From Publishers Weekly
In his fiction debut, Sarris (Keeping Slug Woman Alive) offers 10 affecting stories that weave the history of five generations of Pomo Indians in Santa Rosa, Calif., with that of the other ethnic residents of Grand Avenue, "two rows of army barracks separated by a potholed dirt road littered with junk and dirty children." In "How I Got to Be Queen," the author, who teaches English at UCLA and is an elected chief of the Miwok tribe, tells of an Indian girl who defends her sister's relationship with a black man. In "Joy Ride," he imagines a Portuguese man recalling a boyhood affair with an Indian girl. Though Sarris's use of flashbacks are sometimes awkward, the past beautifully complements the present in "The Indian Maid," wherein an opal ring stolen years earlier by the title character now serves as a catalyst for her daughter's education. Indian mysticism, folklore and superstition inform many of the tales. In "Sam Toms's Last Song," a 100-year-old man connives to move in with an elderly basket-weaver who talks to spirits and cures illnesses through songs, only to find himself outwitted by the old woman. Because most of the stories are told in the first person in a nearly unvarying narrative style, it's often difficult to discern one character from another; ironically, however, what emerges from this sameness is an even richer sense of community, albeit a community in which family relationships are strained. As one character observes, "After what all's happened to us, it's a wonder what we do to ourselves." Film rights to HBO; author tour.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
Set in a small city in northern California, these ten stories focus on Santa Rosa's poorest neighborhood, Grand Avenue. The most noticeable population on Grand Avenue is a clan of Native Americans, Pomo Indians who live in dilapidated army barracks at the end of the street. Drunkenness, family fights, welfare payments, and illegitimate children abound. Each of the stories is narrated by a different character, yet all the speakers sound the same. The message is that there are no individuals on Grand Avenue; everyone is related by blood and guilt. A particularly good example is "Joy Ride," a tale of a good husband undone by a teenaged temptress. Many of the stories are narrated by middle-aged women, sisters or half-sisters. Surprisingly, timely doses of dark humor and human hope imbue this collection by the author of Mabel McKay: Weaving the Dream (LJ 8/94) with a sort of true joy. For most serious fiction collections.
James B. Hemesath, Adams State Coll. Lib., Alamosa, Col.Copyright 1994 Reed Business Information, Inc.