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The Great Gatsby (Cambridge Literature)
 
 
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The Great Gatsby (Cambridge Literature) [Paperback]

F. Scott Fitzgerald (Author), Ken Bush (Editor)
4.1 out of 5 stars  See all reviews (1,331 customer reviews)


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Book Description

Cambridge Literature June 28, 1996
This volume is part of the "Cambridge Literature" series of literary texts edited for study by students aged 14-18 in English-speaking classrooms. The series should provide school students with a range of edited texts taken from a wide geographical spread.

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Editorial Reviews

Amazon.com Review

In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem. --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Readers in that sizeable group of people who think The Great Gatsby is the Great American Novel will be delighted with Robbins's subtle, brainy and immensely touching new reading. There have been audio versions of Gatsby before this-by Alexander Scourby and Christopher Reeve, to name two-but actor/director Robbins brings a fresh and bracing vision that makes the story gleam. From the jaunty irony of the title page quote ("Lover, gold-hatted, high-bouncing lover, I must have you!") to the poetry of Fitzgerald's ending about "the dark fields of the republic" and "boats against the current, borne back ceaselessly into the past," Robbins conjures up a sublime portrait of a lost world. And as a bonus, the excellent audio actor Robert Sean Leonard reads a selection of Fitzgerald's letters to editors, agents and friends which focus on the writing and selling of the novel. Listeners will revel in learning random factoids, e.g., in 1924, Scott and Zelda were living in a Rome hotel that cost just over $500 a month, and he was respectfully suggesting that his agent Harold Ober ask $15,000 from Liberty magazine for the serial rights to Gatsby.
Copyright 2002 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

Product Details

  • Reading level: Ages 14 and up
  • Paperback: 192 pages
  • Publisher: Cambridge University Press (June 28, 1996)
  • Language: English
  • ISBN-10: 0521485479
  • ISBN-13: 978-0521485470
  • Product Dimensions: 7.7 x 5 x 0.5 inches
  • Shipping Weight: 8.5 ounces
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (1,331 customer reviews)
  • Amazon Best Sellers Rank: #1,472,732 in Books (See Top 100 in Books)

More About the Author

F. Scott Fitzgerald was one of the major American writers of the twentieth century -- a figure whose life and works embodied powerful myths about our national dreams and aspirations. Fitzgerald was talented and perceptive, gifted with a lyrical style and a pitch-perfect ear for language. He lived his life as a romantic, equally capable of great dedication to his craft and reckless squandering of his artistic capital. He left us one sure masterpiece, The Great Gatsby; a near-masterpiece, Tender Is the Night; and a gathering of stories and essays that together capture the essence of the American experience. His writings are insightful and stylistically brilliant; today he is admired both as a social chronicler and a remarkably gifted artist.

 

Customer Reviews

1,331 Reviews
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Average Customer Review
4.1 out of 5 stars (1,331 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

176 of 195 people found the following review helpful:
5.0 out of 5 stars Decades later, still great but on different terms., August 24, 2001
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This review is from: The Great Gatsby (Paperback)
Having reread this book for the first time in 20 years, I can confirm that there's a reason that it's considered one of the very best American novels. However, my reaction to the story was different than when I first read it in high school. I recall that back then I was hoping that Daisy and Gatsby's love story would ultimately yield a happy ending. Now, I found them both to be such shallow creatures that they inspired no pity. While I considered the characters to be emotionally stunted, that dooesn't mean I was not impressed with Fitzergerald's skillful rendering. As in most forms of art, in literature it is more difficult to accurately and interestingly portray nothingness than to describe a richly endowed subject. At this more cynical age, I found Daisy to be a remarkable emotional void, and Gatsby's quest to pour all of his hopes and dreams into such a shallow cauldron only confirmed his own vapidity. One thing that hasn't changed in all these years is my amazement at Fitzgerald's ability to set a scene. His descriptive passages are truly poetic, and his command of word choice in unparalleled. All this made for a stimulating and delightful read.
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24 of 24 people found the following review helpful:
5.0 out of 5 stars A Monument in Audio Book History, September 28, 2005
This review is from: The Great Gatsby (Audio CD)
Scott Fitzgerald, a monumental talent who only occasionally got things working right, made Gatsby great by the extraordinary invention of Nick Carraway. Carraway as narrator provided the exact perfect pitch: more awestruck than he would admit, more moral than it was fashionable to reveal -- always objective and distanced and subtle and charming, genuinely decent and impeccably well mannered, a little dangerously smitten himself by the lovely but corrupt Jordan Baker.

Alexander Scourby, one of the greatest reading voices of his era (overlapping Fitzgerald's enough to know and feel it all) here does Carraway in a way that cannot, therefore, again be quite equalled. Imagine having a recording of a great contemporary actor reading Ahab's speeches in Moby Dick, and one begins to appreciate the gift that we only now have in recorded sound, something we are already quite casual about. But there is much more here than historical accuracy. Scourby's voice wraps around every phrase of Fitzgeral's text with both an actor's professionalism and a good reader's care, making it not only uncannily his own monument but also a monument in audio book history. It sets the bar, and anyone interested in the recorded voice as an art form should own this for repeated learning.
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54 of 60 people found the following review helpful:
5.0 out of 5 stars Shines Brilliantly Like a Just-Discovered Piece of Cameo Jewelry from a Bygone Era, April 14, 2008
It's difficult to give any even-handed critique F. Scott Fitzgerald's standard-setting Jazz Age novel since it was required reading for most of us in high school. However, if you come back to it as a full-fledged adult, you'll find that the story still resonates but more like a just-polished cameo piece from a forgotten time. At the core of the book is the elaborate infatuation Jay Gatsby has for Daisy Fay Buchanan, a love story portrayed with both a languid pall and a fatalistic urgency. But the broader context of the setting and the irreconcilable nature of the American dream in the 1920's is what give the novel its true gravitas.

Much of this is eloquently articulated by Nick Carraway, Gatsby's modest Long Island neighbor who becomes his most trusted confidante. Nick is responsible for reuniting the lovers who both have come to different points in their lives five years after their aborted romance. Now a solitary figure in his luxurious mansion, Gatsby is a newly wealthy man who accumulated his fortunes through dubious means. Daisy, on the other hand, has always led a life of privilege and could not let love stand in the way of her comfortable existence. She married Tom Buchanan for that sole purpose. With Gatsby's ambition spurred by his love for Daisy, he rekindles his romance with Daisy, as Tom carries on carelessly with an auto mechanic's grasping wife. Nick himself gets caught up in the jet set trappings and has a relationship with Jordan Baker, a young golf pro.

These characters are inevitably led on a collision course that exposes the hypocrisy of the rich, the falsity of a love undeserving and the transience of individuals on this earth. The strength of Fitzgerald's treatment comes from the lyrical prose he provides to illuminate these themes. Not a word is wasted, and the author's economical handling of such a potentially complex plot is a technique I wish were more frequently replicated today. Most of all, I simply enjoy the book because it does not portend a greater significance eighty years later. It is a classic tale that provides vibrancy and texture to a bygone era. It is well worth re-reading, especially at such a bargain price.
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Key Phrases - Capitalized Phrases (CAPs): (learn more)
Scott Fitzgerald, New York, Miss Baker, West Egg, Tom Buchanan, Long Island, Jay Gatsby, Jordan Baker, Dan Cody, Myrtle Wilson, Miss Baedeker, East Egg, Meyer Wolfsheim, New Haven, Ella Kaye, Middle West, George Wilson, World's Series, Old Sport
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