From School Library Journal
Grade 2-4-When Doug and Shalleaux Graves and their children move to Union City and paint their house blood red, the villagers stay away. Then Seth and Sara, two young neighbors, visit and become friendly with young Hieronymus, and they explore the spooky house. Their mother invites Mrs. Graves to a garden club tea, where her baby Venus flytrap eats the lemon squares, the tea set, and the ladies' hats. After this fiasco, the Graves family's social standing declines further. Then Christopher Joel, a home-decorating guru, comes to town to judge the neighborhood House Show. After spotting the Graves's residence, he declares it the most perfect haunted house, and offers the family a magazine cover story. From that day on, the villagers declare that the Graves and their house "fit in." Polacco's fans may be disappointed in this story. It is lighter and less emotionally resonant than many of her other works, but it has fun and farcical moments, creative puns, and over-the-top descriptions. Unfortunately, the text goes on too long, causing some of the amusing episodes to drag. Polacco's illustrations, in her standard technique of pen-and-ink with watercolor washes, have a comic, cartoon look, also something of a departure from her usual style. While this title demonstrates Polacco's storytelling range, it is not a central title in her canon.
Rachel G. Payne, New York Public LibraryCopyright 2003 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
K-Gr. 3. After the Graves family move into the house on the hill, they paint it blood red, encourage spiders and bats to share their living quarters, and cultivate enormous Venus flytraps. They try to fit in with the neighbors, but Mrs. Graves' flytrap, Phoebe, kills the plants at the Ladies Garden Club Tea, and Dr. Graves' hair tonic makes its recipients scratch with fleas. Then a Hollywood decorator comes to town to select the best-decorated house of the year, and deems the Graveses' mansion best: "I've never seen such terrifying decor . . . ever!" Polacco uses a light touch--playing with character names and understating her humor--even as she makes the point that the world is big enough for all kinds of people. As always, her colorful artwork is delightful, filled with the denizens of small-town America who are in perfect contrast to the overpowering but well-meaning Graveses. Pair this with Jeffrey Swope's
The Araboolies of Liberty Street (1989) for a another look at unusual neighbors.
Kay WeismanCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.