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Graphic Compo (Creation through shapes and patterns)
 
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Graphic Compo (Creation through shapes and patterns) [Paperback]



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Book Description

June 1990 Creation through shapes and patterns
In the visual arts - in particular painting, graphic design, photography and sculpture - composition is the placement or arrangement of visual elements or ingredients in a work of art, as distinct from the subject of a work. It can also be thought of as the organization of the elements of art according to the principles of art. The term composition means 'putting together,' and can apply to any work of art, from music to writing, that is arranged or put together using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context. In graphic design and desktop publishing, composition is commonly referred to as page layout. The various visual elements, known as elements of design, formal elements, or elements of art, are the vocabulary with which the visual artist composes. These elements in the overall design usually relate to each other and to the whole art work. The elements of design are: Line - the visual path that enables the eye to move within the piece Shape - areas defined by edges within the piece, whether geometric or organic Color - hues with their various values and intensities Texture - surface qualities which translate into tactile illusions Form - 3-D length, width, or depth Value - Shading used to emphasize form Space - the space taken up by (positive) or in between (negative) objects Literal lines do not exist in nature, but are the optical phenomena created when objects curve away from the viewer. Nonetheless, line-like shapes are for all intents considered line elements by the artist; for example, telephone and power cables or rigging on boats. Any such elements can be of dramatic use in the composition of the image. Additionally, less obvious lines can be created, intentionally or not, which influence the direction of the viewer's gaze. These could be the borders of areas of differing color or contrast

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Language Notes

Text: Japanese

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