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"Star Trek Into Darkness" Available for Pre-order on Blu-ray and DVD
From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. See it at Cinemark theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
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The transfer is from an original camera negative thought to be lost for decades and it can't be rivalled for image clarity or sound quality (given that this is a 62-year old film). The DVD version of "Grand Illusion" looks as close as we can hope to its original state.
The film itself is a poignant examination of the conflict between class and national identity during World War I. Three French officers - an aristocrat (Pierre Fresnay), a rich Jewish banker (Marcel Dalio), and a working-class capitian (Jean Gabin) - are captured and imprisoned by a refined, arrogant German officer (von Stroheim). The French and German aristocrats share a deeper cultural and affetionate bond than they do with the men of their respective countries. When the French captives plan an escape, the aristocratic officer risks himself for a nationalism he doesn't believe in. The scenes between Fresnay and von Stroheim, arguably some of the tenderest scenes in the movie, display a ritual of noblesse oblige that seems absurd today (the people in the cinema where I saw it laughed at these men's tender missives to each other). And, indeed, these aristocratic manners are patently absurd in the theater of modern warfare. Pauline Kael has said that this film is "an elegy for a dying class" and that's partially true - it's also an examination of how tenuous the bonds of nationalism can be both within countries (as relations between the working-class Gabin and Dalio later prove) and between them (when a German guard hands Gabin a harmonica). And yet, the acting and writing are grounded so much character and detail that you can be very moved by this film without noticing these underlying theme (the audience that laughed at the aforementioned scenes, gave the film a standing ovation at the end).
"Grand Illusion" has been enormously influental - you can see traces of it in "Casablanca" (with Dalio, interestingly enough) and "Paths of Glory", for example. Renoir's direction is wonderfully fluid - even his minor characters have unique features. Along with "Passion" and "The Third Man", the Criterion version of "Grand Illusion" is one of the finest DVD releases of the year. Let's hope that they now do the same for "The Rules of the Game"
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