Grease Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like
Happy Days and films like
American Graffiti), the film adaptation of the Broadway musical
Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Without the fabulously choreographed musical numbers, vibrant colors, and
unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), the film would have to rely on a silly, cliché-filled plot that we've seen hundreds of times. But as it is, the episodic story about the romantic dilemmas of a group of graduating high school seniors remains fresh, fun, and incredibly imaginative. The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in
Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs.
--Dave McCoy Grease 2
Too often, sequels to popular films simply rehash the original film; call it the carbon-copy syndrome. Grease 2 suffers from no such malady, having almost nothing to do with the original film. Sure, it focuses on teens at Rydell High, the imaginary school from the first film, which starred John Travolta and Olivia Newton-John. But other than a few of the teachers, all of the characters are new and so are the songs--and more's the pity. By the time Grease hit the big screen, it already had had almost a decade as a theatrical musical, more than enough time to hone its mock-rock & roll score. But this sequel, which stars among others a then-unknown Michelle Pfeiffer, Maxwell Caulfield, and Lorna Luft (Judy Garland's daughter), has music that's neither fish nor fowl, neither rock nor Broadway. Meanwhile, the plot is a reversal of the first film, in which a cool guy fell for a square girl. In this one, the square is newcomer Caulfield, who catches the eye of tough girl Pfeiffer and her Pink Lady gang. The appearance of such pseudo-stars of the '50s, like Tab Hunter, is supposed to lend a nostalgic kick, but let's just say that Grease 2 slides almost instantly into obscurity. --Marshall Fine
