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Grass Geysers: Carbon Clouds (Dig)
 
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Grass Geysers: Carbon Clouds (Dig)

EnonAudio CD
3.8 out of 5 stars  See all reviews (8 customer reviews)

Price: $14.73 & eligible for FREE Super Saver Shipping on orders over $25. Details
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MP3 Download, 12 Songs, 2007 $9.99  
Audio CD, 2007 $14.73  
Vinyl, 2007 $15.84  

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Grass Geysers: Carbon Clouds (Dig) + Hocus Pocus + High Society
Price For All Three: $43.64

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Product Details

  • Audio CD (October 9, 2007)
  • Original Release Date: 2007
  • Number of Discs: 1
  • Label: Touch & Go Records
  • ASIN: B000V7B8X0
  • In-Print Editions: Vinyl  |  MP3 Download
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #254,850 in Music (See Top 100 in Music)

1. Mirror On You
2. Colette
3. Dr. Freeze
4. Sabina
5. Peace Of Mind
6. Law Of Johnny Dolittle
7. Those Who Don't Blink
8. Pigeneration
9. Mr. Ratatatatat
10. Paperweights
11. Labyrinth
12. Ashish

 

Customer Reviews

8 Reviews
5 star:
 (4)
4 star:    (0)
3 star:
 (2)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (8 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

6 of 6 people found the following review helpful:
5.0 out of 5 stars The Sad Protector, November 3, 2007
By 
Cosmic Jeff (Milky Way Galaxy) - See all my reviews
This review is from: Grass Geysers: Carbon Clouds (Dig) (Audio CD)
This album is definitely an oddity. Pop-minded and concise (the album is just over a half hour), yet defiantly unfashionable, it's as though the album is punk rock in the truest sense; the spiky guitars, revved-up tempos, and reckless abandon recall late 70's punk, albeit with irregular guitar tunning, samples, and textures that are signature to previous Enon work as well as frontman John Schmersal's previous group Brainiac. Basically, what it means is that the album is loud, fast, and should you be willing, fun.

Mixed reactions to this album don't come as a surprise, as previous releases like the B-sides collection 'Lost Marbles and Exploded Evidence' and the majority of the last LP 'Hocus Pocus' (released over 4 year ago) lean much more heavily on the electro and dance elements that comprise Enon's varied sound. Those albums now sound subdued in comparison to 'Grass Geysers...Carbon Clouds' strait up rock. For fans of Enon's gentler pop, this album could be alienating, as well as for newcomers who aren't quite ready for something abrasive. Additionally, those not comfortable with Enon's dynamic will sometimes find the transition of vocals duties being swapped between John and bassist Toko Yasunda jarring. However, if you are a fan of aforementioned Brainiac, or of friends and allies Les Savy Fav this could be one of your favorite albums of the year.

The first third of the album works well for setting the pace of the rest of the album. Opening track 'Mirror On You' is has the components of a garage rock song with echoing vocals and fuzzed out bass, but once the handclaps snap in, it proves to be far more dance-able than you could imagine it being, and then it exits without overstaying it's welcome. 'Collete' follows with more psychedelia, with both singers harmonizing on the chorus and a cool breakdown midway through. The third track 'Dr. Freeze' will probably leave the weakest impression with it's springy funk, but it is a good gap between one of the album highlights 'Sabina' which has chiming guitar that perfectly accentuate Toko's verses and proves to be more catchy with subsequent listens.

The middle third of the album actually cranks it up further than the 1st, where most albums tend to sag. 'Peace of Mind' is a rollicking rock song that cools down for it's final verse; leading up to the albums catchiest song yet, 'Law of Johnny Doolittle', which is counterbalanced by distorted vocals and heavy feedback. The hardcore 'Those Who Don't Blink' packs the most adrenaline than the rest of of albums and does an excellent job of pumping you up if you let it, then is followed by what I consider the album highlight, 'Pigeneration'. It's propulsive stomp and slashes of guitar are simply awesome, and features Toko's finest vocal performance to date.

The last third of the album is where it starts to cool down, and consequently has songs that resemble older Enon work more so than elsewhere. Longtime fans might gravitate closer to this material if they're not open to the rest. 'Mr Ratatat' has a cool circular progression and reminds me of garage numbers from Enon's 2002 'High Society'. The whirring synths on 'Paperweights' again is more similar to past releases and is less immediate than other songs featured, which may or may not be preferred. 'Labyrinth' is another bright spot that has another strong performance from Toko and a great build up and release. 'Ashish' finishes the album off with dense atmosphere not explored elsewhere.

Basically, the noise and brevity of the album are somewhat deceptive. The album proves to be surprisingly focused and consistent and is very recommendable for someone seeking a rock album that isn't typical or dull. It may not sit as well with some now, but I believe it will gain stronger appreciation over time.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Focused, December 8, 2007
This review is from: Grass Geysers: Carbon Clouds (Dig) (Audio CD)
I'm a newbie Enon fan after seeing them on Youtube and recently seeing them live in Ohio, which was one of the best shows I have seen in years.

This album is unique, interesting and full of energy and inventiveness. It shows a band that is more focused than ever before and writing cohesive rock songs as a unit.

Their best album yet. Highly recommended for anyone that is interested in something new and fresh.
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5.0 out of 5 stars Enon's most focused and fun, February 5, 2010
This review is from: Grass Geysers: Carbon Clouds (Dig) (Audio CD)
I say this album is just as good (if not better than) High Society (which was epic). Their sound here is less varied and perhaps more straightforward--Enon no longer sounds like 2 (or more) separate bands--than in previous releases, but it's also more cohesive and focused. The album is very solid from start to finish, but I especially enjoy the songs where Toko takes the lead (Sabina and Colette manage to be incredibly catchy while also having great replay value). Don't miss out on this. This could be the most underrated album from one of the most underrated bands.
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