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by Mignon Fogarty
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100 Words Almost Everyone Confuses and Misuses (The 100 Words) by Editors of the American Heritage Dictionaries |
by Paul Brians
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The Curious Case of the Misplaced Modifier: How to Solve the Mysteries of Weak Writing by Bonnie Trenga |
by Rebecca Elliott Ph.D.
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Questions for the Grammar Girl
Amazon.com: Now that we communicate so often via e-mail and text messaging, do you think that people have become more desensitized to poor grammar, or in your experience is awareness more heightened as a result?
Grammar Girl: The average person seems to have become more desensitized to poor grammar, but language lovers seem to be tormented by the flood of mutilated e-mail and text messagesat least a lot of the people I hear from seem to be tormented. It might be a self-selecting group. To use one of my father's favorite phrases, language lovers seem to feel as though they are "being pecked to death by a duck."
Amazon.com: Your weekly podcast helps millions of listeners use good grammar and write more effectively. Do you think there is more value in learning by listening, as compared to reading and practical exercise?
Grammar Girl: Perhaps it's ironic, but I have a hard time learning by just listening. I need to read things, which is one of the reasons why I provide full transcripts for all my audio podcasts on the Grammar Girl Web site. People learn in different ways, so those who want to listen can listen, and those who want to read can read.
In my experience, nothing beats practical exercise. I often have to look up grammar rules over and over again because I can't remember them, but once I've written a show about a rule, I always remember it.Amazon.com: Have the grammar mnemonics you've developed come easily to you? Which ones were the toughest to capture in an easy-to-remember tip?
Grammar Girl: Some mnemonics come easily and some don't. I had a hard time coming up with a way for people to remember the difference between "its" and "it's," and I ended up using a really complicated story about a dream I had involving the eBay "it" advertising campaign.
I think the best mnemonics are the simple ones. Remembering that you should say "different from" instead of "different than" because "different" has two f's and "from" starts with an f isn't awfully creative, but it's easy to remember.Amazon.com: Is there a grammar rule that even Grammar Girl finds it hard to remember?
Grammar Girl: There are so many that it's hard to pick just one! I have a notoriously terrible memory, which is why I'm always making up mnemonics.
Often I find that when I can't remember something it's because it is a style issue instead of a hard-and-fast rule, so different people do it differently and there is no "right" answer. For example, I always have to look up the rules about whether the verb should be singular or plural after collective nouns like "team" and phrases like "the couple" and "one of the people who."
But when I look up the rule for collective nouns, I am reminded that the "rule" is that you have to just decide whether your collective noun has a sense of being a group or a sense of being many individuals. (And then there are also differences between British and American English.)
It's even worse with a phrase like "one of the people who": experts are split over whether the verb should be singular or plural. There really isn't an answer; you just have to pick a side. I have a hard time making a mnemonic for something like that!
Amazon.com: It used to be that proper grammar and thoughtful wording were the defining factors of a good piece of writing. Increasingly, however, writing is prized for the speed with which it is produced and not necessarily the craft. How can conscientious writers find the happy medium between form and efficiency?
Grammar Girl: What, didn't I answer your questions fast enough?
But seriously, I don't think I've come in contact with the people who value speed. As a Web editor, I certainly wasn't happy when people turned in bad writing, even if they turned it in early. And when I was writing magazine articles or corporate materials for a living I never felt rushed (except when I waited too long to get started).
The places where I do feel a sense of urgency are in e-mail and messaging; people seem to expect immediate responses. But writing a high-quality message doesn't take much more time than writing a careless message; it just takes more focus.
Amazon.com: Bonus question: I wrote all these questions with no more than a cursory grammar and spelling check. How did I do?
Grammar Girl: I found only one major error, and I changed the text to bold. It looked like a typo rather than an error in your understanding of the rules. Good job!
Online sensation Grammar Girl makes grammar fun and easy in this New York Times bestseller
Are you stumped by split infinitives? Terrified of using who” when a whom” is called for? Do you avoid the words affect” and effect” altogether?
Grammar Girl is here to help!
Mignon Fogarty, a.k.a. Grammar Girl, is determined to wipe out bad grammarbut she’s also determined to make the process as painless as possible. A couple of years ago, she created a weekly podcast to tackle some of the most common mistakes people make while communicating. The podcasts have now been downloaded more than twenty million times, and Mignon has dispensed grammar tips on Oprah and appeared on the pages of The New York Times, The Wall Street Journal, and USA Today.
Written with the wit, warmth, and accessibility that the podcasts are known for, Grammar Girl’s Quick and Dirty Tips for Better Writing covers the grammar rules and word-choice guidelines that can confound even the best writers. From between vs. among” and although vs. while” to comma splices and misplaced modifiers, Mignon offers memory tricks and clear explanations that will help readers recall and apply those troublesome grammar rules. Chock-full of tips on style, business writing, and effective e-mailing, Grammar Girl’s print debut deserves a spot on every communicator’s desk.
Mignon Fogarty is the creator of Grammar Girl and founder of the Quick and Dirty Tips Network. A technical writer and entrepreneur, she has served as an editor and producer at a number of health and science Web sites. She has a B.A. in English from the University of Washington in Seattle and an M.S. in biology from Stanford University. She lives in Reno, Nevada.
In 2007, Mignon Fogarty, perhaps better known as Grammar Girl, created a weekly podcast to tackle some of the most common mistakes people make while communicating. Her concise lessons aim to teach, or refresh, grammar knowledge as simply as possible. The podcasts have now been downloaded more than seven million times, and Fogarty has dispensed grammar tips on Oprah and appeared on the pages of The New York Times, The Wall Street Journal, and USA Today.
Written with the wit, warmth, and accessibility for which the podcasts are known, Grammar Girl’s Quick and Dirty Tips for Better Writing covers the grammar rules and word-choice guidelines that can confound even the best writers. Her tips include stylistic choices, business writing, and effective e-mailing. From between vs. among” and although vs. while” to comma splices and misplaced modifiers, Fogarty offers memory tricks and clear explanations that will help readers recall and apply those troublesome grammar rules.
Grammar Girl's Quick and Dirty Tips for Better Writing is also available on CD as an unabridged audiobook, read by the author. Please email academic@macmillan.com for more information.
Mignon Fogarty, perhaps better known as Grammar Girl, has compiled her concise lessons aimed to teach, or refresh, grammar knowledge as simply as possible. Written with the wit, warmth, and accessibility for which her weekly online podcasts are known, Grammar Girl’s Quick and Dirty Tips for Better Writing covers the grammar rules and word-choice guidelines that can confound even the best writers. Her tips include stylistic choices, business writing, and effective e-mailing.
"While Grammar Girl’s Quick and Dirty Tips for Better Writing is true to its title, offering advice for writers for every step of the process, from generating topic ideas to effective proofreading tips, this is not merely a reference book for writers. Most of the information applies equally to our daily conversation, concisely clarifying routine language-related issues and tackling those little bits of linguistic friction that rub us the wrong way, or perhaps should rub us the wrong way. Language is an interactive art, and Fogarty’s strength is her simple engagement: Her explanations sound like the urgings of a kind coworker who wants you to stop sabotaging your career by using 'then' when you mean 'than', the gentle guidance of a friend who understands the intricacies of where the comma goes in relation to quotation marks and parentheses. Her tone is easy and informative, which will be a relief to anyone who associates 'proper English' with condescending know-it-alls who think that knowledge of 'whom' separates the learned from the layperson. Best of all, she writes with enthusiasm, sometimes sounding like she’s settling a bet rather than disseminating knowledge. Fogarty’s writing style seems to be influenced by the podcast format: Because many of her topics come from letters from listeners, her responses are always focused on a real and active audience. There isn’t any sense that she is simply explaining the rules; she seems to genuinely want her audience to learn. This is not your father’s grammar book: Fogarty speaks to a 21st century audience, her short pieces steeped with modern pop culture references and a bit of retro fun: She uses Star Trek’s 'Borg' as an example of a singular collective noun (the Borg, she explains, are a sect with no sense of individuality, acting always as a collective); she calls out lessons from seminal language resource Schoolhouse Rocks (an underappreciated educational influence from a generation ago), and name drops Coldplay and the Black Eyed Peas when discussing whether band names are singular or plural. The subject matter isn’t newthe crux of every clarification Fogarty offers has surely been covered by another volume in the reference section of the book storebut considering how the same issues remain (e.g., the consistent confusion about when to use me, myself, or I), further tutelage is apparently necessary. Included in this volume are clear explanations of many common day-to-day usage questions, from the proper response to the simple question, 'How are you?' (She thoroughly explains the reason that 'I’m good' is every bit as acceptable as 'I’m well') to helpful mnemonic tricks for remembering commonly confused items ('i.e.' means 'in other words', and both begin with 'i'; 'e.g.' means 'example', both start with 'e'.) . . . Fogarty’s success with the podcast, and the value of Grammar Girl’s Quick and Dirty Tips for Better Writing, is her ability to effectively communicate the essential information in a way that holds the reader’s attention long enough to set the record straight without causing involuntary flashbacks to the tedium of junior high English classes. Whether you are a grammar-phobe seeking guidance, a parent looking for a tutorial that your kids will enjoy (and theref...
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