Great Expectations (Barnes & Noble Classics) [Paperback]

Charles Dickens (Author), Radhika Jones (Introduction)

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Great Expectations, by Charles Dickens, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

 

Great Expectations, described by G. K. Chesterton as a “study in human weakness and the slow human surrender,” may be called Charles Dickens’s finest moment in a remarkably illustrious literary career.

In an overgrown churchyard, a grizzled convict springs upon an orphan named Pip. The convict terrifies the young boy and threatens to kill him unless Pip helps further his escape. Later, Pip finds himself in the ruined garden where he meets the bitter and crazy Miss Havisham and her foster child Estella, with whom he immediately falls in love. After a secret benefactor gives him a fortune, Pip moves to London, where he cultivates great expectations for a life which would allow him to discard his impoverished beginnings and socialize with the idle upper class. As Pip struggles to become a gentleman and is tormented endlessly by the beautiful Estella, he slowly learns the truth about himself and his illusions.

Written in the last decade of his life, Great Expectations reveals Dickens’s dark attitudes toward Victorian society, its inherent class structure, and its materialism. Yet this novel persists as one of Dickens’s most popular. Richly comic and immensely readable, Great Expectations overspills with vividly drawn characters, moral maelstroms, and the sorrow and pity of love.

Radhika Jones is a doctoral candidate in English and comparative literature at Columbia University and the managing editor of Grand Street magazine.

Excerpt. © Reprinted by permission. All rights reserved.

From Radhika Jones's Introduction to Great Expectations

Whatever expectations Charles Dickens had for his thirteenth novel, he probably did not anticipate that it would someday come to exemplify the Victorian novel itself. But to the countless contemporary readers who follow the adventures of young Pip, the convict he fears, the girl he loves, and the strange old woman he thinks will make his fortune, Great Expectations is in many ways the quintessential nineteenth-century story: part mystery, part bildungsroman, or novel of education, in which our hero, rising above his modest beginnings, moves to London, prospers, and eventually (he hopes) gets the girl. Pip's course, however, does not run so smoothly, and it is the variations Dickens plays on this theme that prompt us to read Great Expectations both with and against the grain of the Victorian novel, for at times it is less an emblem of tradition than a marker of change in both the English society it depicts and the English novel it represents. There are surprises at work in Great Expectations for both its characters and its readers, who bring to it their own expectations of what a novel should be and do.

A caricature of Dickens displayed in bookstores when the first sections of Great Expectations appeared (in serialized form, as was common for novels in the Victorian era) shows the author at his desk, pen in hand, hair standing on end, exuding genius. The caption reads, "Charles Dickens, from whom we have Great Expectations." Though the pun is obvious, it is worth recalling for the simple reason that it sounds oddly forward-looking, like something one would say of a promising young writer at the beginning of his career. When Dickens began Great Expectations, at age forty-eight, he already had a dozen novels to his name, as well as countless short stories; he was also an accomplished and experienced editor, a powerful publisher, and a prolific generator of nonfiction-articles, editorials, sketches, and so on. Thanks to both his own prodigious skills and the remarkable rise in literacy rates in nineteenth-century England and America-a fortuitous combination of talented writer and eager new readership-Dickens was one of the first bona-fide mass-market writers in history, a best-selling author and, as novelist Jane Smiley observes in a recent biography, "maybe the first true celebrity in the modern sense." If the world had Great Expectations of Dickens, those expectations could be only that he would continue to deliver a product of which he himself was the most significant producer: compelling stories that appeared in monthly or weekly installments to entertain and inform. And so the caricature's caption reminds us of Dickens's intimate relationship to his readership; the novels he produced went from his pen to their hands with a kind of immediacy that no longer exists in the world of fiction outside of journalism. With every installment of his new novel, Dickens would fulfill expectations, even as he stoked the public's appetite for more.

The writing of Great Expectations coincided roughly with a new phase in Dickens's life and career. He had recently left his wife, Catherine, mother of his ten children, and had embarked on a very private affair with a young actress, Ellen Ternan. He had also discontinued his immensely popular weekly journal Household Words, of which he was editor and part-owner, after his copublishers took issue with his decision to print a personal statement, intended to refute rumors about his dissolving marriage, on the front page. Now Dickens was editor of a replacement journal, All the Year Round, in which his historical novel A Tale of Two Cities debuted. Shortly after finishing that work, he began contributing chapters of Great Expectations to boost the circulation, which was sagging due to a lackluster serial by Charles Lever that was then running. (As Dickens's friend and biographer John Forster wryly notes: "A tale, which at the time was appearing in his serial, had disappointed expectation.") Dickens called a staff meeting to discuss options, but he had already decided on a course of action: It was time for him to "strike in." His faith in his selling power did not go unrewarded; circulation of the weekly rebounded and remained healthy for the rest of Dickens's career. But his decision had an impact on the story he was envisioning before it even reached the page. According to Forster, Dickens was planning to compose his new novel-for which he had already conceived the pivotal relationship, between a young boy and a convict-in monthly serial form, comprising twenty numbers, which would have made it a much longer work on the scale of such previous hits as Dombey and Son and Little Dorrit. Publishing it in his weekly journal would require Dickens to reconfigure his idea into a shorter book, along the lines of its predecessor, A Tale of Two Cities. The result is a novel more pruned in its plots, more limited in its cast of characters than others of Dickens's great works. It was a "sacrifice," Dickens told Forster, "really and truly made for myself"-a compromise between Dickens the publisher and Dickens the writer. Thus was Great Expectations born: out of disappointed expectation, transformed from its creator's original expectation. The meanings inscribed in its title had already begun to multiply.

Product Details

• Paperback: 512 pages
• Publisher: Barnes & Noble Classics (March 18, 2005)
• Language: English
• ISBN-10: 1593081162
• ISBN-13: 978-1593081164
• Product Dimensions: 8 x 5.2 x 1.4 inches
• Shipping Weight: 14.9 ounces
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Bestsellers Rank: #514,286 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

3 of 6 people found the following review helpful:

5.0 out of 5 stars You can never go wrong with Dickens, May 19, 2008

By	Misfit (Seattle, WA USA) - See all my reviews (VINE VOICE)    (TOP 1000 REVIEWER)

This review is from: Great Expectations (Barnes & Noble Classics) (Paperback)

How nice to reread an old classic as an adult, instead of in the classroom. A wonderful novel of Pip who comes into his "great expectations" via an unknown benefactor -- who he believes to be Miss Havisham. We see how the influence of money and position affect Pip's relations with his family and former neighbors, and not necessarily for the better. There are lots of surprise twists and turns in the plot, especially about Miss Havisham and her adopted "daughter" Estella and her true parentage.

As always, a Dickens novel is peopled with wonderful and unusual characters that eventually all play a part in telling the story. I understand that there were two endings of this book published. The version I read had only one ending and I don't know which one it was. I will have to search out another version of this book to see which I liked best.