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Great Neck [Hardcover]

Jay Cantor (Author)
3.0 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

January 14, 2003
From the much-praised author of Krazy Kat and The Death of Che Guevara, the tumultuous story of a group of friends growing up idealistic, radical, and romantic in the sixties and seventies.

We enter their lives in 1960 as a sixth-grade class of Great Neck kids—most of them Jewish—learns for the first time, in horrifying detail, about the Holocaust, with its moral imperative to “make justice” in the world. When the older brother of one of the students is murdered in Mississippi during Freedom Summer, they think they have found their mission, and when they receive letters from him seemingly written after his death, a heady mystical dimension is added that impels them into the civil rights and peace movements, joining their lives to a multitude of others.

Among the huge cast of characters: a boy-genius comic-book artist, who transforms their gang into Superheroes. The lovely long-legged sister of the boy who was murdered and the brilliant kid brother of the black activist killed with him. The gay son of a wealthy art collector, who introduces his friends
to the wild and sometimes dangerous New York art scene. The beautiful daughter of a Holocaust survivor, who joins the ultraradical Weathermen; the quantum physics whiz and Christian mystic who becomes her bomb-maker; and a Black Power leader, who will accompany her and others into their last and most extreme act.

Great Neck brings us inside privileged Long Island childhoods and into the churches and juke joints
and jails of Mississippi, into underground meetings and protest marches fueled by a potent mix of sex, politics, and drugs. It reminds us of the optimism, courage, and dangerous dreams of a generation who sometimes seemed to think they must be superheroes. Above all, Great Neck is the compelling portrait of complex, appealing young men and women shaping and being shaped by the momentous events of their time.

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Editorial Reviews

From Publishers Weekly

Weighing in at nearly 800 pages, Cantor's epic effort to frame the experience of growing up Jewish on Long Island with the radicalism of the '60s and '70s is a chaotic, unfocused sprawl, a book bursting with an overwhelming number of subplots, characters, tangents and the occasional illuminating episode. Cantor introduces his core Long Island peer group in the early chapters, with the most compelling sections exploring the dilemma of Beth Jacobs, an activist who escapes imprisonment after being indicted for a bombing at MIT, only to find herself incarcerated with her African-American counterpart after a robbery goes awry. Cantor then bounces back and forth between the Long Island story lines and those dealing with the African-American group of civil rights activists. Members of the huge cast of characters include Beth's longtime friend Laura, an psychoanalyst with multiple sclerosis; brilliant, scrawny comic book artist Billy Green, who transforms his friends into superheroes; hardcore militant Sugar Cane; and Jacob Battle, a more conflicted revolutionary. Cantor is an accomplished writer who churns up enough material for at least two decent novels here, and both the coming-of-age stories and the race-related material might have worked nicely as either stand-alone books or as part of an ongoing series. But in a single volume, his hyperactive plotting renders parts of the book almost unreadable. The author employed this sort of comprehensive narrative style successfully in The Death of Che Guevara, but given the familiarity of the material, the elliptical, labyrinthine nature of this book will try the patience of even his most avid fans.
Copyright 2002 Reed Business Information, Inc.

From Library Journal

Can a novel be too well realized? Can it give too much detail, insight, and elaboration? These are questions to be asked of Cantor's epic folio, which starts in 1960 with a group of largely Jewish grade schoolers on Long Island learning the lessons of the Holocaust, then takes them through the radical decades of Freedom Summer, Weathermen, Black Power, bombs, and courts-as both defenders and defended. Meanwhile, the group is immortalized through comic-book characters drawn in their image by another member of the group (Billy Bad Ears, in the comic), a genius and best-selling cult favorite. In Cantor's third novel (after The Death of Che Guevara and Krazy Kat), the writing is top-notch, the situations well realized, and the subject interesting. The result will appeal to those who share the book's demographic. As for those outside of it, many will start, but few will finish, as the book overwhelms our need to know. Inside this book there may be a stunning 450-page novel waiting to emerge. For large fiction collections.
Robert E. Brown, Minoa Lib., NY
Copyright 2002 Reed Business Information, Inc.

Product Details

  • Hardcover: 720 pages
  • Publisher: Knopf; 1st edition (January 14, 2003)
  • Language: English
  • ISBN-10: 0375413944
  • ISBN-13: 978-0375413940
  • Product Dimensions: 9.6 x 6.6 x 1.8 inches
  • Shipping Weight: 2.5 pounds
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #2,756,947 in Books (See Top 100 in Books)

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Customer Reviews

9 Reviews
5 star:
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4 star:
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3 star:
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2 star:
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Average Customer Review
3.0 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

12 of 13 people found the following review helpful:
5.0 out of 5 stars The Irony of Holocaust "Blowback" on the North Shore, June 17, 2003
This review is from: Great Neck (Hardcover)
"Great Neck" is one of the most distinctively creative books I have read. Cantor brilliantly interweaves, and depicts a quite plausible interconnection between the impact of the civil rights movementand the Students for a Democratic Society of the late '60s/early '70s as a reaction to the search for sanctuary from anti-semetism, and the Holocaust specifically, in the affluent oasis of Great Neck, Long Island. However, in his tale the author indicates that this quest was quixiotic, that in fact the legacy of the Holocaust cannot be escaped and that their religion's heritage of ethics and responsibility eventually compells Jews to venture from what is safe to advocate for social justice. The irony of the book (in Cantor's rendering) is that as a response to persecution Jews won hard sought after success and moved to Great Neck as a sanctuary to savor their achievements, only to find peace elusive.

To those familiar with the actual Great Neck, LI, the book may come as a surprise. It in no way validates stereotypes of shallow self absorbed exceedingly affluent suburban New Yorkers. This is a complex book that attempts to depict the angst of the experience of a group of the now Jewish upper middle class in a segment of Long Island, who find their tortured heritage impossible to escape. "Great Neck" is an engrossing, substantive and thought provoking book.

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10 of 11 people found the following review helpful:
5.0 out of 5 stars Great Neck is a Must Read, April 6, 2003
By 
H. Peter Karoff (West Newton, MA United States) - See all my reviews
This review is from: Great Neck (Hardcover)
Great Neck is one of those few big novels that comes along and simply sweeps the reader into a world that is radical, idealistic, naive, romantic, and scary as hell. The 60s were tranformational, and somehow Jay Cantor has managed to write with authority and eloquence in the mulitiple voices of that time. How Cantor knows so much about SDS 'kids', drugs, Black Power, and Holocaust survivors, for just a start, is remarkable. The book is not an easy read but it is written so well that you cannot put it down. For anyone who wants to go deep into the sociology of this American Generation,Great Neck is a must read.
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11 of 13 people found the following review helpful:
5.0 out of 5 stars A fabulous and captivating book, February 28, 2003
By 
Jeffrey Edwards (San Francisco, CA) - See all my reviews
This review is from: Great Neck (Hardcover)
In Great Neck, Cantor displays not only a masterful grasp of language, but also of personality, wit, and style. It is a full and beautiful novel, seeped in humanity, with all the passion, pain and pleasure therein. Encompassing much of the turbulent 60's and beyond, Great Neck is part fiction, part fact, and as gripping as it is intricate. We are treated to absorbing, layered, and nuanced glimpses into a mixed cast of intellectual revolutionaries and civil rights activists, drawn primarily from the privileged elite of Great Neck, Long Island, burdened with a sense of guilt over their wealth and opportunity, and driven to find a way to make things right in the world. Stories sometimes told in parallel, sometimes asynchronously, Cantor's prose is woven together with a masterful sense of style and timing that can only be accomplished by great authors and auteurs. Admittedly, Great Neck is neither a light read nor a whimsical journey, but give it the time and attention it deserves and you will be richly rewarded.

Five well deserved stars.

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Inside This Book (learn more)
First Sentence:
On the morning of his thirtieth birthday, Arthur Kaplan-nicknamed Arkey by his brother-in-law and transformed to Ourkey in the Billy Books series Tales from the Kabbalah-bounced nervously in a taxi, bumping along on an Israeli jockey's Island City route to the courtroom. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
extra impulsion, nation sack, hmmm mmm, bad ears, kosher laws
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Great Neck, Sugar Cane, Billy Green, David Watkins, New York, Beth Jacobs, Bobby Brown, Joshua Battle, Jacob Battle, Dewey School, Caleb Carter, Black Power, Laura Jaffe, Leo Jacobs, Ellen Jaffe, Jesse Kelman, Jimmy Benjamin, Arthur Kaplan, Frank Jaffe, Harrison Baker, Michael Healy, Jeffrey Schell, Rabbi Waxman, Arkey Kaplan, Billy Bad Ears
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