From Publishers Weekly
Inspector Bill Slider, last seen in Death to Go, confirms his place among those intelligent fictional British coppers whose presence guarantees a satisfying read. After Sir Stefan Radek, conductor of the Royal London Philharmonic, is fatally shot during a rehearsal, Slider suspects this case will be a "domestic," resolved by looking into the widowed maestro's personal life. Within the music community, Radek was considered arrogant, vindictive and a mediocre conductor. The only one who seems truly bereaved is the victim's personal servant, Arthur "Buster" Keaton. Slider, recently abandoned by both his wife and his lover Joanna, a Philharmonic violinist, probes the affairs of Radek's daughter, Fay Coleraine, and is sufficiently charmed to root for her innocence. Fay's husband, however, a solicitor who is (at most) no more honest than he needs to be, and their son, who is, according to Keaton, "turning out wild," make credible suspects. After nabbing the shooter, Slider senses that something about catching the right man is itself wrong, as wrong as his estrangement from Joanna. To the remaining question-Can the fallible man put things, personal and professional, right?-Harrod-Eagles offers an intricate, credible reply.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
If your mystery readers have yet to meet British Inspector Bill Slider and Company, it's time they do. Though readers may guess the murderer early on in this fourth in the series, his police cohorts, and his violinist love, Joanna, are among the most appealing cast in recent memory. Their relationships, the music world setting, and the clever dialog (with blessedly fewer puns than in previous works) recommend this to all collections. Start with the first in the series, Orchestrated Death (LJ 1/92).
Copyright 1995 Reed Business Information, Inc.