5 of 5 people found the following review helpful:
5.0 out of 5 stars
incredible,, August 6, 2003
By A Customer
I don't know what to write in order to explain the captivating, passionate music this disc contains. Through listening to this disc one can hear the great and amazing talent Jeff Buckley possessed. I highly recommend this disc and highly recommend listning to Jeff Buckley's music.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Great Compliments to an already brilliant experience., June 29, 2003
jeff Buckley was a brilliant man. He was passionate, spellbinding and talented beyond bounds. Grace is one of the very best albums I've ever heard. Incredible. These tracks shed a live or demo version of the mastered songs off of grace. they sound awesome. Live presence almost gives it a different feel. Brilliant. This is an essentail for any fan, rabid or casual.
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5 of 5 people found the following review helpful:
2.0 out of 5 stars
The EPs and promos released during the GRACE tour now collected in a box, but nothing essential, November 8, 2007
Although Jeff Buckley released only one album during his lamentably short career, 1994's GRACE, his recorded output is quite large. Part of this is due to the large amount of posthumous releases and re-releases of live material by his estate--which many are starting to feel only diminishes his legacy. But even while Buckley was still with us, Columbia Records released several EPs and promos to bring GRACE to greater attention. This 2002 box set collects five of this small releases together.
PEYOTE RADIO THEATRE was a promotional release directed mainly to Germany in the weeks leading up to the release of GRACE. "Mojo Pin" is the same version as on the album. "Dream Brother" is present in the so-called "Nag Champa mix", a curious ambient version of the song to which Buckley added tabla drums. "Kanga-Roo" is a cover of an old Alex Chilton song which Buckley was especially fond of--he may have first come across it on This Mortal Coil's album
It'll End in Tears.
THE GRACE EP is a 1996 commercial release. It contained the album version of "Grace" and unfortunately limpid live performances from the final visit to Australia on tour. The ambient jam "Tongue" was added to this box set; taken from the same Bearsville sessions that produced GRACE, this shows Buckley and his three band members trying to reach a cohesive collaboration.
LAST GOODBYE was a 1995 Sony Japan commercial release. "Last Goodbye" is an edit of the album version. "Mojo Pin" appears in a remarkable 14-minute long live version from a New York City concert, and here Buckley begins with long vocalizations that show inspiration from Nusrat Fateh Ali Khan. "Lost Highway" is a cover of the Hank Williams classic. There is fine photography by Hideo Okada on the sleeve, which comes as a nice contrast to the photos that adorn the box and make Buckley look like some kind of teen idol.
LIVE FROM THE BATACLAN was released in 1995, first as a promo and then commercially. It has four live tracks from a February 11, 1995 performance at the Bataclan in Paris. While we don't need an umpteenth live version of "Dream Brother" or "Hallelujah", there are two rare covers. This first is Van Morrison's "The Way Young Lovers Do", which is okay. The second is a medley of the Edith Piaf tunes "Je n'en connais pas la fin" and "Hymne a l'Amour", which are charming though one wishes Buckley had used the original French instead of the clunky English translations. All in all, this EP is more interesting as a document of how much French audiences adored Buckley--the crowd cheers and claps throughout--than for its music.
Finally, SO REAL a.k.a. LIVE AT NIGHTTOWN contains three live tracks from a February 25, 1995 performance in Rotterdam, the Netherlands. Few live performances of "So Real" are out there, but we don't need yet another "Grace" or "Dream Brother".
I would recommend this box set only to Buckley completists. There is a lot of Buckley material out there, but in my opinion casual fans need only three items. These are
Grace in its original version (the Legacy Edition sounds awful, a victim of the "loudness wars"), the
Live in Chicago DVD which has Buckley blending good music with some fine humour, and the
Live at L'Olympia import CD, which records the Paris concerts Buckley felt to be the finest performance of his career. You might also want to hear his collaborations with Liz Fraser, long passed around between fans but regrettably not yet released commercially.
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