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Great American Composers
 
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Great American Composers

Aaron Copland , Charles Tomlinson Griffes , Morton Gould , Howard Hanson , Charles Gerhardt , Royal Philharmonic Orchestra , Philharmonic Pops Orchestra , RCA Victor Orchestra , RCA Victor Symphony Orchestra Audio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Product Details

  • Orchestra: Royal Philharmonic Orchestra, Philharmonic Pops Orchestra, RCA Victor Orchestra, RCA Victor Symphony Orchestra
  • Conductor: Charles Gerhardt
  • Composer: Aaron Copland, Charles Tomlinson Griffes, Morton Gould, Howard Hanson
  • Audio CD (May 6, 1994)
  • Number of Discs: 1
  • Label: Chesky Records
  • ASIN: B000003GE7
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #383,007 in Music (See Top 100 in Music)

1. Street In A Frontier Town
2. Mexican Dance
3. Gun Battle
4. Celebration Dance After Billy's Capture
5. The Open Prairie
6. The White Peacock
7. Tropical
8. Symphony No. 2, Op. 30 'Romantic': Adagio, Allegro moderato
9. Symphony No. 2, Op. 30 'Romantic': Andante con tenerezza
10. Symphony No. 2, Op. 30 'Romantic': Allegro con brio
11. The Pleasure-Dome Of Kubla Khan
12. Hoe-Down From Rodeo

 

Customer Reviews

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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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10 of 11 people found the following review helpful:
5.0 out of 5 stars Great Hanson Symphony ... Outstanding Griffes, too, October 8, 2007
This review is from: Great American Composers (Audio CD)
Pay no attention to the weird title of this CD -- "Golden Years 1958" is frankly non-sensical and has nothing at all to do with the actual contents of the album, which contains some great interpretations of American orchestral music familiar and rare.

These recordings by Charles Gerhardt, originally made for Reader's Digest back in the 1960s, are some of the better renditions you can find of these pieces. Gerhardt's take on the Howard Hanson "Romantic" Symphony is very fine -- as good as the composer's own interpretation on Mercury, and certainly highly competitive with other readings by Slatkin, Schwarz and others. The Morton Gould miniature is much closer to "pop" than "classical", but is no less engaging for all that. The Copland excerpts from "Billy the Kid" do not include all the numbers we usually hear in the suite, but what's here is very good indeed.

The biggest thrill comes with the two Griffes numbers: The White Peacock and The Pleasure Dome of Kubla Khan. These are powerfully moving interpretations that drive right to the top of the list of choices (Hanson, Schwarz, Falletta and others). In a nod to Stokowski, Gerhardt has tinkered with the orchestration in places, enhancing things particularly in the "tuneful percussion" area. These embellishments work ... in fact, the way Gerhardt alters just a couple notes at the end of the Pleasure Dome -- where the exhausted orchestra finds itself back in the lowest register after the final shattering climax -- is one of the most moving and cathartic moments you'll ever hear in music; it's that special.

Highly recommended, then, as a great traversal of some of the major highlights of American composition from the first half of the 20th Century.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Original recording of Hanson's Symphony used in the 1979 film ALIEN, February 4, 2010
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This review is from: Great American Composers (Audio CD)
I have to admit, the only reason I bought this was to finally get the Gerhardt recording of Hanson's Symphony #2 - The Romantic on cd. This track was used for the end credits of Alien (director Ridley Scott preferred to use it over Jerry Goldsmith's original composition). The master tapes used for this cd are FAR better than what they used in the film. It's the same recording, but with much more clarity and no distortion. Very powerful music.

Pay no attention to the track listing and samples on Amazon, they are incorrect.

Interestingly, Movement 3 of the Symphony was CLEARLY the template used for John Williams' climax for his E.T. score. You know, the whole bike scene leading up to the ship's ascension. It's fascinating seeing how he adapted this piece of music (I assume Spielberg was a fan of this Symphony and asked Williams to draw inspiration from it).

The other pieces of music on the disc are great as well, especially the Copland. A worthwhile purchase.
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