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5 of 5 people found the following review helpful:
5.0 out of 5 stars
buy it while copies are still available, November 25, 2009
This review is from: Great Pianists 56 (Audio CD)
Even though this set is no longer available from the manufacturer, it's well worth seeking out a used copy if only to have the Liszt performances which come from Kempff's classic 1950 Decca recording. (These pieces hadn't seen the light of day since their appearance on a Vox Turnabout LP, which I added to my collection in the early 1970's.) Kempff was an unlikely Lisztian, but the rare solo effort included here has stood the test of time - almost sixty years later the playing of some of these pieces remain unparalleled. Indeed, Alfred Brendel, who selected the repertory for this set, regarded Kempff's recordings for Decca the best Liszt ever set down on record. Whether or not they are the "best," they certainly rank among the greatest. Kempff's readings of Eglogue and Au lac de Wallenstadt from the Annees de pelerinage (Suisse) are perfectly paced, shimmering with beauty, as is Gondoliera, one of the supplemental pieces from Venezia e Napoli. While the Sonetto del Petrarca nos. 104 and 123 may not match Arrau's sublime readings on Philips, they are still very fine. The two St. Francis Legends, which open the Liszt segment, are definitely in another category. Kempff's reading of the first Legend, St Francis of Assisi Preaching to the Birds, is absolutely mesmerizing. After a few moments of quiet, Kempff moves into the second Legend, St. Francis of Paola Walking on the Water, which is played with tremendous passion, the surging left-hand patterns overwhelming in their intensity. Just unforgettable.
There's plenty more to savor in this 2-cd set, which is a fine representation of Kempff's pianistic art. The first disc opens with Schubert, one of Kempff's specialties. The sonata in A minor D. 845 receives a taut reading and the recording, made in 1953, is finely detailed. The remainder of the disc is filled out with Beethoven's two movement sonata op. 90 taken from Kempff's 1960's stereo cycle and Mozart's A major piano concerto (no. 23) with Leitner.
My only quibble about this set is the arrangement of the tracks on the second disc: the program should have closed with the Liszt Legends, not opened with them. The three Bach transcriptions which follow sound insignificant after Kempff's titantic reading of St. Francis of Paola Walking on the Water. In fact, anything would sound insignificant after this.
Very highly recommended.
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1 of 2 people found the following review helpful:
5.0 out of 5 stars
The best of the three GPC\Kempff, January 9, 2006
This review is from: Great Pianists 56 (Audio CD)
The second cd of this set is where the value is for Kempff fans. For the average listener, it is most likely the first.
I am a kempff fan, and have often heard about what a great liszt player he was in his younger lionine days. Music and Arts released a disc with some of this material on it, but the real butter is the Legends, the openers on disc 2. This disc, as a whole, is a reflection of the best attributes of this most important artist. From the liszt we go to the bach transcriptions, which are on a hard to find eloquence(australia) import disc(which also includes the greatest third english suite on record).
The amateur listener will most likely be more fullfilled with the first disc of beethoven sonata's and a mozart concerto, both of which are mainstream kempff.
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15 of 25 people found the following review helpful:
5.0 out of 5 stars
Broud and Resounding Music-Making!! From another world., June 1, 1999
By A Customer
This review is from: Great Pianists 56 (Audio CD)
Cortot and Kempff are the two piano-poets of the century, though their musical conceptions are very different. Kempff revolves around Beethoven, Mozart, Brahms, Bach and Schumann, whereas Cortot is associated primarily with Chopin and Schumann. Cortot's playing is soaring, free-spirited, energetic, and poetic, whereas Kempff plays more purely. His interpretations are almost ethereal- other-wordly. But speaking specifically of this disc, two gems I had not known before are now revealed. Strangely enough, the two Liszt Legends recorded in 1950- unusual repertoire for Kempff- are the only "miraculous" interpretaions I have ever heard. Nyireghyazi's is wonderful as well, but Kempff's ability to resonate sound and broaden the musical idea makes these two Legends truly legendary. In the St. Francis Walking on the Waters legend, his waves are never percussive- they are full, broad, and unmenacing. He succeeds in capturing the miracle, putting virtuosity in the background- concentrating on the spirituality of the music. He comes closer than anyone here in reproducing Liszt's conception of the "fullness of piano sound". Other pianists in this series whom I recommend are Alfred Cortot, Claudio Arrau, Maria Yudina, Paderewki, Friedman, Rosalyn Tureck, and of course Horowitz, the super-human bard who reduces all other musicians to cocroaches with his crashing sound.
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