9 of 9 people found the following review helpful:
4.0 out of 5 stars
Powerful, lyrical, moving, April 19, 2004
Susan Power's THE GRASS DANCER, although billed as a novel, is a series of tightly bound stories centered around the thematic core of a Sioux myth. Separately, these stories, many of which have been previously published in high-quality magazines such as The Atlantic and The Paris Review, are excellent, but read as a whole, one after the other, they form a powerful whole - a novel, if you will. The world Ms. Power creates it at once current and ancient, with legends and tales of ancestors so entwined with the present day that the Native American characters seem less like individuals and more like highlighted segments on a multi-branched and infinitely continuing time line. But that is not to say that Ms. Power creates simple characters. Her people are complex and often troubled, struggling with the magic that swirls around them.
The individual stories tell the larger one of Native Americans, in particular the Sioux, and their battles, both physical and metaphysical, with the white men who invaded their land. This is not a historical novel, however, but rather a lyrically psychological one, where myth becomes fact. The pivotal legend that embraces all the characters in The Grass Dancer is the one of Red Dress, a Sioux woman with breath the scent of plums and a spirit that guides a long line of women to their destinies, both tragic and exhilarating. Charlene, a direct descendent from Red Dress, is in love with Harley, a descendent of Red Dress's husband Ghost Horse. But Harley keeps in his heart the spirit of another woman. Charlene's grandmother, Mercury, uses Red Dress's magic to control men and to wrest Charlene from her mother. Lydia, who is mute by choice, survives her husband and son, dead because of her anger with the magic of Red Dress. The magic in this novel has such force that when Red Dress finally tells her own story, we cannot wait to see what kind of mortal she was that gave rise to such spiritual power. Sadly, the Red Dress story is the weakest of the book. Her motivation to lure white men to their deaths, ultimately bringing on her own, seems flimsy. However, Red Dress as a spirit has become so poignant through the other stories that her final appearance in the novel is perhaps one of the most moving passages.
Susan Power is an extraordinarily gifted writer with a taste for language that makes a reader want to linger over her words. Her imagination is so precise that it is difficult to accept that her characters do not exist beyond the pages.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Thumbs up!, November 21, 2002
I recently was assigned The Grass Dancer for my Native American Literature class. I must say that this is a fantastic book. All of the characters are beautifully crafted. The stories of each character, such as Anna Thunder and Lydia Wind Soldier give the reader real insight as to why each character behaves in a particular way. The loss that the various characters suffer does not fill me with sadness, but gives me hope that they will see each other once again once they leave this world. The backwards progression of time brings Harley Wind Soldier to a place that allows him to fill the hole over his heart. This story displays the vivid and very much alive culture of the Dakota Sioux. Susan Power does a wonderful job of creating a world that is true and completely fictional all at the same time. I would definitely recommend this book to other people.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Practically Lyrical, January 27, 2005
The editorial and other customer reviews do a good job of covering the characters and basic plot, so I won't go into that.
This has to be the best book I've read in months. It's practically lyrical, the sentences are so pretty. The dust jacket is more than a little off on the plot, so don't read that. It's a collection of self contained stories about a messed up family living on a reservation in North Dakota.
Each story is narrated by a different person and takes place a random number of years before the last one. The effect is that each new chapter gives you a different understanding of the events in the previous chapters, until you get back to the "present" time from the first chapter, where you have a completely new take on everyone involved.
It's unusual to find a short story collection this good from such a new author. I highly recommend it.
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