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The Great History of Russian Ballet (Temporis)
  
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The Great History of Russian Ballet (Temporis) [Hardcover]

Evdokia Belova (Author), E Bocharnikova (Author)


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Book Description

Temporis March 1999
Although the techniques of classical ballet were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. In 1738, the first professional school of dance opened in St. Petersburg. During the 18th century, the Russian Ballet became known for its tragic and its comic ballets. The Russian Ballet reached its apogee during the 19th century. The second half of the century was marked by the collaboration of Petipa, the French choreographer, with the Russian composer Tchaikovsky.

In the early 20th centuy, Diaghilev delighted audiences in the West by presenting his Ballets Russes with supremely talented choreographers, dancers, compers and set designers. This book offers an encyclopedic overview of the entire history of the Russian Ballet, written by a team of scholars.


Editorial Reviews

From Library Journal

The history of Russian ballet, from its beginnings as a segment of operatic productions to the present, is covered by a team of Russian ballet scholars and critics in this beautifully illustrated volume. The years are grouped into categoriesAe.g., the Age of Marius Petipa, the Reforms of Fokine and GorskyAand each chapter is introduced with an overview of the period followed by lengthy biographical entries on the luminaries of that time, including choreographers, teachers, and dancers. The illustrative materialAlargely from Russian museum collections and in most cases not previously publishedAconsists of portraits, stage sets, reproductions of paintings and sketches, costume designs, and performance photographs and is the strength of the publication. The text is accessible, but readers will be aware that it is in translation, and the book lacks certain Western conventions: contributors are cited only in the acknowledgments, paragraphs are few and far between, phrasing is sometimes awkward, and there are no picture credits. Recommended for public and university collections.AJoan Stahl, National Museum of American Art, Washington, DC
Copyright 1999 Reed Business Information, Inc.

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