as he recounts fabulous tales of a fabulous time on Broadway; the time when the Broadway Musical was a capital-letters phrase. And, make no mistake, Cy Feuer and partner Ernest Martin were THE musical producers of that era! Guys & Dolls, How to Succeed...; Can-Can, The Boyfriend! To anyone "of a certain age", these were the musicals of their lives. Sure, there are some factual errors (he confuses Victor Young with Vincent Youmans, for example), but I blame that on co-author Ken Gross. I don't know that it's his fault, mind, I just want to blame him and just revel in Cy Feuer! If you love musicals, Broadway, Hollywood, gossip, and/or great story-telling, you will, too!
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11 of 12 people found the following review helpful:
4.0 out of 5 stars Enjoyable, honest memoir, May 16, 2003
This review is from: I Got The Show Right Here: The Amazing, True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman (Hardcover)
What a kick in the pants Cy Feuer must be in person. You can almost hear his tongue smacking in his cheek as he spills little tidbits about show biz icons while regaling you with stories of his and his peers' latest exploits.

What I really enjoyed about this book, other than the obvious, is that the man wasn't afraid to: 1.) Tell on himself, showing us some of his real blunders, and 2.) Tell on others honestly, showing some understanding of where they were coming from, rather than just stepping on their memory.

This is a fun, easy ride through the heyday of Broadway and a touch of musical Hollywood.

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5 of 6 people found the following review helpful:
2.0 out of 5 stars Standing on the Corner, Trading Stories, April 25, 2005
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This review is from: I Got The Show Right Here: The Amazing, True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman (Hardcover)
The first show I saw in NYC, as an impressionable young teenager, was Feuer & Martin's production of "How to Succeed in Business without Really Trying". Those rosy memories, combined with the positive reviews of the book, made reading it irresistable.

It is a light, enjoyable read. The reviewer who wrote "is like sitting at the feet of a beloved uncle as he recounts fabulous tales" was absolutely right -- that's just how I felt. [And it must have been the style Feuer was trying for, with his repeated use of "kinda" "sorta" "hadda"]. But while that is fun, it was also frustrating: the stories were told because they were humorous, not because they provided any insight. Don't we read biographies to learn more about what makes a specific individual "tick", and by transferance, more about what makes all of us "tick"? There was no learning here, little insight. Just stories.

Feuer insisted frequently that he was not an artist, merely a ditchdigger, albeit a good one. But he didn't do enough digging here. Read it for fun, but don't expect to know the man.
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Inside This Book (learn more)
First Sentence:
I can, with a pretty high degree of accuracy, reconstruct the essential flavor of my life. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
permanent floating crap game, recording stage
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Frank Loesser, Cole Porter, Where's Charley, George Kaufman, Abe Burrows, Los Angeles, George Abbott, Ray Bolger, Marty Baum, Big Jule, Nathan Detroit, Air Corps, Michael Kidd, The Boy Friend, Beverly Hills, Bob Fosse, Gwen Verdon, Mister Abbott, Rudy Vallee, Signal Corps, Boy Scout, Jule Styne, Sam Levene, Damon Runyon
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