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The opening number ("Back To School") fools you. It is so energetic and arresting that you think the rest of the movie will be that good. It won't. I can watch the opening number over and over again. Patricia Birch's choreography and direction really shine here. And all the fun secondary characters get their introductions: the goody-goody twins; Connie Stevens sex-pot teacher; the lettermen.
The film picks up speed again with the bowling alley number ("I Wanna Score Tonight"). Hilarious! Lorna Luft plays a Marilyn Monroe-esque Pink Lady and gets to sing her one solo line in this scene. ("Hey, Johnny, Johnny, let's bowl that strike - and I just may be your baby tonight...")
From here it's down hill (but what a spectacle). We get to see Michelle Pfeiffer climb a ladder and sing "Cool Rider". There is an unbelievable number with the students called "Reproduction" ("Where does the pollen go?") that will have you wincing and yet strangely unable to take your eyes away from the screen.
Then, a Thunderbird seduces a Pink Lady with "Let's Do It For Our Country". Oh my!
And finally, Maxwell Caufield shows up in a fabulous motorcycle-leather outfit.
No, not a classic. No, not as good as GREASE. But, oh, so bad it's good!
Grease 2 was considered to be a typical sequel that would do terrible at the box office and not live up to the name it was carrying. It starred two actors, Michelle Pfeiffer and Maxwell Caulfield, who were unknowns in 1982 playing sexual reversal roles from the original. Pfeiffer played the Travolta role and Caulfield played the English version of the Newton-John role. This was the first criticism of the movie from reviews and the general public when it was released. With a sequel, the audience feels more comfortable watching the same characters from the first movie in the second one. Another problem or dislike of the film is that it runs out of story. The main point of the story is how Michael delays revealing himself to Stephanie until the climax of the movie. The filmmakers didn't give Caulfield enough to do, like dancing, which is one of the most important aspects of the Grease movies.
"But what undoubtedly counts are the musical numbers. Tunes were penned by various hands and most of them are well conceived and reasonably clever." (Variety, T. McCarthy, June 9, 1982). The songs are what gives the movie its energy and try to highlight the points of the film when the storyline was drifting. There is a raising ensemble number called "Back to School to start the movie off with a bang, a enlivened bowling alley number called "Score Tonight" and a dirty-minded number called "Reproduction" that turns a biology lesson into an outbreak about adolescent desire. Director and choreographer, Patricia Birch, found the most interesting places to stage the musical numbers such as a bomb shelter ("Let's Do it For Our Country") and a bowling alley ("Score Tonight") and uses some sharp, rapid, short sequences that gives liveliness to most of the dances.
Despite all the bad reviews, I found this musical as enjoyable as Grease. The film's original goal was to appeal to the pre-teens and teenagers, not to the adults. The storyline was simpler and lighter than Grease and the songs were more upbeat and creative. I was not discouraged from seeing this film because Olivia Newton-John and John Travolta were not in it. I usually have an open mind about sequels and consider seeing any one that is made, no matter if it's different.
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