Customer Reviews

Grandmasters

5 star:		(40)
4 star:		(12)
3 star:		(2)
2 star:		(1)
1 star:		(1)

 

 

Don't let the title of this album confuse you...in no way are Muggs and GZA battling on this album. In fact, they work together in complete harmony on each track.

That's expected when you take a group like Cypress Hill's producer, DJ Muggs, and the Wu-Tang Clan's power-house lyricist, The GZA, and put them on one record. This is an amazing album, which, although not as good as the legendary Liquid Swords, is a classic in it's own right.

There isn't one weak song on this whole LP. The production from Muggs, is, to say the least, beautiful. This album shows that he is one of the most underrated producers in the game. Each beat matches GZA's vocals, and the setting of the song perfectly. There is not one single weak beat on this album, which is very surprising when one producer handles a whole album. Some people may say the beats begin to sound too much alike, but I must disagree. Each song flows perfectly into the next, and none of Muggs' production is boring, or lackluster.

On the lyrical side of things, GZA solidifies his spot as one of, if not the best, lyricists in hip-hop, period. With all the time in the game, GZA's delivery has only improved, and I believe the same can be said for his lyrics. Although Liquid Swords will always stand as the ultimate GZA album, GZA has matured, and grown quite a lot since then, and for the better. While there's so many rappers in the mainstream today who claim to be the "Top Five Dead Or Alive," there's only one man I can think of that defitely reserves one of those spots; and that man is The GZA.

If you're a true fan of Hip-Hop, you'll love this album, guaranteed. Pick it up as soon as possible, and support real hip-hop.

What happened to hip-hop today? It is in a state of danger when the head of the Wu-Tang Clan drops an album after 3 years and it is not in the "New Release" section of major music or electronic stores (Circuit City & Target, etc.). I stambled upon "Grandmasters" while I was in Bestbuy just looking around the "Rap" section when I noticed that somebody put the wrong CDs in GZA slot, so I went to remove those CDs and discovered that they are actually GZA's new CD. I wasn't even aware that GZA released an album recently because nobody advertised it. That's sad! On top of that I couldn't find any reviews of the album by any major reviewer even my favorite Rap Review website, conveniently www.rapreviews.com (they have the review now). But I had to buy GZA's album because I was just craving for great hip-hop recently.

Now, the album cover says "DJ Muggs vs. GZA/Genius" and I'm not familiar with DJ Muggs but he produces for Cypress Hill. So, initially I was disappointed for reading "all songs produced by DJ Muggs" and nothing from RZA. I learned that it is not a good idea to rate music from one listening. So I listened few times and "Grandmasters" is another important and grand album from GZA, definitely the best of 2005. I cannot compare this album with the masterpiece "Liquid Sword" even if I give "Liquid Sword" a 5-Star it isn't justified since it simply is a masterpiece in hip-hop history. I just hope that GZA and RZA get back together to create another album like that but for right now "Grandmasters" is as good as "Legend of the Liquid Sword" (GZA's previous release). The album clocks in about 44 min. which is a disappointment since Wu fans want more from the Genius after a 3 years hiatus. The production by DJ Muggs is very good (not superb), he's style is similar to RZA where he chooses one good backdrop music and layers it with great samples. He is the closest one to achieve somewhat of raw, viceral and hollow sound that is associated with RZA. But the music gets kinda similar after awhile. GZA will always be the Genius when it comes to lyrics. His albums following "Liquid Sword" haven't lived up to that album because of the music but he is in the same par as the first album when it comes to lyrics and delivery. Although, I did felt that he wasn't hungry or motivated this time as he was in "Legend of the Liquid Sword."

What is great about a GZA album (or most of the Wu-Tang albums) is that they work in different levels. I usually listen couple of times in the beginning just to discover the layers of music, then couple more to get the vibe off of the lyrics and more to decipher the lyrics, so it never gets old. I live the experience as I did the first listen with every listen. That's what separates GZA from other great lyricist like Eminem. When you listen to Eminem, Tupac, Biggie, etc you feel there lyrics and meaning, however consecutive listen gets boring since you already know what they mean and the message, not the same with GZA when you have to understand the metaphors and the wittiness which maybe the reason a whole lot of people will stay away from this great album.

This is a highly recommended album to Wu fans and any fans of real hip-hop/rap. If you havent discovered GZA yet than start with "Liquid Sword" you'll not be disappointed.

Although this isn't the first time these two artists have worked together (see Gza's contribution on Mugg's 1997's "Soul Assassins" album), but this is the first time the two have worked together on a whole album. What transpires here, is a magnificent coupling of one of hip-hops pioneering producers (Muggs), with easily one of Rap's most lyrically gifted, and commercially undervalued rapper (Gza). With an album that is a throw back to the art of the producer and rapper.

It's an album that is some way's, feels a little retro, because there's not any gimmicky speed-up soul samples, or embellished lifestyle bragging to fall upon. Instead this album goes against the contemporary grain, by favouring an mood that seems more focused on presenting the strengths of the artists involved, so rather than being project designed to become a commercial success, this is more a project that will appeal to those merely concerned with listening to a incredibly tight album, with no room for filler, and to highlight to listeners that both artists are still musically active.

As the title of the album suggests, this is an album, with the mood / Theme / and context largely related to and involving the game of Chess (a particular favourite of Gza's). Ideas, stories, metaphors, anecdotes, and Situations are in some way interrelated and involve the strategy, thinking and concept of a game of chess. It's no surprise that Gza grasps this concept with both hands and spins tales of pre-emptive thinking, outsmarting an opponent, celebrating complicated moves, and the catching an opponent unawares...all of which are beautifully weaved into lucid stories, confident narratives, and sweeping lyrical turns, and reeled off with such a skilful enthusiasm, that the mind boggles that there are far less technically gifted rappers out there, who come nowhere near the mind-boggling metaphoric lyrical talents of Gza, and yet have notably more success. Track such as "Exploitation of Mistakes", "Advance Pawns", "Unprotected Pieces"...all make clever lyrical references to the game of chess, with little of the gangsta posturing, and instead focusing on inventive storytelling, and witty metaphors. Almost in the sense that....Life is like a game of Chess...Play it!!

But equally important is Muggs' contribution....for one of hip-hops most important producers, over the years he's become incredibly overlooked in his contributions to hip-hop. And for this release, it's not so much what he puts in, but what he neglects to leave out. Realising that Gza is such an amazing performer and lyricist, Mugg's doesn't need to do a flashy production to cover up the lyricists shortcomings, instead what we get is a bare-bones-production. That beautifully highlights Gza's narrative, without overshadowing it, and instead sits perfectly alongside it. Muggs imbues the production with sinister synths, nervous backing beats and, up-tempo haunting backdrops, and scintillating organ melodies, and hard hitting, haunting beats that feel like a throw back to the early Wu-Tang days over which Gza skilfully muses, raps confrontationally, and lyrically throws down, with the deserved confidence of someone that has been in the game as long as he has.

There will undoubtedly be reviews here, that say that this is what "Real Hip-Hop" is all about, and with the deliberately retro sound, and the emphasis on the dynamic between producer and lyricist, it certainly does seem, that in todays unforgiving nature of hip-hop, that this is geared purely at those, that feel frustrated at the fact that presentation and marketing are now the driving force in hip-hop, instead of Artist ability. Gza's flow is something that requires several listens to full digest, even though you hear what he's saying, the implications and complexity of his words resonate over the music much longer, with subsequent listens leading to different interpretations, and understanding (hell, even a different appreciation) of what's being said. And with such clever metaphors such as the integration of NFL metaphors in "Queens Gambit", showing a level of articulation largely lacking in commercial hip-hop, and wrapped around Muggs thoughtful production, this is one of those `Word-of-mouth" albums, that undeniably deserves all the praise heap upon it. Whether both artists are planning on collaboration, again isn't known, but irrespective of this, this is one of the strongest hip-hop/rap releases in recent years. Highly recommended!!!

the pairing of gza and muggs works and it works very well. this is the best hip hop album of 2005. this is the sound of wu tang and house of pain from the 90's. hip hop was real cool back then. this is the best work gza has done since liquid swords, his rhymes sound tight over the dark beats from muggs. tracks that really shine are general pricipals, illusory protection, queen's gambit and the opening which has no rapping but stands alongside nas's genesis from illmatic as one of the best start up tunes to a rap album

"Steady" is about the best word to describe this album. There is not really any ridiculous bangers on here that are going to make you lose your mind, but then again there isn't really any skip-over material either. The GZA hasn't lost a step lyrically, still remaining one of the top storytellers in the game as witnessed on 'Exploitation of Mistakes' where he kicks a vintage crime fable with typically chilling lines like, "so he co-operated fully/and snitched on this chop-shop mechanic who used to move bodies on the pulley" all over the backdrop of a typewriter striking keys. Other tracks that caught my fancy were 'Destruction of A Guard' with Raekwon on the hook, and 'Illusory Protection'. The production is low-key and dank, not Muggs's best work, but probably nothing your going to hate either. From someone who lost interest in the Wu 4-5 years ago, after a noticable change in direction beginning with and following 'Wu-Tang: Forever', just to hear a good, solid drop from one of these cats brings back fond memories of the mid-90's, and is plenty good enough for me.

I'm gonna make this blunt and sweet like a honey dutch, if you liked Liquid Swords you'll love this. I'm pissed at these conventional minds criticizing the lyrics n stuff, if u don't like this go pick up a young cheezy album or something, don't ruin it for the open minded.
peace

wow.. this album takes you back when the clan called wu-tang was untouchable. this aint the first collab with muggs and wu as rza & gza was featured on muggs' solo debut, 'soul assasins' on the track '3rd world'.

now, muggs must be feelin rza/4th deciple/true master/allah mathematics' sounds ALOT cuz the production on grandmasters are very wu-alike. it just takes you back to the mid to late 90s when everything wu was putting out was pure fire.

as someone else mentioned, there is not one weak track on the album, all solid productions with gza's sharp lyrical flow on top of it. i was really blown away and impressed by muggs & gza. gza's flow is calm on alot of tracks and sometimes you can feel the redundantness of his flow, but the real gem lies in his lyrics and content. always innovative and creative gza proves it again and again why he will go down as one of the illest lyricist to ever touch the mic.

like i said, this is a WU album.. all the guest MCs [except sendog bustin out spanish] are wu or wu-affiliate.

rza's heard on 3 tracks including the RIDICULOUS 'advanced pawns'
raekwan blesses a dope ass hook on 'destruction of a guard' masta killa & prodigal sunn shine on 'unstoppable threats'

def. a must get for wu heads or any real hip hop fans.

the beats on this album are crazy and the mcs and lyrics are crazy as well.. wu tang doin it propa this time around.. first this, now fishscale and soon cuban linx 2 droppin... shit it aint safe no more.. go cop that.. peace.

This album, from the first listen, was a banger. There are no tracks you just feel like skipping over, and GZA shows why he is one of the greatest MC's of all time. The guest appearences on the album only add to the incredible sound and lyrics present throughout. Advance Pawns is the best track on the album and RZA starts it off flawlessly. All in Together Now is a track which features RZA and ODB and is another banger. The beats dropped by Muggs, though many were produced years ago, are a perfect match for GZA's ryhmes and flow. GZA also does an excellent job with conceptual tracks like Queen's Gambit and Exploitation of Mistakes. This album has few flaws and is a must buy for anyone. And those who love the GZA will not be disapointed. This is a classic, and yes, it is 12 tracks, but Liquid Swords was only 13 and that takes nothing away from the amazing quality of that album. Through and through, Grandmasters is the best album of 2005 and one of the best albums dropped in the last 5 years, no doubt. The more you listen to it, the more you will realize that the GZA and Muggs are a lethal combination.

Equal a great album, it does not get much better then this album right here and this will be slept on by many and that is sad that play be rappers like 5-0 Cent make millions. Anyways this album is real and great to hear these artists together on a album. You can play the album all the way through and not get tired of it and that is a rarity in Hip-Hop nowadays. I recommend you get album and support real Hip-Hop.

Kanye west new album was supposed to be one of the best this year , listened to it liked it. But then i heard gza and muggs new lp. Whe=at attracted me was , that muggs was one of my favourite producers , [cypress hill , funkdoobiest ect] And i knew gza to be one of the best mcs alive . I listened to this album early september as it had leaked on the internet. When i first heard it , i was in a good mood by track 4. Lyricaly gza was similar to his all time classic 1995 s liquid swords. But as the last three tracks came , the album reached classic status.
I was amazed , muggs and gza may hve saved hip hop. Lyrically their has not been an album like this for a very long time. This is not for most of you 50 cent listeners , or lil jon fans . No club or crummy pop tracks , jus real hard hitting hip hop. This album is vital for your collection , but maybe more for underground heads. In terms of originality this album does not lack , lyrically its awesome . The beats are produced very well

lyrics = 10 beats = 9/10 originality 9.5/10 10/10