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Technical Details
- Increased airflow by 50% which is achieved through an improved rear metal screen and closer matched drivers.
- Improved rear screen frees the headphone from colorations.
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Product Description
The SR225i has an increased airflow by 50% which is achieved through an improved rear metal screen and closer matched drivers. The result is an enlarged soundstage achieved from closer driver tolerances, while the improved rear screen frees the headphone from colorations.
Customer Reviews
Most Helpful Customer Reviews
152 of 159 people found the following review helpful
I'm a grad student with no money and inexplicably picky tastes in audio equipment. Having acquired a high-end digital stage piano, I've spent the last few months piecing together a suitable setup for home use; in my case, 'suitable' means near-reference grade, but at a cost not exceeding what I can pilfer from Sallie Mae's purse.
Despite the fact that I play and listen mostly at night, I viewed headphones in proportion to their size: reluctantly, I splurged on a $30 pair of Sony oil-barrels.
But after a few weeks of headaches and ringing ears, I headed down to a boutiquey little sound emporium in Boston, having committed myself to spending $100, once and for all, on some SR80s.
Given the opportunity, though, I sat down in a studio and worked my way through the entire three-figure-price spectrum of headphones.
Grado yielded the most promising batch of candidates, but I was surprised at the variance among them: the product specs you read online for Grado really fails to emphasize this. The SR80s were everything I had expected, but then, the SR125s were identifiably more adept at rendering distinct voices within a choir.
Then, foolishly, I clamped on a pair of 225s: bass pours into your head with effortless clarity, background instruments that I never even heard on my old ear-traps were not only present, but warmly textured, etc. When I got them home, $175 later, I decided to baptize them by fire with a mix of Beck and Ben Folds Live, which I find stubbornly muggy at high bass and volume.
The 225s have revealed a completely unknown layer of instrumentation in some of my favorite Beck tracks -- I don't just mean there's a new cello back there: I mean there's a flute, a panpipe, a tapdancer, and a fat booger hanging out of the cellist's nose. As for the live recordings of Ben Folds, not only did the bottom-end piano hold up amidst the hum of the crowd, but you can actually hear people talking to each other in the audience in a couple of tracks that were recorded, it's now evident, in a small theater.
And as for my own piano, I can say that playing through headphones is no longer less desirable than through a set of very commendable Infinity speakers -- especially when I have the phones plugged into my amp instead of the piano itself.
I don't care how broke you are: if you listen attentively to your music -- and you have a quality home amp or receiver to drive these headphones to their potential -- you will not look back,
You might, however, benefit from calling around town... the internet isn't always the best deal for these sorts of products.
Despite the fact that I play and listen mostly at night, I viewed headphones in proportion to their size: reluctantly, I splurged on a $30 pair of Sony oil-barrels.
But after a few weeks of headaches and ringing ears, I headed down to a boutiquey little sound emporium in Boston, having committed myself to spending $100, once and for all, on some SR80s.
Given the opportunity, though, I sat down in a studio and worked my way through the entire three-figure-price spectrum of headphones.
Grado yielded the most promising batch of candidates, but I was surprised at the variance among them: the product specs you read online for Grado really fails to emphasize this. The SR80s were everything I had expected, but then, the SR125s were identifiably more adept at rendering distinct voices within a choir.
Then, foolishly, I clamped on a pair of 225s: bass pours into your head with effortless clarity, background instruments that I never even heard on my old ear-traps were not only present, but warmly textured, etc. When I got them home, $175 later, I decided to baptize them by fire with a mix of Beck and Ben Folds Live, which I find stubbornly muggy at high bass and volume.
The 225s have revealed a completely unknown layer of instrumentation in some of my favorite Beck tracks -- I don't just mean there's a new cello back there: I mean there's a flute, a panpipe, a tapdancer, and a fat booger hanging out of the cellist's nose. As for the live recordings of Ben Folds, not only did the bottom-end piano hold up amidst the hum of the crowd, but you can actually hear people talking to each other in the audience in a couple of tracks that were recorded, it's now evident, in a small theater.
And as for my own piano, I can say that playing through headphones is no longer less desirable than through a set of very commendable Infinity speakers -- especially when I have the phones plugged into my amp instead of the piano itself.
I don't care how broke you are: if you listen attentively to your music -- and you have a quality home amp or receiver to drive these headphones to their potential -- you will not look back,
You might, however, benefit from calling around town... the internet isn't always the best deal for these sorts of products.
122 of 136 people found the following review helpful
Ultimately, whatever I have written in this review below, please remember that with Grado, it is all about the sound and they have the awards to prove it! I have spent a lot of time and money looking for "THE" set of cans (audiophile speak for headphones) that would truly satisfy all aspects of my desire for the best sound available without having to go past the two hundred dollar mark. My search took me through Koss, Sennheiser, Sony, Bose and of course Grado. And Grado's motto of "Truly the world's finest" applies to all of their products made in America; I also own a pair of SR60 and SR80 cans from Grado so I know what I speak of about this company and their hand-crafted, American-made lovingly built product (only one exception, see below). They also have fantastic customer service and really know how to take care of you, even after a warranty has expired according to people I've spoken to. (I haven't had a need for warranty service, just for the record.)
I believe that all of Grado's cans are on the audiophile level as I have written in a review of the SR60 here on Amazon though they only cost $69 with perhaps the exception of the mass-produced, made in China iGrado model. As much as I love my Grado SR225 which I am reviewing, my SR60 cans are still in use, get five stars every time I put them on and are incredible! So imagine what I will have to say about the SR225! I've done the research, purchased numerous sets of cans from low-price and low-end to high-price and high-end and in the end, I absolutely believe that nothing beats the Grado SR225 unless you want to spend at least four to five hundred dollars and I believe you will still be disappointed unless that money went towards an even higher end set of Grado cans. For example, I do plan on saving my pennies and one day purchase a pair of their $495 RS-2 models that incorporates a mahogany wooden air chamber. But to spend the same amount on a set of Bose or Sennheiser will leave you feeling flat and not as impressed as with the $300 you could have saved by purchasing the Grado SR225 model in my opinion.
I realized a while back that I am an audiophile, someone who loves good sound and thus wants his cans to be able to reproduce those sounds as accurately and beautifully as possible. I've read many reviews, done countless hours of research, spoken with fellow audiophiles and I have come to realize that a true audiophile wants to share the knowledge he/she has acquired with others so they can make informed decisions. I've read reviews from people who claim to be audiophiles but they seem to suck the oxygen out of the room (so to speak) with their words and one quickly realizes that though they may know technical data, they have forgotten the joy and love of sound.
So back to the SR225 cans. As I mentioned, the SR60 model is a five star set of cans but I did make qualifications in that review. But if you are reading this, you want to know about the SR225 model. Yes, they cost $195-$200 and that is a lot of money for many of us. But what makes these five star audiophile cans better than the five star less espensive model? Basically put, it is the design of the can's transducers that allow for even more amazing sound reproduction. The back side has a full metal mesh screen which allows for more air flow. This matters on open backed cans. If you've ever put your hands up to an open-backed pair of full size cans and covered them, you know the sound would become "tinny" and diminished. What Grado did is take their award winning SR125 and increased the air flow by 50% and this makes a HUGE difference by increasing the sound stage! Highs, mids and lows are all so PERFECTLY balanced that it could make you weep with the right CD or DVD or even Video Game. I would recommend Samuel Barber's Adagio for Strings, Bach, Vivaldi, Berlioz, Third Day or anything by Martina McBride as an example of what your cans "can" do or try "Million Dollar Baby" or "Unforgiven," "The X-Files," "Van Helsing, the London Assignment" on DVD and any "Call of Duty" or "Medal of Honor" video games.
Also, it's important to mention that these cans have only a 32 Ohm impedance so you can use them with low-powered portable devices and not burn out your batteries in one sitting because you have to turn the volume up to max just to hear anything as with some other brands. Yes, you may have to put the volume up 2-5 notches for CDS or MP3 CDS but that is negligible and depends on the recorded media. I personally have no complaints but if you really feel you need an amp, the handy and inexpensive Boostaroo works great for less than $30. The company really upgraded the circuitry and will increase the power 50-100%! But if you want an official "audiophile approved" amp, the HeadRoom Total Airhead Amp is recommended at $150. Grado makes different amps which can be used with any of their cans (and designed one of the amps to work with some other brands as well) but are primarily for the SR325 and higher and cost between $350 to $425 on-line. But again, I wish to emphasize that the Boostaroo really does the job for pennies on the dollar without scrimping on quality.
When I first listened to my Grado SR60's, I nearly jumped out of my seat the first time I heard a startling sound such as a thunderclap or the sound of a gunshot and I was extremely soothed by the sound of rain that I had never heard before on a DVD through television speakers. But with the modifications to the SR125 (which is based upon the same design structure as the SR80, also great!) such as improved diaphragms which are put through a special "de-stressing" process in order to enhance detail, voice coil design and UHPLC (Ultra-high purity, long crystal) copper voice coil wire, when I heard those same sounds such as the thunderclap, I DID jump out of my seat! And the sound of rain is so detailed, amazing and comforting. And classical music is even more amazing than EVER before. Instead of feeling like you are in the first row with some high-end cans from Sennheiser, with Grado you actually feel like you are standing next to the orchestra, the band or are in the movie.
You have to remember that with high-end cans, there comes a point of diminishing returns. The SR225 model is absolutely amazing for $200 but if you purchased the most expensive model in the Prestige Series (the SR325i) for $295, you might wonder "why" it costs almost a hundred bucks more. Are they better? Yes. A lot? Not much. The difference is there but you really have to put in the effort to notice it. In my case, the difference between the SR60 and SR225 is immediately noticeable but even the the difference between the SR80 and SR225 isn't "quite" as noticeable but definitely still there. Now if you purchased the RS-1 for $695 or the GS1000 for $995, you would notice a difference even from the SR225!
So in conclusion, I commend the Grado SR225 to you as the Absolute Best set of cans available on the market today for $200 or less. Just a few qualifications before I close: The 225 has a full size 1/4" inch plug so you will need a "mini" adaptor for use with portable devices and even some televisions, etc., which this model does not come with. Perhaps Grado is saying these are for home use but that's not the case at all. I recommend the Grado adaptor highly because it puts less stress on the plug. It is worth the extra money for Grado quality plus you get another 8-10 inches of cord! (If you need extension cord, I can tell the difference that is in the Grado extension cord as being superior by about 25% because it uses Grado materials and recommend it as well.) Also, for all that is wonderful about Grado's cans, some people do find them a little uncomfortable because the foam cushion does not all of the transducer. It is designed this way to increase sound stage but it can be uncomfortable if you aren't used to it. I can only say that the cushions do get more comfortable with time, you get used to the feel and the high quality in sound is worth it. If you really find them uncomfortable, I would recommend the foam cushions from the SR60 model as it is very comfy and covers the whole transducer. You can always cut a small hole about the size of a quarter to increase the sound quality if you feel you have lost something. But I find that either set of cushions works great with no modifications at all on all my Grado cans! Also, as with all audiophile cans, there is a break in period for maximum sound quality of about 30-60 hours but you will notice every time you use them. It's actually amazing to listen to the same musical piece, etc. over the break-in period and hear the difference. Also, less power is necessary to drive the cans at the end of the break-in period.
I believe that Grado has every right to claim "Truly the World's Finest" with the scores of awards they have won and I believe you can't go wrong with the SR225. It really is worth every penny and I hope I have been of help to you. Enjoy the world of sound Grado offers you!
I believe that all of Grado's cans are on the audiophile level as I have written in a review of the SR60 here on Amazon though they only cost $69 with perhaps the exception of the mass-produced, made in China iGrado model. As much as I love my Grado SR225 which I am reviewing, my SR60 cans are still in use, get five stars every time I put them on and are incredible! So imagine what I will have to say about the SR225! I've done the research, purchased numerous sets of cans from low-price and low-end to high-price and high-end and in the end, I absolutely believe that nothing beats the Grado SR225 unless you want to spend at least four to five hundred dollars and I believe you will still be disappointed unless that money went towards an even higher end set of Grado cans. For example, I do plan on saving my pennies and one day purchase a pair of their $495 RS-2 models that incorporates a mahogany wooden air chamber. But to spend the same amount on a set of Bose or Sennheiser will leave you feeling flat and not as impressed as with the $300 you could have saved by purchasing the Grado SR225 model in my opinion.
I realized a while back that I am an audiophile, someone who loves good sound and thus wants his cans to be able to reproduce those sounds as accurately and beautifully as possible. I've read many reviews, done countless hours of research, spoken with fellow audiophiles and I have come to realize that a true audiophile wants to share the knowledge he/she has acquired with others so they can make informed decisions. I've read reviews from people who claim to be audiophiles but they seem to suck the oxygen out of the room (so to speak) with their words and one quickly realizes that though they may know technical data, they have forgotten the joy and love of sound.
So back to the SR225 cans. As I mentioned, the SR60 model is a five star set of cans but I did make qualifications in that review. But if you are reading this, you want to know about the SR225 model. Yes, they cost $195-$200 and that is a lot of money for many of us. But what makes these five star audiophile cans better than the five star less espensive model? Basically put, it is the design of the can's transducers that allow for even more amazing sound reproduction. The back side has a full metal mesh screen which allows for more air flow. This matters on open backed cans. If you've ever put your hands up to an open-backed pair of full size cans and covered them, you know the sound would become "tinny" and diminished. What Grado did is take their award winning SR125 and increased the air flow by 50% and this makes a HUGE difference by increasing the sound stage! Highs, mids and lows are all so PERFECTLY balanced that it could make you weep with the right CD or DVD or even Video Game. I would recommend Samuel Barber's Adagio for Strings, Bach, Vivaldi, Berlioz, Third Day or anything by Martina McBride as an example of what your cans "can" do or try "Million Dollar Baby" or "Unforgiven," "The X-Files," "Van Helsing, the London Assignment" on DVD and any "Call of Duty" or "Medal of Honor" video games.
Also, it's important to mention that these cans have only a 32 Ohm impedance so you can use them with low-powered portable devices and not burn out your batteries in one sitting because you have to turn the volume up to max just to hear anything as with some other brands. Yes, you may have to put the volume up 2-5 notches for CDS or MP3 CDS but that is negligible and depends on the recorded media. I personally have no complaints but if you really feel you need an amp, the handy and inexpensive Boostaroo works great for less than $30. The company really upgraded the circuitry and will increase the power 50-100%! But if you want an official "audiophile approved" amp, the HeadRoom Total Airhead Amp is recommended at $150. Grado makes different amps which can be used with any of their cans (and designed one of the amps to work with some other brands as well) but are primarily for the SR325 and higher and cost between $350 to $425 on-line. But again, I wish to emphasize that the Boostaroo really does the job for pennies on the dollar without scrimping on quality.
When I first listened to my Grado SR60's, I nearly jumped out of my seat the first time I heard a startling sound such as a thunderclap or the sound of a gunshot and I was extremely soothed by the sound of rain that I had never heard before on a DVD through television speakers. But with the modifications to the SR125 (which is based upon the same design structure as the SR80, also great!) such as improved diaphragms which are put through a special "de-stressing" process in order to enhance detail, voice coil design and UHPLC (Ultra-high purity, long crystal) copper voice coil wire, when I heard those same sounds such as the thunderclap, I DID jump out of my seat! And the sound of rain is so detailed, amazing and comforting. And classical music is even more amazing than EVER before. Instead of feeling like you are in the first row with some high-end cans from Sennheiser, with Grado you actually feel like you are standing next to the orchestra, the band or are in the movie.
You have to remember that with high-end cans, there comes a point of diminishing returns. The SR225 model is absolutely amazing for $200 but if you purchased the most expensive model in the Prestige Series (the SR325i) for $295, you might wonder "why" it costs almost a hundred bucks more. Are they better? Yes. A lot? Not much. The difference is there but you really have to put in the effort to notice it. In my case, the difference between the SR60 and SR225 is immediately noticeable but even the the difference between the SR80 and SR225 isn't "quite" as noticeable but definitely still there. Now if you purchased the RS-1 for $695 or the GS1000 for $995, you would notice a difference even from the SR225!
So in conclusion, I commend the Grado SR225 to you as the Absolute Best set of cans available on the market today for $200 or less. Just a few qualifications before I close: The 225 has a full size 1/4" inch plug so you will need a "mini" adaptor for use with portable devices and even some televisions, etc., which this model does not come with. Perhaps Grado is saying these are for home use but that's not the case at all. I recommend the Grado adaptor highly because it puts less stress on the plug. It is worth the extra money for Grado quality plus you get another 8-10 inches of cord! (If you need extension cord, I can tell the difference that is in the Grado extension cord as being superior by about 25% because it uses Grado materials and recommend it as well.) Also, for all that is wonderful about Grado's cans, some people do find them a little uncomfortable because the foam cushion does not all of the transducer. It is designed this way to increase sound stage but it can be uncomfortable if you aren't used to it. I can only say that the cushions do get more comfortable with time, you get used to the feel and the high quality in sound is worth it. If you really find them uncomfortable, I would recommend the foam cushions from the SR60 model as it is very comfy and covers the whole transducer. You can always cut a small hole about the size of a quarter to increase the sound quality if you feel you have lost something. But I find that either set of cushions works great with no modifications at all on all my Grado cans! Also, as with all audiophile cans, there is a break in period for maximum sound quality of about 30-60 hours but you will notice every time you use them. It's actually amazing to listen to the same musical piece, etc. over the break-in period and hear the difference. Also, less power is necessary to drive the cans at the end of the break-in period.
I believe that Grado has every right to claim "Truly the World's Finest" with the scores of awards they have won and I believe you can't go wrong with the SR225. It really is worth every penny and I hope I have been of help to you. Enjoy the world of sound Grado offers you!
36 of 38 people found the following review helpful
Noteworthy for their eye-blinking impact and up-front presentation. If Sennheiser 'phones sound like the Amsterdam Concertgebouw, these sound like CBGB's. Considered by many to be the best rock headphones in the world. I like them quite well for jazz and classical (especially solo performances), but for rock they really do get your head banging!
Weakness include a narrow "in your head" soundstage, not the best build quality (plastic), some people find them uncomfortable (I don't. They're quite lightweight, but they touch your ears when you wear them, and some people just don't like that I guess), but the kicker is for them to sound their best you really have to change the pads.
"Change the pads..." you ask? For the most bass, do a Google for 'Todd the Vinyl Junkie' and pick up a pair of Grado flat pads. For the best balance (and to save a little money) go to Sennheiser's site and grab a pair of replacement pads for the HD-414s. They're yellow, and you have to cut a hole in them (about an inch and a quarter) but it's well worth it.
Probably not truly a 5-star 'phone in the grand scheme of things (like the Sennheiser Orpheus or Stax Omega II), but their strong suits are unmatched by any other manufacturer's headphones at any price.
Weakness include a narrow "in your head" soundstage, not the best build quality (plastic), some people find them uncomfortable (I don't. They're quite lightweight, but they touch your ears when you wear them, and some people just don't like that I guess), but the kicker is for them to sound their best you really have to change the pads.
"Change the pads..." you ask? For the most bass, do a Google for 'Todd the Vinyl Junkie' and pick up a pair of Grado flat pads. For the best balance (and to save a little money) go to Sennheiser's site and grab a pair of replacement pads for the HD-414s. They're yellow, and you have to cut a hole in them (about an inch and a quarter) but it's well worth it.
Probably not truly a 5-star 'phone in the grand scheme of things (like the Sennheiser Orpheus or Stax Omega II), but their strong suits are unmatched by any other manufacturer's headphones at any price.
Most Recent Customer Reviews
Impressed!
I am VERY impressed by these headphones, especially for the $200 price tag. They are very detailed, even at very low volume levels, and the bass is not overkill. Read more
Published 1 month ago by Ryan B.
Best In Class
These things can sing! Perfect for anything rock/vocal/instrumental etc. Just enough bass, clear/smooth mids and crisp highs. Read more
Published 2 months ago by K.san
It'll change the way you listen to music
These headphones will change the way you hear music. Their crisp sound is absolutely amazing and blows anything I've used (Within the price range) out of the water, including my... Read more
Published 3 months ago by Samclave
Very pleased!
This is my first Amazon review, so I wanted to make it for a worthwhile product. I was at a friend's house over the holidays and listened to a pair of Bose QCs that made for a... Read more
Published 3 months ago by CayucosDrew
great sounding headphones
crisp clean realistic full sound. A wonderful product.Audiophile quality. These are not sound isolating, or bass boosting or any other gimmick - just great sound reproduction.
Published 4 months ago by Lawrence Adams
They are Grado's for Pete's sake...
Went back and forth trying to replace my Fostex T50RP's which are great,I just wanted to upgrade a little. Read more
Published 4 months ago by graysonsdad
EXCELLENT
So, I was really debating between the s80i's and these ones. The 100$ gap made me nervous. However, these things are well worth the money. Read more
Published 5 months ago by Andrew
good sound quality but uncomfortable to wear
The sound quality is good and I bought them in a store after trying on several different brands. They sounded the best, but when I got them home and began to use them at 1-2 hour... Read more
Published 6 months ago by tadmor
Worth every penny...and more!
That being said, when my old noise-cancelling Sony's went out, I knew I had to get something with solid quality to replace them. Read more
Published 6 months ago by HQWat
Oh my God!!!
That was the first thing out of my mouth when I placed these on my head!
I just got a pair of AKG K702's for my self, and after 100 hours of break in, I was very... Read more
I just got a pair of AKG K702's for my self, and after 100 hours of break in, I was very... Read more
Published 7 months ago by Spice
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