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Most Helpful Customer Reviews
42 of 45 people found the following review helpful:
5.0 out of 5 stars
Exquisite!,
By
This review is from: Graceland (Audio CD)
This seamless blend of African pop and American folk styles is one of the most exquisite musical achievements of the 20th century. The melodies are beautiful, the voices divine, and each and every one of the tracks is a classic. This extended version contains alternate takes of three songs.
The best loved songs include The Boy In The Bubble, Graceland, Diamonds On The Soles Of Her Shoes and Under African Skies, but the rest hold great charm too. The most rootsy African sounds surface on I Know What I Know with the soulful vocal infusions of The Gaza Sisters. Paul Simon has always successfully integrated exotic sounds in his music to create great beauty: Andean flutes in El Condor Pasa, reggae in Me And Julio Down By The School Yard and in Mother & Child Reunion, and Latin/South American sounds in Rhythm Of The Saints, but Graceland is his towering achievement as a solo artist, a truly exceptional album with a power and beauty that transcends all musical boundaries.
41 of 46 people found the following review helpful:
5.0 out of 5 stars
Graceful Album,
This review is from: Graceland (Audio CD)
Prior to the release of Graceland in 1986, Paul Simon was already a musical superstar. From his 60's days as one half of Simon & Garfunkel to his solo work the 70's, he created some of the most memorable songs in music. Through it all, the basis of his music was an acoustic guitar and deeply rooted in American sounds like doo wop, folk or jazz. When one heard the South African rhythms that came from Graceland, the last person you'd expect them to come from would be Mr. Simon. The lyrical content of the album is no surprise as Mr. Simon is one of the best in the business, but the musical backing is fresh, new and vibrant. "The Boy In The Plastic Bubble" just explodes out of your speakers and for some reason the song reminds me of a carnival. Ladysmith Black Mambazo adds stirring vocals to the sublime "Diamonds On The Soles Of Her Shoes" while adding a plaintive almost mournful sound to "Homeless". Linda Ronstadt supplies a fine harmony vocal on "Under African Skies" while Los Lobos assists on the albums closer "All Around The World". "You Can Call Me Al" had a hilarious video with Chevy Chase but beside having a good video, the song is as bouncy and catchy as anything he's ever recorded. He not only uses South African beats, but he explores zydeco music on "That Was Your Mother" and stays at home on the title track. Graceland is the peak of Paul Simon's long and illustrious career. The reissue, like all the others in the Paul Simon collection, is first rate. The sound is greatly imporved and the packaging replicates the original album nicely. Also like the other reissues, the three bonus tracks of demos are okay, but not revealing or required listening.
24 of 26 people found the following review helpful:
5.0 out of 5 stars
Graceland--is it Paul Simon's best album?,
By Joanna Daneman (Middletown, DE USA) - See all my reviews (TOP 10 REVIEWER) (VINE VOICE) (COMMUNITY FORUM 04) (HALL OF FAME REVIEWER) (REAL NAME)
This review is from: Graceland (Audio CD)
I have a hard time deciding if Graceland isn't Paul Simon's best work. Take his first album (simply titled Paul Simon.) That was a breakthrough song fest when it came out in 1972. We were all sorry to see Simon and Garfunkel break up --would we ever see the likes of "Bridge over Troubled Water" again? While Paul's solo work was different than the duo, who could resist those catchy and quirky songs? This was one of the great albums that debuted during pop and rock music's finest years (in my opinion) --the early 70's. When "Graceland" came out after the music's death by disco in the 80's, I was thrilled. At last, something great to listen to. What a sound! The mix of South African music with Simon's style of songwriting was unique and appealing. The deep, swooping tones of Ladysmith Black Mambazo make a wonderful contrast to Simon's light tones in the title cut. The typical Simon bouncing rhythm is vastly improved by the African mix. And Simon does the favor of introducing the great South African band, who went on to enjoy their own, richly deserved fame. All in all, a great album that never fails to cheer me up.
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